With great attention to detail and an exquisite sense of realism, this charcoal illustration from artist & illustrator Raphaël Kirchner is an exotic display of Middle Eastern themed eroticism, mystery and intrigue.
Kirchner has painstakingly rendered the nude forms of two harem slave girls in captivity shown in a less than glamorous setting, shackled and sitting on the floor to eat. An emotional and alluring presentation.
This is the original illustration; it was reproduced in heliogravure as a bookplate for a German translation of the One Thousand and One Nights stories. The 18 volume collection was titled Das Buch der Tausend Nächte und der einen Nacht (C.W. Stern, 1906).
With uniquely trimmed margins to match the vignette style of the bookplate, this illustration has been professionally matted and framed. Truly a gorgeous example from Kirchner whose Art Nouveau illustrations and “Kirchner Girls” are among the very best of the era.
Raphael Kirchner (1876 – 2 August 1917) was an Austrian artist, principally a portrait painter and illustrator best known for Art Nouveau and early pin-up work, especially in picture postcard format. His work served as an early inspiration to Peruvian painter Alberto Vargas, who had a career in the United States for the film and men’s magazine industry.
Kirchner was born in 1876 in Vienna, Austria, and attended the Academy of Fine Arts Vienna. He moved to Paris in the year 1900, making illustrations for such magazines as La Vie Parisienne.
In 1914, at the outbreak of World War I, Kirchner moved to the United States. He lived in New York City until his death in 1917.
Raphael Kirchner produced over a thousand published paintings and drawings in his lifetime, mostly in the form of picture postcards. His orientalist “Geisha” series was among his most popular, with over 40,000 cards sold. The series is a notable example of the cross-influence between Art Nouveau in the West and Japanese art of the Meiji and Taishō periods. Kirchner’s often mildly erotic paintings of feminine beauty, in convenient postcard and magazine page form, were among the early pin-ups favored by European and American soldiers in World War I. Peruvian painter Alberto Vargas cited Kirchner as an influence, and was noted for his own paintings of beautiful women in a related style. He painted for movie posters and later illustrations in men’s magazines. Kirchner worked as an artist for Florenz Ziegfeld, Jr. and his Follies whereupon his early death Vargas took over the lucrative account from his predecessor and influencer.
Kirchner’s lasting influence on the pin-up genre was still recognized in the World War II pin-up heyday period. Kirchner also produced a small number of sculptures, some of which were photographed for postcards as well. In New York, he also produced costume designs for musical theatre productions.
