Original Art from the Grand Age of American Illustration
A futuristic and important rare surviving science fiction themed mixed medium illustration by Edward Emshwiller used as the cover for the first sci-fi anthology compiled by Gnome Press under the title “Science Fiction Terror Tales” in 1955. Beautifully framed and matted behind glass and signed “Emsh” lower middle with the artists ink-stamped address on the verso.
Artist: Emsh
A haunting and technically masterful painting on board by science fiction and pulp illustrator Hannes Bok, the first artist to win the prestigious Hugo Award. In 1954, Bok contributed this image for the back cover plate of Destiny – No.10, the early sci-fi fanzine published to coincide with the 12th World’s Science Fiction Convention in San Francisco. In that usage, the Tolkien-esque martian illustrates the the Richard E. Geis poem “Kill Me Earthmen.” This is titled on verso “Sentry” and is dated 1944 lower left.
Artist: Hannes Bok
An inspired and outrageous, entirely hand painted and created paper-mache decorative mask by Hannes Bok, this captures an exuberant, outlandish Art Deco Egyptian – Orientalist style. One of our favorite illustrators, Bok was born Wayne Woodard and grew up in Duluth Minnesota. As an adult, the artist carved out a meager living as an illustrator and “part time astrologer”. What we love most about Bok is his steadfast idealism and refusal to conform to the whims and rigors of publishing trends. Not surprisingly Bok died penniless in New York City. As today’s collectors and scholars unearth the lost history of the pulps the star of Hannes Bok burns brighter than at any time during his long and prolific career.
Artist: Hannes Bok
A bizarre and other-wordly rare surviving pulp cover painting by Harold W. McCauley for the October 1949 edition of “Amazing Stories”. A lurid and menacing, yet strangely beautiful illustration for the story “Tiger Women of Shadow Valley” by Berkeley Livingston. Story caption reads “There Was Death In Her Embrace”. This inspired work perfectly captures the luminous commercial technique and painterly elements of a successful Haddon Sundblom “Sundblom Shop” graduate and disciple in collision with pin-up girl, erotic science fiction pulp culture.
Artist: Harold McCauley
A well rendered 1970s time capsule painting by Don Ivan Punchatz, for the paperback cover of the 1970 Avon title “Hawksbill Station”. This work is reminiscent of the album cover art from this remarkable time, and speaks to the psychedelic youth culture popular at the time, which moved from the buttoned-up consumerist graphics of the previous generation towards hyper realist imagery thought to heighten the sensations of LSD and marijuana. Work is unframed and mounted on a masonite panel, a copy of the book is included in the sale.
Artist: Don Ivan Punchatz
A dazzling and otherworldly cover painting by Virgil Finlay for the August 1947 edition of “Famous Fantastic Mysteries” illustrating the interior story by Andrew Marvell titled “Minimum Man”,”A Novel of Terror Unseen”. A scarce commissioned science fiction themed pulp cover from this long running title for Popular Publications and a rare surviving luminous example and one of Finlay’s finest celebrated cerebral creations.
Artist: Virgil Finlay
A rare surviving cover painting by Harold H.W. McCauley for the September 1938 edition of Fantastic Adventures; Volume #1 issue #5. This is likely the earliest commissioned pulp cover illustration by the artist. A classic art deco depiction of the perils of the near future space age, as envisioned in the campy, naive era of the 1930s. The mild bondage, damsel in distress content provided an additional titillating shock at the newsstands which carried this early pulp/science fiction title.
Artist: Harold McCauley
An extraordinary and experimental early work by Hannes Bok, featuring a bizarre surreal landscape with a young boy riding a prehistoric creature. Hannes Bok was the pseudonym of Wayne Woodard, a self taught artist who was fascinated by the luminous quality of Maxfield Parrish’s oil paintings.
Upon a visit from the impoverished teenage Bok, and impressed by the examples of Bok’s work, Parrish gave Bok an expensive set of oil paints and brushes to help the teenager build on his obvious gifts.
Artist: Hannes Bok
A strongly rendered, machine age/industrial revolution inspired modernist 1935 oil painting by Thomas Tyrone Comfort, used as the cover for The Los Angeles Herald & Express; Oct.19, 1936. Comfort worked as an art deco-era muralist and illustrator. His work evokes the spirit of the WPA movement, his brilliant career was cut short in 1939 when the artist passed away at the young age of 30.
Artist: Tyrone Comfort
An alternate cover for the October 1957 Issue of Imagination Science Fiction, by Lloyd Rognan, illustrating the interior story “You Can’t Buy Eternity” by Dwight V. Swain. This oil on canvas board original illustration differs from the published cover (which was also painted by Rognan) in several respects, notable the blond in peril on the published cover is envisioned in this rendering as a brunette. Which lends credence to the belief that a pulp cover artists life was not easy and was often subject to publishers whims and guidance. A published complete copy of the magazine is included in the sale.
Artist: Lloyd Rognan
