1930s

A Grecian inspired, fantasy themed, mixed media illustration that was used by the Thos. D. Murphy Calendar company for a 1930 calendar titled The Glory That Was Ancient Greece. This whimsical yet erotic Grecian maiden themed work consists of a heavily tinted photograph of the two Grecian adorned beauties by L.G. Woolenden and an elaborate garden landscape painting by Rudolph Ingerle that envelopes the photographic element. This team of enterprising calendar art talents created numerous works under the pseudonym L. Goddard Surviving original L Goddard artworks are quite rare and spectacular, and among our favorite examples of fantastical and escapist art deco/Great Depression calendar illustration. A large printed calendar from the Thomas D. Murphy calendar company archives is included in the sale.

The Glory That Was Ancient Greece

Artist: L. Goddard

Grapefruit Moon Gallery is delighted to offer this recently unearthed George Jerome Rozen pulp painting featuring the Shadow in dramatic confrontation. Featured as the cover of the September 15, 1936 edition of Street and Smith’s long running series “The Shadow,” this is an important offering an exceedingly scarce surviving original pulp cover painting from the golden age of illustration. Recently uncovered from a Pennsylvania estate, as collectors will lament, original cover paintings from The Shadow prove near impossible to locate.

The Shadow In Jibaro Death

Artist: Jerome Rozen

This large, epically scaled, WPA-era beach scene is a wonderful fine art painting that takes the forms and themes of the regionalist art movement which was revolutionizing the American art scene in 1939 when this was created, and adapts them to the classic Connecticut shore. Recalling the work of Thomas Hart Benton, and George Bellows, this oil on board shows a group of friends looking on in a mix of shock and wonder at some roughhousing co-eds. Three men appear to have a bathing beauty and appear to be about to toss her into the ocean. Is it all in good fun, or is it something more sinister? By withholding the answer, the artwork takes the beach scene and gives it the provocative modernist spin and Ashcan School grittiness that defined art in the WPA regionalist era.

At The Beach

Artist: Alton Tobey

Grapefruit Moon Gallery is honored to offer this rare and exceptional original pastel illustration which Henry Clive created for the cover of the Valentines Day edition (February 13, 1937) of “The American Weekly.” Part of Clive’s “Vision of an Artist” series of covers for this Randolph Hearst publication, these Visions illustrated forces of nature such as the tornado and (in this case) Aurora Borealis as mythical images of femininity. The concept of women as natural phenomenon and even natural disasters is something Clive took a personal interest in, as his 6 failed marriages will attest. This enchanting and inventive depiction titled “The Aurora” features favorite Clive model and Randolph Hearst mistress Marion Davies as the goddess of the northern lights, radiating over a polar ice cap.

The Aurora

Artist: Henry Clive

Grapefruit Moon Gallery is pleased to offer a rare surviving Jerome Rozen pulp cover painting from an as of yet undetermined Street & Smith 1930s publication. This macabre and defining oil on canvas shows an old west tavern with a handsome, smoking-gun-holding cowboy menaced by a hooded villain in Day of the Dead Calaca mask. This masterful dark western themed artwork is tense with imminent danger. Signed lower right; painting has been relined and is ready to frame and enjoy.

The Day of the Dead

Artist: Jerome Rozen

A rare surviving Edward Sheriff Curtis nude titled “Aphrodite”, (Spirit of the Sea)” circa 1920s, a blue-toned gelatin silver photograph. Signed with the Curtis LA copyright insignia in the negative on the image, accompanied by the original frame backing stamped Aphrodite, Curtis Studio, Los Angeles. One of 3 blue nudes Curtis did towards the end of his life and a coveted rare old original photograph. In a fine state of conservation with silvering in the emulsion along the photographs edges.

Aphrodite

Artist: Edward Curtis

A tense and clever, menace-themed, rare surviving cover painting for the January 1939 issue of Double Action Detective.. A Science Fiction/Spicy Pulp epic entanglement illustrating George Alden Edson’s story, The Midnight Murderer. This original oil-on-canvas painting is unsigned, we are of the strong belief that it was done Rudolph Zirm. A xeroxed color print of the pulp magazine cover proof is included in the sale.

Double Action Detective Menace Pulp

Artist: Rudolph Zirm (attributed)

A rare surviving spicy pulp cover painting by Rudolph Zirm. This menace themed oil on canvas was published April 1939 as the cover for Undercover Detective, illustrating the interior story “The Devil’s Pigeons”. A facsimile reissue edition of the pulp magazine featuring Zirm’s cover is included with sale.

The Devil’s Pigeons

Artist: Rudolph Zirm

A New Year’s themed cover painting by Leslie Thrasher for the January 9, 1932 edition of Liberty Magazine. The painting finds the serialized couple “Sandy and Lil” renewing their wedding vows in the midst of the Great Depression with a cherubic baby New Year with quill pen acting as the notary clerk. Image follows the tradition of January New Years Babies covers painted by Norman Rockwell and J. C. Lyendecker in The Saturday Evening Post.

New Years Baby, 1932

Artist: Leslie Thrasher

A very rare surviving cast bronze decorative plaque commemorating America’s Sesquicentennial Celebration of the nation’s 250th birthday. This depicts the founding fathers at the Signing of Independence with an idealized stylized Lady Liberty, and bears the title ‘We The People.’ The image was created by the beloved American Historic Illustrator Howard Chandler Christy. This is a very rare historic piece in a WPA aesthetic from the Golden Age of American Illustration.

We The People

Artist: Howard Chandler Christy

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