Original Art from the Grand Age of American Illustration
The relationship between Greta Garbo and photographer Clarence Sinclair Bull is perhaps the most storied pairing in the star system of Golden Age Hollywood. Only Bull could coax the immortally sensual and iconic images that defined Garbo from the notoriously shy and reserved star. In this portrait from the 1934 film The Painted Veil, Garbo is seen in profile, with the luscious light and shadow for which the photographer was known.
Artist: Clarence Sinclair Bull
An inventive stylized colorful dated gouache advertising painting by Cardwell Higgins for “Aris Britland Doeskin” gloves. An inventive color palette and attention to fashion style details make this a compelling and inventive example. A tear sheet of the printed work from the artist’s scrapbook is included in the sale.
Artist: Cardwell Higgins
A large, signed and dated oil on canvas by noted and prolific Golden age illustrator Ralph Pallen Coleman. The work was commissioned for a 2 page spread in the November 1933 edition of Redbook Magazine, illustrating the Military-themed melodrama “Rank and File” by Charles L. Clifford and Mary C. McCall, Jr. The published edition of Redbook is included in the sale and the painting is nicely framed and ready to hang.
Artist: Ralph Coleman
A stark, eerie, machine age/industrial revolution 1938 Works Progress Administration sponsored oil painting by Thomas Tyrone Comfort, this darkly modernist view titled “Heat on Steel” features a haunting view of an arc welder at work in a surrealist factory. This large scale painting was created as public art and exhibited by the Federal Arts Project in 1938 and retains its original verso label. 1938 marked the height of the WPA art movement, and Comfort was one of its promising talents, creating evocatively expressive, and moody visions of Depression era science and industry.
Artist: Tyrone Comfort
A rare surviving pastel cover illustration by Cardwell Higgins for the first issue of Screen Humor Magazine; January 1934, Volume #1 – Issue #1. A very sexy flapper girl in silk stockings and garter belts from the art deco era when America’s news stands were filled with these often times very short lived runs of titillating Spicy Pulp titles that featured brazenly erotic pin-up girl depictions of showgirls and jazz-age playthings.
Artist: Cardwell Higgins
An enchanting watercolor painting by Alex Luders depicting a smoldering nude yet concealed flapper girl in the art deco manner. The detail on this is sensational. The artist Alex Luders did much commercial Hollywood advertising poster art for Fox Films including Shirley Temple and Jack Holt’s starring turn in the 1935 feature film The Littlest Rebel. This is presumed to also be a commissioned work for an as of yet undetermined art deco era movie campaign.
Artist: Alex Luders
From the personal collection of Joan Crawford, this large format double weight still features the timeless beauty and Hollywood legend at the height of her fame, in a dramatic portrait from Grand Hotel. By George Hurrell, who revolutionized glamour photography with his dramatic art deco portraits of film and theater personalities, this 1932 film still was hand printed by Hurrell for Crawford herself. She later presented the photograph as a gift to her chauffeur. A very rare jazz age view with important and historically intriguing provenance.
Artist: George Hurrell
A rare and exceedingly beautiful gelatin silver, double weight gallery photograph of film star Myrna Loy by Laszlo Willinger. This image utilizes a mirrored table to capture the beautiful Loy in a double image. The mirror image was one of the most innovative trends in art deco photography, as it relied on the precision lighting and bold crisp costuming that typified the period. Large double-weight photographs such as this were never intended for widespread distributions, and were hand printed by the photographers themselves.
Artist: Laszlo Willinger
A hard-boiled and erotically posed masterful gallery portrait photograph of Winifred Shaw, from her role in the Rodger’s and Hart play “Simple Simon.” Shaw, a unique beauty with vixenish jazz age features, was soon to become a Hollywood musical performer in the wild Depression era productions of the 1930s. In this photograph by Roberts, with its naturalistic styling, and provocative smoking view, Winifred Shaw is shown in all her unique beauty and iconic eroticism. A rare example of the raw sexuality of jazz age theater photography.
Artist: Roberts of Boston
A large and decorative gouache and graphite illustration by Willy Pogany titled on verso in the artists hand “Love’s Labour’s Lost”. Likely used in a William Shakespeare adaptation perhaps a cover for “The American Weekly” a large courting scene and a grand depiction by this very important artist from “The Golden Age of Illustration”. Work is beautifully silk matted and framed behind glass and ready to hang.
Artist: Willy Pogany
