Eugene Savage created this as a preliminary study for the epic murals that grace the Grand Reception Hall of the Elks Veterans Memorial in Chicago, IL.
Artist: Eugene Savage
muralist
Grapefruit Moon Gallery is honored to offer “They Shall Obtain Mercy,” a large and important gouache which served as preparation for one of 11 allegorical murals Savage created for The Elks Veteran Memorial in Chicago’s Lincoln Park neighborhood. The works are still on display at this landmark destination. This deeply moving and symbolic work reflects on the hardships and loss of World War I. This poignant, decorative, important artwork is beautifully matted and framed, and the art has a room-commanding presence.
Artist: Eugene Savage
A streamlined and modernist look at the attractions and Futurama-inspired architecture that graced the 1939 – 1940 New York World’s Fair. This tremendous and bustling work is by the noted muralist, illustrator, and fine artist Andre Durenceau, who was hired with much fanfare to create murals for the Metals Building at this fair. […]
Artist: Andre Durenceau
An epic and poignant large allegorical preparatory painting by Eugene Savage for the mural titled Armistice, which was created for and still resides in the front reception room at The Elks Veteran Memorial in Chicago’s Lincoln Park neighborhood.
Artist: Eugene Savage
The tenth and final proposed mural painting by Mahlon Blaine for a New York City interior showroom for industrial designer Paul Ritter MacAlister, created in 1939 under the pseudonym G.Christopher Hudson. In this original gouache painting a nude uses a movie camera to capture assorted gadgets working together to become a Rube Goldberg machine, in a pointed commentary on the needless complexities of life in the machine age. Painting is handsomely framed and matted behind glass and is initialed lower left from the estate of Paul Ritter MacAlister.
Artist: Mahlon Blaine
The ninth of ten proposed mural paintings by Mahlon Blaine created for a never completed Paul Ritter MacAlister interior space in New York City. Under the pseudonym G. Christopher Hudson Blaine developed this sequence of dystopian views of the machine age. In this work a nude hand feeds dollar bills to an animate yet robotic cash register which serves as the greedy symbolic manifestation of industry. Again the artist employs a patriotic red & white and blue color palette to alarming effect.
Artist: Mahlon Blaine
This is the largest and most detailed and only signed painting from this series by Mahlon Blaine, number eight of ten the verso is titled “Nude on Gadget – Out of Control” and signed “G. Christopher Hudson” with a New York City address. In this image a nude sits atop the observation deck of the Chrysler Building high above New York City in a frozen in time Salvador Dali like winter surrealist cityscape. A frozen water faucet has created a block of ice that a nude goddess sits on oblivious to the cold as city workers attempt to break the ice and another hoists construction lumber from the skyscrapers iconic art deco modernist machine-age observation deck.
Artist: Mahlon Blaine
The seventh of ten mural concepts by Mahlon Blaine for a New York City public space designed by noted industrial designer Paul Ritter MacAlister. This work is stylistically a departure, a cubist abstract half man/half woman nude that guards or invites one into a passageway in a color palette and modernist style suggestive of Picasso.
Artist: Mahlon Blaine
The sixth of ten 1939 mural designs by Mahlon Blaine, which were intended to become murals for the studio or showroom of noted New York City industrial designer Paul MacAlister. A vacuum tube headed, praying mantis-like robot battles a cowering nude goddess in the ongoing saga of the menace of industry. Marked on verso design #6, this comes beautifully matted and framed from the estate of Paul Ritter MacAlister.
Artist: Mahlon Blaine
The fifth of ten 1939 mural designs by Mahlon Blaine, which were intended to become murals for the studio or showroom of noted New York City industrial designer Paul MacAlister. In this scene our nude goddess pours flower petals into the mouth of a robotic machine as a Buckingham Palace Royal Guard on horse cleverly protects her modesty. The adjoining stone masonry watches on in amusement as a bird of pray hovers above tied from a high building rafter that frames the scene. An inspired visionary artwork in a red, white and blue Americana color palette. Marked on verso design #5, this comes beautifully matted and framed from the estate of Paul Ritter MacAlister.
Artist: Mahlon Blaine
