This large original arwork by James Montgomery Flagg, attests to the friendship between peers during the Golden Age of Illustration.
Artist: James Montgomery Flagg
The Golden Gallery
Featured within The Golden Gallery are works by influential artists such as Rolf Armstrong, Gil Elvgren and Earl Moran. These important paintings represent the pinnacle of illustration art , we trust you will enjoy this curated selection of genre-defining examples and unsurpassed rarities from the Grand Age of American Illustration.
Liberty magazine commissioned this painting by Harold Von Schmidt for an excerpt from The Red Napoleon, a 1929 “future history” novel by Floyd Gibbons.
Artist: Harold von Schmidt
On offer is a remarkable published pulp cover painting by Lejaren Hiller (American, 1880-1969), titled Absinthe, for Flynn’s Weekly Detective Fiction Magazine – April 21, 1928. Between 1924 and 1939, the artist created hundreds of covers for this long running title, and this is among the most captivating. The image showcases an up-to-the-minute smoking flapper girl feeling strangely […]
Artist: Lejaren Hiller
[wp_paypal button=”buynow” name=”One Thousand and One Nights – The Harem by Raphaël Kirchner” amount=”5500.00″ no_shipping=”2″ quantity=”1″ return=”https://grapefruitmoongallery.com/thank-you-for-your-order” cancel_return=”https://grapefruitmoongallery.com/your-order-was-not-processed” button_image=”https://grapefruitmoongallery.com/wp-content/buy-now.png” target=”blank”] With great attention to detail and an exquisite sense of realism, this charcoal illustration from artist & illustrator Raphaël Kirchner is an exotic display of Middle Eastern themed eroticism, mystery and intrigue. Kirchner has painstakingly […]
Artist: Raphaël Kirchner
This fabulous original large format pin-up painting by Harry Ekman appeared as a Shaw Barton calendar in 1962, with the title “I Don’t Go Too Far In Any Direction!” Our patriotically dressed curvy co-ed appears to be indulging in that summer’s latest dance craze, swiveling her hips to the year’s biggest musical hits which included “The […]
Artist: Harry Ekman
Who–Who’s There? is a large and genre defining oil on board pin-up painting by Edward Eggleston, which was published by the American Art Works calendar company in the early 1930s. This is a rare surviving published calendar painting by the New York artist, created in an impressive light and shadow technique, capturing an art deco nude […]
Artist: Edward Eggleston
This symbolist watercolor painting by the important Austrian artist Paul Grabwinkler shows a luscious nude on the cliffs with a skeleton at her feet.
Artist: Paul Grabwinkler
An exceedingly scarce original mixed media work by L. Goddard used as a published calendar by The American Art Works Calendar Company, Coshocton Ohio in 1931 as Song of the Nile. “L. Goddard” was the pseudonym for a pair of enterprising artists L.G. Woolfenden, a successful Detroit area commercial photographer, and Rudolphe/ Rudolph Ingerle a Vienna born fine art landscape artist who lived and exhibited at museums and galleries in Chicago after the turn of the last century. Their collaborative efforts resulted in some of the finest and most spectacular images in the Calendar Art genre. The pair was known for fantasy-laden Depression-era escapist themes: Indian Maidens, Gypsies, Salomes, Art Deco Egyptian Beauties and Grecian Goddesses posed in vivid and evocotive Maxfield Parrish -esque dreamscapes.
Artist: L. Goddard
This gouache on illustration board painting was created in 1927 by John Vassos, a singularly unique inventor, industrial designer and artist and illustrator, and appeared in the E.P. Dutton & Company edition of Salome.
Artist: John Vassos
A whimsical art deco original gouache painting titled “La Coquette” by Alberto Vargas. An early work by the Peruvian born pin-up legend exploring the Commedia dell’arte revival that took hold around 1915, the cast of characters in this boldly colored and delightful Edwardian scene features the requisite maiden courted by a Harlequin with slapstick at his side as her guardian looks on in horror. Vargas brings a unique spin to this popular genre and his artistic mastery is apparent even at this early date. This was acquired by Charles Martignette in 1989 from the Vargas estate – the painting is accompanied by a series of Kodak color photographs (dated June 1989) taken by Martignette of this painting, also included are several color photographs of the artist and Martignette taken shortly before Vargas’ death in 1982.
Artist: Alberto Vargas
