jazz age

A deeply romantic jazz age view of Gilda Gray, “the Shimmy girl” from her starring turn in “The Devil’s Dancer.” This is a treasure of the orientalist movement in photography in the 1920s, featuring the theater and film star in highly exotic lush costuming and soft focus, hyper close up style. The rich sepia of the photography and the soft focus were among the signatures of photographer Irving Chidnoff, who specialized in these idealized yet realistic photographic portraits of theater and films stars in New York.

Gilda Gray in Sepia

Artist: Irving Chidnoff

A hard-boiled and erotically posed masterful gallery portrait photograph of Winifred Shaw, from her role in the Rodger’s and Hart play “Simple Simon.” Shaw, a unique beauty with vixenish jazz age features, was soon to become a Hollywood musical performer in the wild Depression era productions of the 1930s. In this photograph by Roberts, with its naturalistic styling, and provocative smoking view, Winifred Shaw is shown in all her unique beauty and iconic eroticism. A rare example of the raw sexuality of jazz age theater photography.

Erotic Winifred Shaw Smoking

Artist: Roberts of Boston

A rare surviving early signed cover painting by Enoch Bolles for the October 1925 issue of Film Fun Magazine. A delightful modernist flapper girl envisioned as only Bolles could see, titled “Port ‘O Dreams”. Painting is initialed lower middle and in a fine state of preservation. Recent auction records for this artist have topped $30,000.00 and as collectors know his original cover works are very scarce.

Port ‘O Dreams

Artist: Enoch Bolles

A whimsical roaring twenties stylized art deco pen & ink illustration by John Held Jr. for “Dutton’s Au Revoir Boxes”. Framed with the original box label this was created for, a nautically themed work with a sailor and his flapper girl sweetie. The Park Avenue, New York company manufactured durable boxes that were to be used in cruise ship travel. From the Charles Martignette estate.

Au Revoir

Artist: John Held, Jr.

A luminous and sensational oil on canvas by Charles Edward Chambers, a masterful magazine and advertising illustrator of the jazz age. Chambers created this remarkable, highly sensuous Polynesian enchantress scene as a commissioned interior magazine illustration, likely for Cosmopolitan where he was under exclusive contract for many years. This uninhibited and erotic island dance scene is one of Chambers’ finest paintings, and a masterful example of early 20th century exoticism in illustration.

Fire Dancer

Artist: Charles Edward Chambers

A well rendered and rare surviving 1920s original oil on board illustration by the prolific New York artist Charles M. Relyea. Featuring an art deco Indian Maiden this is a fine example of American calendar art and was a widely published image titled “Chums” which evokes the allure of the Indian Maiden and wonderfully captures the Depression-era popular fascination with exotic-themed escapism.

Chums

Artist: Charles Relyea

A dazzling, large oil on canvas painting by frequent Saturday Evening Post cover artist Frederic Stanley. This wild prohibition-era, Charleston-dancing, Roaring Twenties flapper girl celebrates a Loew’s Theatre New York Policeman’s Ball Burlesque show. This is a wonderfully rendered artwork and a piece of New York history originally owned by Eve Green, the first wife of hotel magnate Harry Helmsley. Created for the cover of the program associated with this 1926 review, this important work showcases the 1920s jazz-age aesthetic of Manhattan’s bustling Vaudeville/Burlesque social scene.

The Policeman’s Ball, 1926

Artist: Frederic Stanley

The second work from a pair of 1920s gouache paintings by the Minneapolis Minnesota artist Lee Mero, titled “Land O’ the Sky Blue Water.” This retains its brightly colored pin striped art deco enamel painted wood frame. This was likely a commissioned work for the Buzza Motto Company who prospered during the Roaring 20s Jazz Age years providing prints, plaques, bridge tallies and menu books that captured the style and aesthetics of the burgeoning modernist art deco movement. This beautiful depiction of northern Minnesota’s 10,000 lakes glory captures the fascination with Native American culture with an Indian Chief in a birch-bark canoe and blue heron birds that are indigenous to the area.

Land O’ the Sky Blue Water

Artist: Lee Mero

A scarce and wonderful original gouache painting on illustration board by Anne Harriet Sefton a.k.a. Fish; this was the cover for The December 1921 Christmas edition of Vanity Fair Magazine. Work is in the humorous yet refined swinging youth style that came to personify the art deco jazz age. Painting is elaborately framed in a hand carved ornate antique wood frame and comes with a bound volume of 1921 Vanity Fair Magazines which includes the complete December 1921 volume.

Three Under The Mistletoe

Artist: Anne Harriet Fish

A delightful original pastel by Charles Sheldon of a lavishly-attired Gloria Swanson posed in the style of a Follies Showgirl, bathed in red light. Double matted and framed in a period art deco gesso wood painted frame.

Follies Girl in Red

Artist: Charles Sheldon

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