american

Legendary American pin-up illustrator Earl Moran was one of the first to discover a muse in the iconic Hollywood legend Marilyn Monroe. During the late 1940s Monroe famously worked as a pin-up model for the Blue Book agency, posing under her real name of Norma Jeane Dougherty. After Moran transitioned away from the hectic life of a calendar artist to focus on his fine art painting, he revisited Marilyn, who was by then a platinum blonde Hollywood bombshell, through an arrangement with The Aaron Brothers Galleries, Laguna Beach CA.

Marilyn Monroe in the Nude

Artist: Earl Moran

An eerie and post apocalyptic Los Angeles cityscape appears in this original pulp painting by Lloyd Birmingham used as the cover for “Analog – Science Fact, Science Fiction”, Feb. 15, 1962. Dating both the birth of the era of space exploration (John Glenn would become the first American to orbit the earth one week after the appearance of this issue) and anxieties about the foreign menace of the Cold War Soviet Union, this painting imagines a Los Angeles which has been occupied by aliens and left to rot until it is merely a spaceport for a backwater planet.”

Spaceport : Backwater Planet

Artist: Lloyd Birmingham

The iconic original sci-fi pulp painting by Lloyd Birmingham was created for and used as the cover of “Amazing – Fact and Science Fiction” April 1962. Illustrating the Mark Clifton interior story “Hang Head, Vandal!” this shows a haunting image of a scarecrow made from what remains of a spaceman perched up over the plains of a flatly rendered landscape, made up of but a few perspective lines trailing away into the distance creating a surreal and cerebral science fiction fantasy image.

Hang Head, Vandal!

Artist: Lloyd Birmingham

The original gouache cover painting by Lloyd Birmingham used for the December 1964 “Stories of Imagination – Fantastic” pulp magazine published by Ziff-Davis, illustrating the Philip K. Dick short novel “The Unteleported Man”. A fresh to the market cover published pulp painting that had remained for decades in the artists upstate New York estate. Work is handsomely framed in a retro looking limed oak fine gallery frame behind glass, comes with the complete published December 1964 edition of Fantastic Stories of Imagination.

The Unteleported Man

Artist: Lloyd Birmingham

A lurid and genre defining erotic paperback book cover for the 1950 Quarter Books Publishing Company title “Illicit Pleasure” written by Peggy Gaddis. The artwork is unsigned with verso information by our colleague Fred Taraba with affirmation that this work was done by Rudy Nappi. This is an inspired subversive image with our cover girl Linda Blaine showing her “body that could make even the most confirmed woman-hater sit up and beg…” enticing an enlisted man to take notice down at the pier.

Illicit Pleasure

Artist: Rudy Nappi

One of two 1930s oil on stretched canvas paintings we have acquired by Robert T. Riley, a New York state fine artist and illustrator who worked in a social realist / WPA bleak stylized Regionalist aesthetic. In this expressive work, Riley evokes the anxieties caused by a football injury as a player is carted off the field, capturing the multitude of pained expressions on the faces of those gathered. This somber, painting was created during the depths of the Great Depression and it offers bleak commentary on the hardships endured by all men.

The Football Injury

Artist: Robert Riley

A haunting original watercolor on board verso stamped for use by The Saturday Evening Post by acclaimed American illustrator Henry Soulen. From a pre-air travel era in American popular culture when tastes ran towards the exotic, foreign and mysterious. Nicely framed in a period gesso gold wood frame.

Interior Orientalist Scene at an Altar

Artist: Henry Soulen

This cheeky and colorful original gouache cover illustration painting by the well listed Wisconsin artist Lester Bentley graced the cover of Rogue For Men Magazine, August 1956. Both Lloyd Rognan and Lester Bentley were encouraged as cover artists for Rogue to have fun with their mascot–a caddish, happy go lucky, wolf of distinction. This cover features the Rogue Wolf seaside preparing a beverage in a streamlined art deco cocktail shaker for his bathing beauty companion; bottoms up indeed! Nicely framed and matted behind glass and ready to hang.

“Bottoms Up” Abroad

Artist: Lester Bentley

An outstanding large oil painting by the well listed and prolific fine artist and illustrator Frederick Sands Brunner, this oil on canvas features a pretty red haired sunlit nude with an engaging smile and pretty figure with porcelain white skin gathering water at a stream. The verso bears a foil gallery label for Newman Galleries in Philadelphia where the artist exhibited and sold many of his his works in this genre.

Art Deco Nude at Stream

Artist: Frederick Sands Brunner

This powerful example of golden age American illustration art playfully explores the tension between past and future presented in the early motor age. In this affecting unsigned image, the cliche of the Western Americana “Westward Ho” expansion scene is reinterpreted through the addition of an up-to-the-minute flapper girl in an adorable cloche hat. Beneath our heroine–who, along with her car, is checked out by a cowboy attired service attendant–text reads “Forms No Hard Carbon.”

Forms No Hard Carbon

Artist: Unknown

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