allegorical

An allegorical angelic scene by noted American fine artist, muralist, and illustrator Charles Allen Winter titled “Liberty Unchained.” Our research leads us to believe this was an interior magazine illustration for Cosmopolitan, which ran a series of spiritually relevant writings by Roycroft founder and early twentieth century philosopher Elbert Hubbard under the title “Little Sermons”–all illustrated by Winter. Several of Winter’s “Sermons” paintings were then reproduced in Hubbard’s own publication “The Fra.” From the estate of Charles Martignette, the sadly departed author of the “The Great American Pin-Up.”

Liberty Unchained

Artist: Charles Winter

An inspired and inventive take on the biblical epic of Adam and Eve in the Garden of Eden. Blaine was a unique talent, and counter culture avant-garde artist who worked outside of the confines of the mainstream. A life-long bohemian, his work became increasingly sexual and marginalized from the norm of illustration art, and as time went on he counted the magician Dunninger among his closest friends, and most important patrons. His eerie and erotic style bore witness to his fascination with dark arts.

Garden of Eden

Artist: Mahlon Blaine

A large signed and dated 1917 oil on canvas by Margaret Lindsay Williams, the important Royal Academy award winning Welsh artist. Williams has the distinction of being the lone artist to have had a studio in Westminster Abbey. Along with her darkly beautiful fine art, she painted portraits of Queen Alexandria and The Prince of Wales. In 1922, amidst much hoopla, she was brought to the US to paint President Harding’s portrait. This remarkable large work bears its label from a 1917 London’s Royal Academy exhibition. This is an important large decorative dark masterwork from an artist of the utmost historical significance.

The Devil’s Daughter

Artist: Margaret Lindsay Williams

This set of two pendant oil paintings is unusual within Wenzell’s oervre, both for its classical mythological subject and explicit eroticism. These two paintings were clearly conceived as a matched set; they present a “before” and “after” narrative. The first panel was published as a vignette in the March 26th, 1910 issue of Collier’s magazine but we don’t believe that the second work was created for publication. This pair was displayed in the Wenzell’s 1967 Maxwell Gallery (San Francisco) exhibition, “The Age of Elegance.” An illustrated program is included with sale.

Bacchus and Nude Nymph

Artist: Albert Wenzell

A large allegorical oil on stretched canvas, created for a 1919 Edition Of Randolph Hearst’s Hearst Magazine. Titled ” In The Year Of Our Lord”. A handsome near nude angel in the midst of a gathering of the wretched in a Book of Revelations inspired scene. This mythic and richly iconic humanist, sensuous, yet spiritual art is the genre Charles Allan Winter helped develop. This is a deeply moving and emotionally raw published original painting by this leading artist.

In the Year Of Our Lord

Artist: Charles Winter

We are delighted to offer an extraordinary, large, masterfully executed and cleverly conceived oil on stretched canvas by Charles Bosseron Chambers. This is a dark take on the nude forest nymph theme which captivated the likes of Arthur Spear, Maxfield Parrish and Robert Atkinson Fox. In this work the nude nymph is visted by elfin eared musical satyrs which represent, to the deeply religious Chambers, the underworld of sensuality. This allegorical work is haunting and evocotive, the nude is rendered with great care and a mastery of the female form which is second to none. This is among the finest works we have offered; the painterly technique and technical expertise of C. Bosseron Chambers is masterfully harnessed in this work. Framed in a museum quality art deco aesthetic gallery frame. A haunting epic work that examines the allure of temptation and the temptation of allure.

Nude Forest Nymph Visited By Satyrs

Artist: Charles Bosseron Chambers

A large and bold, early 20th century patriotic German David and Goliath scene, by one of the defining “official” painters of the German empire and later, the Third Reich. This classically styled, expertly rendered scene features a highly eroticized nude David standing strong against the imposing Goliath force. This deeply allegorical mythical painting pronounces the vitality and virility of the German nation, a theme which dominated Nationalist German art throughout the late 19th and early 20th century, even as more abstract movements like German Sucessionism and the Jugendstihl gained prominence internationally.

David and Goliath

Artist: Arthur Kampf

A delightful if somewhat macabre and seemingly allegorical take on an interior nude Harem Scene. Eerily rendered grotesques, satyrs, nymphs, and a female nude in the forefront — ravished by age — cavort in a whimsical Middle Eastern aesthetic interior. Painting is unsigned but guaranteed to be an original work by this well-listed and exhibited artist. A fresh estate auction buy, where a large collection of Brown original paintings were sold over a several month period straight from the artist’s descendents’ estate. Beautifully framed in a period, ornate gesso wood frame as seen and mounted on original suede as presented by artist and found.

Art Deco Nude Harem Scene

Artist: Bob Brown

An early art deco era masterpiece and one of only several oils ever painted by Arthur Spear in this large size. A playful nude nymph and allegorical satyr cavort near a river’s edge, titled in pencil on verso The Unveiling. Retains original carved wood gesso frame that appears to be a Carrig Rohane or similar quality. A masterpiece and a very rare surviving example of Spear’s mastery and Maxfield Parrish-like imagery and painterly technique.

The Unveiling

Artist: Arthur Prince Spear

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