Grapefruit Moon Gallery

Original Art from the Grand Age of American Illustration

Charles Edward Chambers

A haunting and epic large scale finely detailed and tonally impacting oil on canvas painting by Charles E. Chambers. An Orientalist Black Market alter scene that utilizes ochre and umber tones in a dark and menacing suspense filled manner. This was an interior illustration for “Sons” the second book in the Good Earth trilogy by Pulitzer Prize winning author Pearl S. Buck. This eerie and emotionally powerful image illustrates a pivotal scene in which the Wang family, having lost their fortune through opium promiscuity, is forced to sell their village estate and its contents, in a black market auction of sorts.

Before the Altar

Artist: Charles Edward Chambers
Price:  $9,850.00

This powerful example of golden age American illustration art playfully explores the tension between past and future presented in the early motor age. In this affecting unsigned image, the cliche of the Western Americana “Westward Ho” expansion scene is reinterpreted through the addition of an up-to-the-minute flapper girl in an adorable cloche hat. Beneath our heroine–who, along with her car, is checked out by a cowboy attired service attendant–text reads “Forms No Hard Carbon.”

Forms No Hard Carbon

Artist: Unknown
Price:  SOLD

This large and luminous oil on canvas by Charles E. Chambers was created most likely as an interior story illustration for The Saturday Evening Post. Though the piece is unsigned, it contains all of the characteristics of Chambers work, and is undoubtedly an example of his glossy magazine socialites. Dating to about 1930, the scene features a number of refined jazz age beauties in modest yet flapper inspired apparel enjoying a garden teatime with a dapper suitor.

Tea in the Afternoon

Artist: Charles Edward Chambers
Price:  Sold

A luminous and sensational oil on canvas by Charles Edward Chambers, a masterful magazine and advertising illustrator of the jazz age. Chambers created this remarkable, highly sensuous Polynesian enchantress scene as a commissioned interior magazine illustration, likely for Cosmopolitan where he was under exclusive contract for many years. This uninhibited and erotic island dance scene is one of Chambers’ finest paintings, and a masterful example of early 20th century exoticism in illustration.

Fire Dancer

Artist: Charles Edward Chambers
Price:  S O L D

A vignette style interior illustration by Charles Chambers for an as of yet undetermined American slick magazine, featuring a damsel being rescued from rising waters in a precarious flood zone destination. This style of vignette painting likely had text overlaid in in the final printed version. The white painted expanses upper left and lower right would become part of the story developments and turns, to keep the 1920s magazine reader glued to the adventure and action in the story.

From the Flood

Artist: Charles Edward Chambers
Price:  S O L D

 

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