The Saturday Evening Post

[wp_paypal button=”buynow” name=”Come Be My Love by Wesley Snyder” amount=”1975.00″ no_shipping=”2″ quantity=”1″ return=”https://grapefruitmoongallery.com/thank-you-for-your-order” cancel_return=”https://grapefruitmoongallery.com/your-order-was-not-processed” button_image=”https://grapefruitmoongallery.com/wp-content/buy-now.png” target=”blank”] Post-War Romance and Intrigue This well-rendered gouache illustration by artist and illustrator Wesley Snyder features a bubbly blonde sweetheart in a white tennis skirt and a pink sweater emblazoned with the nickname “killer.” Fresh from the tennis court she […]

Come Be My Love

Artist: Wesley Snyder

A glamorous encounter from illustrator Edwin Georgi Offered here is a lovely and glamorous gouache on illustration board painting by American artist and illustrator Edwin Georgi. A dramatic piece created in cool tones, it shows a young glamorously dressed woman in a sequined spaghetti strap dress gripping the knob of a door as an older […]

Girl from the Mimosa Club, Part II

Artist: Edwin Georgi

This large World War II-era illustration is a sprawling depiction of life in Japan for American soldiers. Created with gouache and watercolor by artist and illustrator Stevan Dohanos, this image was published in the July 3, 1943 issue of The Saturday Evening Post to illustrate the short story “A Lot To Learn” by Hal G. […]

A Lot To Learn

Artist: Stevan Dohanos

Illustrator Arthur William Brown’s graphite on paper depiction a chic Parisian street scene populated by American ex-pats was created to accompany a short story by Kenyon Gambier titled The Mad Masquerade in the March 26, 1927 edition of The Saturday Evening Post. Kenyon Gambier was a pen name of U.S. Diplomat Lorin Andrews Lathrop, who […]

The Mad Masquerade

Artist: Arthur William Brown

A defining and haunting American Impressionist oilon board by Henry James Soulen. This painting was created for use as an interior illustration in the February 15, 1919 issue of the Saturday Evening Post(included in sale). Known for his Orientalist exotic aesthetic, Soulen was an early student of Howard Pyle. With Soulen’s signature heavy expressive brush strokes and impasto technique, this work was exhibited in 1983 at the Delaware Art Museum.

The Hippopotamus Parade

Artist: Henry Soulen

This original 1920s oil on board painting by Henry Soulen is a commissioned interior illustration for The Saturday Evening Post. The image shows two figures engaged in what appears to be a traditional “ghost money” ceremony, a Taoist tradition of burning joss paper as an offering to spirits of one’s ancestors. The colorful, boldly painted, […]

Joss Paper Ceremony

Artist: Henry Soulen

Another fine original artwork from the storied Cream of Wheat advertising archives. An original watercolor on illustration board by B. Cory Kilvert titled Lest We Forget. This large and decidedly quaint image borrows from The American Arts & Crafts aesthetic which was firmly rooted into American culture in 1907, when this image first saw light as a full page magazine ad in hundreds of popular publications such as The Saturday Evening Post. Responding to fussy, over ornamented Victorian tastes, the Arts & Crafts movement artists evoked scenes of Dutch mills and serene pastoral views presented in contrast to modern industrialization. This unique and delightful hearth and home image from this iconic advertising campaign is surely one of the most enduring images from this long running series.

Lest We Forget

Artist: B. Cory Kilvert

Grapefruit Moon Gallery just unearthed a small collection of original Campbell’s Soup Kids illustrations. These appeared as print ads in countless American mainstream publications such as The Saturday Evening Post in the 1930s. In this offering a Dolly Dingle-type Campbell’s Soup Kid puts her doll to bed. Accompanying text reads; “Not a drop of Campbell’s left upon her spoon, So the good old sand man’s Coming mighty soon!” Nicely matted and framed behind glass with typewritten caption window.

Sand Man’s Coming Soon

Artist: School of Grace Drayton

One of the more surreal takes on the 1929 stock market crash which led to the Great Depression is on view in this October 1930 Campbell’s Soup advertisement which appeared in The Saturday Evening Post. A Campbell’s Soup Kid reads the latest stock news from a state of the art glass domed stock ticker machine. Wishful text reads “The news that I’m reading look’s dandy to me. Like a plateful of Campbell’s Which fills me with glee.” This original illustration painting is a supremely odd example of Americana advertising.

Dandy To Me

Artist: School of Grace Drayton

Using an inventive pointillism technique, Henry J. Soulen creates a moody and evocative artwork in an American impressionist style in this dramatic painting. This was likely featured as an interior illustration for The Saturday Evening Post. Known for his Orientalist exotic aesthetic, Soulen was an early student of Howard Pyle, he utilized a heavy expressive brush strokes and impasto oil paint technique. The scene features a masked bandit readying himself to duel for the honor of the lovely Edwardian attired maiden.

The Duel

Artist: Henry Soulen