Original Art from the Grand Age of American Illustration
A tremendous example of a Brown & Bigelow published pin-up painting by Ted Withers used in a Roman themed sketchbook calendar titled; Bella Roma – In The Artist’s Sketchbook. This painting, which appeared as the October 1960 calendar page, features Pax, the Roman goddess of peace and prosperity (and counterpart to the Greek goddess Eirene) […]
Artist: Ted Withers
On offer is a defining menace-themed oil on canvas pulp cover painting by Rafael DeSoto which appeared on the October, 1934 issue of Black Book Detective Magazine, with an occult scene evoking the mysteries of Halloween. A provocatively posed blonde in rapturous abandon stands before the eerie fire of a cauldron, holding the flames in her hands and proving […]
Artist: Rafael Desoto
A dated 1938 and signed illustration by American illustrator Winold Reiss used as a book plate with a caption that reads, “I was so bewildered that I ran back a few yards…”
Artist: Winold Reiss
A superlative large format oil painting by the well regarded prolific American Golden Age of Illustration artist Edward Eggleston that appeared in 1933 as a calendar print with the title Hearts Unmasked, and was widely distributed at the same time as a puzzle with the title The Proposal. A romantic fantasy […]
Artist: Edward Eggleston
A sensational original signed and dated 1912 painting by Edmund Dulac published as the fourth plate in the Hodder & Stougton edition of The Bells and Other Poems by Edgar Allan Poe. A master of early 20th century illustrations, Dulac is known for his mysterious and compelling depictions of fairytales and imagined lands. Pictured […]
Artist: Edmund Dulac
A lyrical Golden Age of Illustration dated 1921 oil on canvas painting by Edwin John Prittie for The Mary Frances Story Book – a children’s book by Jane Eayre Fryer published by John C. Winston. In this whimsical lush rendering a child with a fishing net joists with a red dragon in a fantasy-scape surround […]
Artist: Edwin John Prittie
This dark and cleverly conceived and technically brilliant tinted pen & ink drawing with gouache highlights exemplifies the German expressionist artist Heinrich Kley’s brooding and satirical vision of mankind. At first take, we see a bear, ogre, and frog cavorting in a circus-like atmosphere, but on further reflection the scene turns darker. Kley’s pessimism […]
Artist: Heinrich Kley
This May 1930 science fiction pulp gouache painting on illustration board by noted comic artist Charles Clarence Beck who signed much of his work C.C. Beck illustrates a poem by Donald Wandrei titled Marmora. Our research suggests this could be the earliest published example of Beck’s work, as it predates his first known job by a few years. The work is sensational with a cobalt blue color palette and precise landscape work which appears to be influenced by Rockwell Kent.
Artist: C. C. Beck
A dazzling Heinrich Kley mixed media work featuring a host of primordial animals engaged in an orgiastic dance of evolution. A splendid cast of characters is assembled by this fondly remembered avant-garde, Jugendstil, German Expressionist artist. This is a rare full color example of the artist’s work, most surviving pieces by Kley are pen & ink drawings. This evocative artwork is rich in humor, technique and imagery. Work is in a wonderful state of preservation and nicely matted and framed in a period gesso frame.
Artist: Heinrich Kley
A stylized and well conceived gouache illustration painting dated 1925 by New York City artist and illustrator Robert Reid MacGuire. This art deco erotic offering features a nearly nude goddess in a gossamer long dress with a train attended to by 2 blackamoor servants. We are unsure of the exact usage of this illustration it likely was published as a full color bookplate in an unidentified pulication. The artist was active in New York City as both a designer and an artist and had his first exhibition in 1928 in Manhattan.
Artist: Robert Reid MacGuire
