Original Art from the Grand Age of American Illustration
This original 1920s oil on board by Henry Soulen was likely an interior spot illustration which appeared in the Saturday Evening Post. The colorful, boldly painted, Orientalist scene shows a rickshaw and two figures in heated conversation in front of gates of what appears to be San Francisco’s Chinatown. Housed in a simple, original-to-the-painting wood […]
Artist: Henry Soulen
An explosive World War II battle scene rages in this published Bruce Minney illustration. A Nazi submarine has crashed ashore and brought the fight to land in this lurid piece that is a quintessential example of the style coming out of men’s magazines of this period. With three U.S. Navy soldiers wounded and down for the […]
Artist: Bruce Minney
Using an inventive pointillism technique, Henry J. Soulen creates a moody and evocative artwork in an American impressionist style in this dramatic painting. This was likely featured as an interior illustration for The Saturday Evening Post. Known for his Orientalist exotic aesthetic, Soulen was an early student of Howard Pyle, he utilized a heavy expressive brush strokes and impasto oil paint technique. The scene features a masked bandit readying himself to duel for the honor of the lovely Edwardian attired maiden.
Artist: Henry Soulen
A climactic moment from the epic story of Don Quixote as depicted by by Willy Pogany. This is titled on verso in the artist’s hand “The Enchanters Put Don Q. In A Cage”. A commissioned “Golden Age of Illustration” work used in a 1920s adaptation of Don Quixote. Signed lower right beautifully framed and silk matted behind glass.
Artist: Willy Pogany
An action filled battle at sea original watercolor illustration painting by noted Hungarian born Golden Age Illustrator Willy Pogany. Used in a 1920s adaptation of Don Quixote, in this scene an alluring sea siren means certain death in this fantasy laden, impactful work that is beautifully framed and silk matted behind glass.
Artist: Willy Pogany
A moving gouache-on-board painting by Amos Sewell, this appeared as an interior illustration in the March, 1947 edition of Redbook magazine, accompanying a story by Peter Stirling Cardoza titled “Take Care of Jimmy.” This image shows a tearful farewell at a train window, dramatically and tenderly rendered by this well-listed and important American illustrator. Nicely framed and matted […]
Artist: Amos Sewell
A large oil on illustration board painting by E.F. Ward commissioned for an interior story titled “Drumheads and Dairy Maids” by Helen Topping Miller for the November 1918 edition of A Woman’s Home Companion. Work is beautifully displayed in oval matted, wide profile period antique frame behind glass.
Artist: E. F. Ward
A pretty mid-century Whitcomb girl tries the scientific approach while frame shopping in this inventive published large format gouache illustration magazine by Jon Whitcomb, which appeared as an interior illustration in the January, 1950 edition of Ladies Home Journal. A copy of the issue is included in the sale. Handsomely matted and framed under glass in pristine […]
Artist: Jon Whitcomb
This oil on illustration board Pyramid Books paperback cover painting was created by by Victor Olson for a 1953 edition of Houseboy by Edison Marshall written under the nom de plum Walton Fairbank (ostensibly because of the controversial topic of interracial relationships explored in the title).The story was originally written as a Jim Crow title in the late […]
Artist: Victor Olson
Tom Lovell created this colorful and expertly rendered painting to illustrate “Son of The Coach” an interior story for the October 14, 1950 issue of Collier’s Magazine. A copy of the magazine is included in the sale. The scene captures a brunette co-ed turning away in sadness from the ongoing marching band celebration in the background, as the son of […]
Artist: Tom Lovell
