Original Art from the Grand Age of American Illustration
A large and fabulous original illustration painting by Eric Pape used in “The Fair God” by Lew Wallace as a bookplate (page 462, with the caption “She gave him the signal”).
Pape is best remembered as a prolific illustrator of children’s books and historical fantasies, as well as an artistic contributor to Scribner’s, Cosmopolitan, and Century Magazine. After opening his own illustration school in 1898, he taught N.C. Wyeth, whose style is influenced by Pape’s own.
Artist: Eric Pape
A large scale and evocative interior story illustration by Herbert Morton Stoops; likely commissioned for Collier’s or Cosmopolitan magazine, both of for which the artist was a frequent contributor. A briskly composed hearth scene with broad brush strokes that ultimately creates a wonderful sense of urgency and movement. Stoops painted in a style much like Dean Cornwell and Howard Pyle, the artist has a high water mark at auction of just under $11,000.00 in 2001.
Artist: Herbert Stoops
A large, masterfully rendered, noir dramatic interior illustration of a startled beauty by Cecil Calvert Beall. From the illustrated serialization of Sax Rohmer’s Fu Manchu, published by Collier’s Magazine, June 12, 1948. Artwork is beautifully framed in a period gold gesso ornate frame. Story caption reads : “Camille lay on a heap of coarse canvas piled up in a corner of what seemed to be a large warehouse. There was a smell of dampness and decay in the air.”
Artist: C. C. Beall
An alarmingly disturbing and well rendered original gouache illustration by the highly regarded and prolific illustrator Mort Kunstler, this interior 2-page spread appeared in the August 1961 edition of Male Magazine, illustrating Martin Fass’s Million-Dollar Manhunt For A Cold War Nymph. The lurid, defining action-filled image captures the prevailing nihilism associated with the 1960’s “sweat magazine” art and envelope-pushing adventure fiction. Text reads “She was the top female agent of BACO-Europe’s anti-fascist Assassin’s League, and when she fell into enemy hands, the Yanks had two weeks to find her-or it was war in the Middle East.”
Artist: Mort Künstler
A charming and vanguard view of the generation gap which incited “The Jazz Age”. Boomerang, which in the 1910s was synonymous with backfire, was a key flashpoint term of the era, since the older generation found all their efforts to instill their Victorian values on their children failed drastically. This lovely watercolor work is by Rose O’Neill, the most famous and prolific female illustrator of the early 1900’s. She is best remembered for her creation the Kewpie doll.
Artist: Rose O'Neill
A beautiful historically inspired maiden with a sword amidst Moorish castles and architecture. A dazzling charcoal rendering by the Polish emigrant W.T. Benda, a frequent cover artist for Life, Hearst’s and The Shrine Magazine. Benda is perhaps best remembered today for his elaborate theater masks which made him the toast of New York City during the roaring 20’s jazz age. He also favored images of exotic European and Asian ingenues with mysterious foreign features and dress.
Artist: Wladyslaw Benda
This set of two pendant oil paintings is unusual within Wenzell’s oervre, both for its classical mythological subject and explicit eroticism. These two paintings were clearly conceived as a matched set; they present a “before” and “after” narrative. The first panel was published as a vignette in the March 26th, 1910 issue of Collier’s magazine but we don’t believe that the second work was created for publication. This pair was displayed in the Wenzell’s 1967 Maxwell Gallery (San Francisco) exhibition, “The Age of Elegance.” An illustrated program is included with sale.
Artist: Albert Wenzell
A bizarre and macabre artwork by one of our favorite illustrators Mahlon Blaine titled on verso “A Fish Story.” A mermaid Medusa-like nude rendered in a pastel colored palette with an unusual size and configuration that leads us to believe this was created as a left-hand page interior illustration in a pulp magazine such as Weird Tales. When reproduced we imagine text would have been blocked around the right edge of this highly creative image.
Artist: Mahlon Blaine
A wonderful original work by the gifted and prolific Louis F. Rhead this is 4 images on one illustration board, all were used for the 1916 Harper & Brothers published edition of The Arabian Nights . The maiden was the frontispiece for the introduction section and the stylized letters where the artists created fonts for chapter first letters. This is framed in a period, antique art nouveau bat wing gesso antique frame and looks devine as such.
Artist: Louis Rhead
A large allegorical oil on stretched canvas, created for a 1919 Edition Of Randolph Hearst’s Hearst Magazine. Titled ” In The Year Of Our Lord”. A handsome near nude angel in the midst of a gathering of the wretched in a Book of Revelations inspired scene. This mythic and richly iconic humanist, sensuous, yet spiritual art is the genre Charles Allan Winter helped develop. This is a deeply moving and emotionally raw published original painting by this leading artist.
Artist: Charles Winter
