Original Art from the Grand Age of American Illustration
John Berkey is remembered today as one of the leading figures of the golden era of science fiction. Most identified with his posters for the original Star Wars film, Berkey was a technically brilliant commercial illustrator and his vision is what we see in our minds eye when we picture “outer space.” A prolific illustrator of […]
Artist: John Berkey
An other-worldy science fiction themed interior editorial illustration by the British illustrator Peter Lloyd for the December 1977 issue of Chic Magazine. For a story titled Close Encounters In Acapulco by Don Strachan. The story’s tag line reads… “When the world’s top UFO experts met in Mexico, they turned out to be as spacey […]
Artist: Peter Lloyd
This original oil on canvas painting, used as the cover for the January 1955 pulp digest, Imagination – Stories Of Science And Fantasy, offers a whimsical mid-century futuristic look at the then far-off year of 1990. The 1950s were abundant with delightfully optimistic and utopian visions of what future life would look like – works like […]
Artist: Harold McCauley
A remarkable, pulp cover painting by Harold H.W. McCauley for the Ziff-Davis science fiction pulp title Fantastic Adventures. Created as the cover for the July 1947 issue, illustrating the interior story “Goddess of the Golden Flame” by William P. McGivern. This is a dazzling work that combines suspense, peril and drama, with a […]
Artist: Harold McCauley
A spectacular, large format, science fiction painting by Dean Ellis which was first used as the paperback cover for the 1970 Corgi published compilation of science fiction writing, SF-5 New Writings in Science Fiction, one of a series of 30 British science fiction anthologies released from 1964 to 1977 under the successive editorships of […]
Artist: Dean Ellis
This May 1930 science fiction pulp gouache painting on illustration board by noted comic artist Charles Clarence Beck who signed much of his work C.C. Beck illustrates a poem by Donald Wandrei titled Marmora. Our research suggests this could be the earliest published example of Beck’s work, as it predates his first known job by a few years. The work is sensational with a cobalt blue color palette and precise landscape work which appears to be influenced by Rockwell Kent.
Artist: C. C. Beck
This original gouache pulp magazine cover painting by Lloyd Birmingham used for the December 1961 issue of Fantastic Stories of Imagination illustrates the Daniel Galouye short novel “Spawn of Doom”. The image features an alien astronaut breaking into a museum window to stop a sentient spore-based life form from taking over planet earth and destroying the human race. Painting is handsomely framed and matted behind glass and comes with the magazine which this appeared as cover art for.
Artist: Lloyd Birmingham
An eerie and post apocalyptic Los Angeles cityscape appears in this original pulp painting by Lloyd Birmingham used as the cover for “Analog – Science Fact, Science Fiction”, Feb. 15, 1962. Dating both the birth of the era of space exploration (John Glenn would become the first American to orbit the earth one week after the appearance of this issue) and anxieties about the foreign menace of the Cold War Soviet Union, this painting imagines a Los Angeles which has been occupied by aliens and left to rot until it is merely a spaceport for a backwater planet.”
Artist: Lloyd Birmingham
The iconic original sci-fi pulp painting by Lloyd Birmingham was created for and used as the cover of “Amazing – Fact and Science Fiction” April 1962. Illustrating the Mark Clifton interior story “Hang Head, Vandal!” this shows a haunting image of a scarecrow made from what remains of a spaceman perched up over the plains of a flatly rendered landscape, made up of but a few perspective lines trailing away into the distance creating a surreal and cerebral science fiction fantasy image.
Artist: Lloyd Birmingham
The original gouache cover painting by Lloyd Birmingham used for the December 1964 “Stories of Imagination – Fantastic” pulp magazine published by Ziff-Davis, illustrating the Philip K. Dick short novel “The Unteleported Man”. A fresh to the market cover published pulp painting that had remained for decades in the artists upstate New York estate. Work is handsomely framed in a retro looking limed oak fine gallery frame behind glass, comes with the complete published December 1964 edition of Fantastic Stories of Imagination.
Artist: Lloyd Birmingham
