An exceptional pastel rendering of a Gloria Swanson in blue glamorous Follies showgirl manner by Charles Sheldon. Pastel is double matted and framed in a museum quality carved wood frame.
Artist: Charles Sheldon
jazz age
Grapefruit Moon Gallery is happy to offer an original gouache illustration likely used as the final preliminary study for the cover of the May 17th, 1930 Edition of Judge Magazine. Verso reads “Cover for Judge, Joseph Morgan.” Work is in a John Held Jr. jazz age, modernist style with a flapper girl enduring the attention of an over zealous Soda Fountain attendant. The smaller sight size leads us to believe this is not the completed cover, but it is the most fun you can have in the world of Illustration art for $850.00.
Artist: Joseph Morgan
A dazzling art deco era original oil on canvas by noted New York Illustrator Walter Beach Humphrey. Humphrey did 3 covers for The Saturday Evening Post in 1923. He also was a frequent cover contributor for Colliers , Liberty and Argosy Magazines. He currently has works on display at the Norman Rockwell Museum in their Toast of the Town exhibit. The model was the artist’s wife Connie Regina. I am assuming this was painted as a decorative work as I cannot imagine a cover it could have been used for with the possible exception of a Burlesque or Follies Bergere type program cover.
Artist: Walter Beach Humphrey
A large and deftly rendered interior illustration painting by beloved American Illustrator James Montgomery Flagg. Created for a 1920s edition of Hearst’s Magazine. A young jazz age couple who find themselves with 3 young children are pondering their sleep deprived chaotic extistence with “Twisted Hearts”. Flagg was a wildly popular prolific illustrator who is best known for creating The Uncle Sam characterization that has become an iconic American part of history. Work is nicely matted and framed.
Artist: James Montgomery Flagg
This Everett Shinn pencil & gouache artwork offers a humorous take on class relations, and seemingly, the effects of intoxication. A well-heeled gentleman is shown face down in the grass as an unflappable butler bends down to assess the situation. Shinn was renowned for his ability to capture the minute distinctions of society and debauchery, and this artwork displays his fluid and lively style.
Artist: Everett Shinn
This jazz age artwork from the late fall of 1924 smartly blends Halloween season & boxing as a metaphor for the presidential election of that November. In this vibrant gouache, used as a cover for “The Brooklyn Eagle Sunday Magazine,” an Uncle Sam-inspired ring girl attempts to keep the peace between the two parties. This is a spirited roaring 20s time capsule.
Artist: Charles Verschuuren
This kinetic and bold original oil on canvas depicts a moment from choreographer and dancer Katharine Dunham’s seminal avant garde revue Bal Negre. With its unique color palate and unexpected perspective, the painting evokes the excitement of the Hot Jazz modern dance which reached its peak at the moment the artist moved to the United States. Pal Fried was known for his unsurpassed ability to capture the emotion of dance, and this painting proves his mastery with its physicality and vanguard beauty.
Artist: Pal Fried
A large pastel by Leon Dolice featuring a stark view of an illuminated New York City skyline. Leon Dolice worked for over 60 years painting New York City views borrowing from the French Impressionists and Claude Monet specifically. His countless pastel variations capture his beloved Manhattan in varying lighting and color combinations and pastel configurations. The work highlights the extreme skyscraper forms and machine age industrialism which transformed the New York skyline during the art deco jazz age. A fresh estate find from the Collection of The Mayo Clinic in Rochester Minnesota.
Artist: Leon Dolice
A charming and vanguard view of the generation gap which incited “The Jazz Age”. Boomerang, which in the 1910s was synonymous with backfire, was a key flashpoint term of the era, since the older generation found all their efforts to instill their Victorian values on their children failed drastically. This lovely watercolor work is by Rose O’Neill, the most famous and prolific female illustrator of the early 1900’s. She is best remembered for her creation the Kewpie doll.
Artist: Rose O'Neill
A rare surviving original oil painting by Leslie Thrasher which was created as cover art the June 18, 1927 issue of Liberty Magazine. A Westward expanionist-themed view of California real estate speculation and planned communities, featuring a handsome modernist jazz age couple imagining their new life at the intersection of Buena Vista Boulevard & Broadway. Hope, determination and an underlying tension are created with the surprising color palette and the placement of the central figures against a surround that lies purely in the speculative imagination.
Artist: Leslie Thrasher
