Original Art from the Grand Age of American Illustration
A finely executed dated 1927 pen & ink illustration on board by Cardwell Higgins with inventive art deco style. A Persian attired Orientalist showgirl is depicted in a burlesque vaudeville-era Ziegfeld Follies inspired theatrical production. The work recalls the erotic and stylized pen & ink works of British artist Aubrey Beardsley.
Artist: Cardwell Higgins
A tense and well rendered set at sea Golden Age of Illustration painting by the noted and prolific American artist Ralph Pallen Coleman, signed and dated 1925 in the lower right corner. Set aboard a ship at sea, the image hints that the vessel is heading into troubled waters at least metaphorically. While the well groomed male calmly prepares to light his pipe, his pretty flapper companion holds her hand over her heart, both attracted to and made nervous by taking this trip with her suitor.
Artist: Ralph Coleman
This is the very rare surviving original pastel illustration on board by Emil Flohri of Rudolph Valentino as the title character in Son of The Sheik, the controversial romantic adventure that was unexpectedly the final film starring silent filmdom’s first iconic heartthrob. This signed pastel was commissioned and used as the cover for the September 1926 edition of Motion Picture Magazine, and was published almost simultaneously with the unexpected death of Valentino on August 23rd, 1926. A complete copy of the printed magazine is included in the sale.
Artist: Emil Flohri
Grapefruit Moon Gallery is delighted to offer the original published cover pastel by the obscure female New York City Illustrator Tempest Inman used for the July 1922 cover of Photoplay Magazine. This captures to great affect the smoldering intensity and rugged good looks of the Latin lover film star Rudolph Valentino. This is easily the most famous movie magazine cover in Hollywood film history the image is reproduced as the cover of the hardcover book “Photoplay Treasury” that came out in 1972. This was owned by Ken Galente in New York City who operated The Silver Screen Gallery in the garment district for many years until his death. I had the pastel silk lined and framed in a 22 carat gold leaf frame and it displays wonderfully, the condition is excellent with strong vibrant colors and great clarity.
Artist: Tempest Inman
A large and beautiful original pastel by Rolf Armstrong that first appeared as a pin-up calendar for The Thos. D. Murphy Calendar Company under the title “Orchids To You”. Armstrong only created eight artworks for the Iowa based company, and as he was already America’s premiere glamour illustrator when he began working with them, he was permitted to retain ownership of his original pastels. He often reworked these slightly for use as covers for College Humor magazine, during the tail end of his ten year association with the periodical. Staying just outside copyright infringement by removing the orchids from the model’s left hand, and placing a “New York” and “C” for copyright under his distinctive signature, this altered version appeared on the cover of College Humor in March of 1936, the last time an Armstrong girl would grace this title. This pastel appears in a mid 1930s “Armstrong Art Service’s” brochure with the title of “Flower of the North” which is included in sale.
Artist: Rolf Armstrong
A sophisticated charcoal portrait by iconic and beloved American artist and illustrator James Montgomery Flagg, dated 1936. A severe yet fetching caricature-styled portait of Hollywood film legend Gloria Swanson during her self-imposed seven year hiatus from Hollywood. Flagg created a series of similar portraits for the cover of Photoplay Magazine during the years 1936 – 1938. This was likely commissioned by Photoplay for the series, but scrapped when a rumored return to film by Swanson failed to materialize.
Artist: James Montgomery Flagg
This signed 1936 watercolor by an unidentified artist presents a haunting look at the life of an urban bohemian in Greenwich village New York. Mixing the malaise and grit of Great Depression-era NY with romantic nostalgia for the artist’s communities that flourished during the Ashcan school-period of the early 20th century, this scene presents a view of an artist attempting to find inspiration at the sight of his muse, a sensuously posed nude model, but sinking into debauchery as he cradles a drink in one hand with a tawdry book titled Eros laying on his table. On his wall, unseen by either the artist or model, are his previous creations, including a likeness of the napping dog at his feet. This is an inspired work of urban realism, that dates to the WPA period where unflinching looks at the hidden corners pf life were becoming an increasingly popular topic for the finest American artists.
Artist: Unknown
A brilliantly rendered pen & ink illustration by the legendary New York City illustrator Al Hirschfeld. In this tightly rendered “two worlds collide” image in which by the Russian populist poet Yevgeny Yevtushenko embraced by America as represented by cultural icon Bob Hope. The scene offers a lighter look at the Cold War tensions that occurred as politically active Soviet poets gained prominence in the US.
Artist: Al Hirschfeld
Cubist Maidens is a lyrical and poignant original mixed medium fine art painting by the prolific and well remembered science fiction and pulp cover artist Virgil Finlay. Work is signed and dated lower left and again on the verso. Modernist and inventive in style, the work is executed in grease pencil and water color, with a scratchboard technique of cutting back into the drawing used to define the faces. This unusual example deftly shows the technical mastery and imagination of this important American illustrator.
Artist: Virgil Finlay
Grapefruitmoongallery is proud to offer one of 3 original commissioned large circular oil paintings that adorned the restaurant walls of Larue’s a legendary Hollywood, Sunset Blvd. haunt that was owned by gangster character actor Jack LaRue. Henry Clive was a frequent patron and close friend of LaRue, and this painting, titled Spirit of Capri was purchased directly from the restaurant about 45 years ago by the artist’s son Henry Clive O’Hara. In addition to being a prolific cover illustrator for Randolph Hearst’s American Weekly, Clive painted several large risque and attention garnering commissioned mural works for Hollywood landmarks like The Jade and The Masquers Club as well as LaRue’s.
Artist: Henry Clive
