Original Art from the Grand Age of American Illustration
The sixth of ten 1939 mural designs by Mahlon Blaine, which were intended to become murals for the studio or showroom of noted New York City industrial designer Paul MacAlister. A vacuum tube headed, praying mantis-like robot battles a cowering nude goddess in the ongoing saga of the menace of industry. Marked on verso design #6, this comes beautifully matted and framed from the estate of Paul Ritter MacAlister.
Artist: Mahlon Blaine
The fifth of ten 1939 mural designs by Mahlon Blaine, which were intended to become murals for the studio or showroom of noted New York City industrial designer Paul MacAlister. In this scene our nude goddess pours flower petals into the mouth of a robotic machine as a Buckingham Palace Royal Guard on horse cleverly protects her modesty. The adjoining stone masonry watches on in amusement as a bird of pray hovers above tied from a high building rafter that frames the scene. An inspired visionary artwork in a red, white and blue Americana color palette. Marked on verso design #5, this comes beautifully matted and framed from the estate of Paul Ritter MacAlister.
Artist: Mahlon Blaine
The fourth of ten 1939 mural designs by Mahlon Blaine, which were intended to become murals for the studio or showroom of noted New York City interior designer Paul MacAlister. In “The Toast of Manhattan” a nude goddess with serpents for hair pours a martini for a tuxedo clad robot as the adjoining stone masonry watches on disapprovingly. Even the tenements have eyes in this surrealist and inspired visionary artwork. Marked on verso design #4, this comes beautifully matted and framed from the estate of Paul MacAlister.
Artist: Mahlon Blaine
The third of ten gouache paintings created by Mahlon Blaine in 1939 under the pseudonym G. Christopher Hudson, offering a dark and pessimistically erotic take on the skyscraper landscape that was taking over Manhattan. In this scene a nude Medusa like creature ball dances with a robot in a high wire styled act on scaffolding high above the city. Blaine treated each individual painting in the series as its own completed stand alone artwork, with painstaking detail and inspired yet terrifying imagery.
Artist: Mahlon Blaine
In the late 1930s, avant garde illustrator Mahlon Blaine, working under the pseudonym G.Christopher Hudson created a series of illustrations which were intended to become murals for the studio or showroom of noted New York City interior designer Paul MacAlister. In this work, the second of the series, a mechanical bird menaces the Medusa-inspired nude goddess who cowers atop a stone robot in a patriotic American apple pie infused red, white and blue color palette.
Artist: Mahlon Blaine
In this work, the first of the series, and the image that was to greet visitors as they entered the room, a nude showgirl dancer does a sad burlesque, her shadow duplicated in silhouette in a Coney Island funhouse style. Both evoking and critiquing the sordid and semi-underground world of Depression-era girlie shows, the artwork lures the viewer into the underbelly of the city that is explored in the nine images that follow.
Artist: Mahlon Blaine
Grapefruit Moon Gallery just unearthed a small collection of original Campbell’s Soup Kids illustrations. These appeared as print ads in countless American mainstream publications such as The Saturday Evening Post in the 1930s. In this offering a Dolly Dingle character Campbell’s Soup Kid is putting the finishing touches on his or her soapbox derby bi-plane early aviation age-inspired racing car. Nicely matted and framed behind glass and ready to hang.
Artist: School of Grace Drayton
A deftly rendered precise original gouache painting from 1937 used for a poster designed for a South Kensington, England Science Museum show. Signed Eileen McKinney on the verso and dated April 3, 1937. The work is entrenched with imagery inspired by the ongoing industrial revolution which was occurring throughout much of the world and captures the public’s fascination with the machine, science and industry as they were to intersect in what has become known as “The Machine Age”. The artist uses elements of Russian Constructivist poster design which emphasizes the particular material properties of an object added with it’s three dimensional spatial presence. This design aesthetic was very tied into Industry and Modernism and became harmonious with the graphics and imagery associated with The Machine Age.
Artist: Eileen McKinney
A pristine and important surviving Henry Clive illustration painting that appeared as the cover for the July 16, 1933 edition of The American Weekly, a Randolph Hearst publication. The magazine often commissioned Clive to create serialized images of enchantresses that shared a thematic thread. In this case, exotic maidens in the crossfire of cupid’s bow. Our […]
Artist: Henry Clive
An exceedingly scarce and early Art Nouveau period original pastel portrait by Rolf Armstrong dated 1913. A crisply rendered serene take on a sad eyed solemn brown eyed lass. This pastel dates just one year later than his first published works of 1912 for Puck and Judge magazines. His signature had not yet become the stylized scripted font of which we are accustomed to seeing. I have yet to uncover the published version of this work, it was most likely commissioned as a sheet music cover or perhaps a cover for American Sunday Magazine, one of several periodicals willing to take a chance on the young emerging talent.
Artist: Rolf Armstrong
