Original Art from the Grand Age of American Illustration
Created to accompany the 13th installment of the serialized novel” Silver Knees” in the April 4th 1931 issue of Liberty Magazine, this oil on canvas painting features a romanticized depiction of love during the Mexican-American war. In this lush scene, Gitana, a gypsy dancer, enjoys an afternoon serenade as her star crossed lover, an American war hero, looks on quietly.
Artist: Norman Price
One of two 1930s oil on stretched canvas paintings we have acquired by Robert T. Riley, a New York state fine artist and illustrator who worked in a social realist / WPA bleak stylized Regionalist aesthetic. In this expressive work, Riley evokes the anxieties caused by a football injury as a player is carted off the field, capturing the multitude of pained expressions on the faces of those gathered. This somber, painting was created during the depths of the Great Depression and it offers bleak commentary on the hardships endured by all men.
Artist: Robert Riley
A kinetic art deco era flapper girl bathing beauty is captured frolicking in the waves in this original oil on canvas pin-up painting by William Soare. Likely created for a pin-up calendar, the work is signed lower left and also marked on the back canvas in the artists hand. William Fulton Soare was a versatile illustrator who was prolific during the 1920s – 30s creating covers for many pulp magazines titles and Boy’s Adventure Magazines. His first assignments were illustrations for calendar reproduction.
Artist: William Soare
An outstanding large oil painting by the well listed and prolific fine artist and illustrator Frederick Sands Brunner, this oil on canvas features a pretty red haired sunlit nude with an engaging smile and pretty figure with porcelain white skin gathering water at a stream. The verso bears a foil gallery label for Newman Galleries in Philadelphia where the artist exhibited and sold many of his his works in this genre.
Artist: Frederick Sands Brunner
A large and beautiful original pastel by Rolf Armstrong that first appeared as a pin-up calendar for The Thos. D. Murphy Calendar Company under the title “Orchids To You”. Armstrong only created eight artworks for the Iowa based company, and as he was already America’s premiere glamour illustrator when he began working with them, he was permitted to retain ownership of his original pastels. He often reworked these slightly for use as covers for College Humor magazine, during the tail end of his ten year association with the periodical. Staying just outside copyright infringement by removing the orchids from the model’s left hand, and placing a “New York” and “C” for copyright under his distinctive signature, this altered version appeared on the cover of College Humor in March of 1936, the last time an Armstrong girl would grace this title. This pastel appears in a mid 1930s “Armstrong Art Service’s” brochure with the title of “Flower of the North” which is included in sale.
Artist: Rolf Armstrong
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This early original pin-up pastel which Earl Moran created for the Brown & Bigelow Calendar Company of Saint Paul Mn is a variation of the 1942 mutoscope card “Easy To Take”. It is unclear whether Moran liked his naughty nurse themed offering so much that he created this similarly styled image soon after its publication, or if this was Moran’s original idea, and Brown & Bigelow asked for him to turn from the French Maid homecoming piece seen here into an example of the popular candy striper pin up which was published as a hotcha girl image.
Artist: Earl Moran
A sophisticated charcoal portrait by iconic and beloved American artist and illustrator James Montgomery Flagg, dated 1936. A severe yet fetching caricature-styled portait of Hollywood film legend Gloria Swanson during her self-imposed seven year hiatus from Hollywood. Flagg created a series of similar portraits for the cover of Photoplay Magazine during the years 1936 – 1938. This was likely commissioned by Photoplay for the series, but scrapped when a rumored return to film by Swanson failed to materialize.
Artist: James Montgomery Flagg
This signed 1936 watercolor by an unidentified artist presents a haunting look at the life of an urban bohemian in Greenwich village New York. Mixing the malaise and grit of Great Depression-era NY with romantic nostalgia for the artist’s communities that flourished during the Ashcan school-period of the early 20th century, this scene presents a view of an artist attempting to find inspiration at the sight of his muse, a sensuously posed nude model, but sinking into debauchery as he cradles a drink in one hand with a tawdry book titled Eros laying on his table. On his wall, unseen by either the artist or model, are his previous creations, including a likeness of the napping dog at his feet. This is an inspired work of urban realism, that dates to the WPA period where unflinching looks at the hidden corners pf life were becoming an increasingly popular topic for the finest American artists.
Artist: Unknown
This rare original painting by Henry Clive graced the cover of the June 18, 1933 edition of William Randolph Hearst’s The American Weekly. Clive was often called upon to create serialized images of pin up enchantresses who embodied a theme. This is one of those works – from a series of images which depicted a variety of maidens about to be struck by cupid’s arrow.
Artist: Henry Clive
This original Old Gold Cigarettes commissioned advertising painting appeared in print in 1939 under the title “Wa-Ta-Hun-Ee!”. That year George Petty created a full years worth of Old Gold Petty girls for the ad agency Lennen & Mitchell, creating continued interest in the Old Gold Brand with the monthly appearance of his deliriously successful pin-up creations. In the scene, a sexy Indian Maiden takes aim with quiver and bow in what has surely become one of the more iconic works by this great artist and illustrator.
Artist: George Petty
