Original Art from the Grand Age of American Illustration
Carmen, painted in 1929, is one of four monumental and epic, larger than life oil paintings created by Rolf Armstrong after his return from a yearlong excursion to Paris, where the artist was inspired by the fine art salon movement nudes which were on display in museums, galleries, and private homes throughout France. Known as the Paris […]
Artist: Rolf Armstrong
Earlier this year, the Society of Illustrators inducted American illustrator and pin-up artist Rolf Armstrong into their Illustrator’s Hall of Fame. Since 1958, the Society of Illustrators has elected to its Hall of Fame artists recognized for their distinguished achievement in the art of illustration. Artists are elected by former presidents of the Society and […]
An inventive example of modern abstract art by the prolific pulp artist Virgil Finlay, signed and dated 1966 and titled on verso “Gambling Man”. Notations found on the back of the painting in Virgil Finlay’s handwriting read “The buttons of the jailer,”January 6, 1966, on reading Brian Moore re Caffey.)
Artist: Virgil Finlay
This breezy sailor girl, bathing beauty pin-up graced the cover of the July 24, 1937 edition of Liberty magazine, a popular long running Bernarr MacFadden publication. By the artist R.C. Kauffmann–a personal favorite of the gallery–this is a tremendously spirited, large format oil painting with spectacular zest and allure. Kauffmann is best remembered for his Saturday Evening Post covers as […]
Artist: R.C. Kauffmann
A 1949 Western Americana cowgirl themed gouache on illustration board which comes directly from the archives of the 100-year-old San Francisco ad agency/lithography company “Stecher-Traung & Schmidt.” The work is in the style of George Petty, and Ben-Hur Baz. Among other noted artists Stecher-Traug employed Gil Elvgren, E.B. Segner & Mary Mayo. This commissioned illustration is dated and inkstamped in the lower corner but is unsigned. Work is beautifully framed and matted in a period ornate gesso frame.
Artist: Unknown
This Jean Oldham painting appeared as the cover for the April 1928 issue of The Dance magazine, showcasing the Spanish dancer and showgirl Trini in her costume from the Broadway hit “Take the Air.” The now-forgotten star shows off her opulent style and “famous feet” against a Moorish skyline in this art deco jewel of a painting. The Dance was a leading title during […]
Artist: Jean Oldham
The tenth and final proposed mural painting by Mahlon Blaine for a New York City interior showroom for industrial designer Paul Ritter MacAlister, created in 1939 under the pseudonym G.Christopher Hudson. In this original gouache painting a nude uses a movie camera to capture assorted gadgets working together to become a Rube Goldberg machine, in a pointed commentary on the needless complexities of life in the machine age. Painting is handsomely framed and matted behind glass and is initialed lower left from the estate of Paul Ritter MacAlister.
Artist: Mahlon Blaine
The ninth of ten proposed mural paintings by Mahlon Blaine created for a never completed Paul Ritter MacAlister interior space in New York City. Under the pseudonym G. Christopher Hudson Blaine developed this sequence of dystopian views of the machine age. In this work a nude hand feeds dollar bills to an animate yet robotic cash register which serves as the greedy symbolic manifestation of industry. Again the artist employs a patriotic red & white and blue color palette to alarming effect.
Artist: Mahlon Blaine
This is the largest and most detailed and only signed painting from this series by Mahlon Blaine, number eight of ten the verso is titled “Nude on Gadget – Out of Control” and signed “G. Christopher Hudson” with a New York City address. In this image a nude sits atop the observation deck of the Chrysler Building high above New York City in a frozen in time Salvador Dali like winter surrealist cityscape. A frozen water faucet has created a block of ice that a nude goddess sits on oblivious to the cold as city workers attempt to break the ice and another hoists construction lumber from the skyscrapers iconic art deco modernist machine-age observation deck.
Artist: Mahlon Blaine
The seventh of ten mural concepts by Mahlon Blaine for a New York City public space designed by noted industrial designer Paul Ritter MacAlister. This work is stylistically a departure, a cubist abstract half man/half woman nude that guards or invites one into a passageway in a color palette and modernist style suggestive of Picasso.
Artist: Mahlon Blaine
