Original Art from the Grand Age of American Illustration
Grapefruit Moon Gallery is ecstatic to offer the original pair of carved Hondurous Mahogany decorative column panels that were built for the tavern in Hollywood California’s legendary Masquers Club on 6735 Yucca Street. These Afro-American nymphs were carved by the noted WPA muralist and woodcarver Stuart Holmes. We purchased these with the two large original Henry Clive Masquers Club mural paintings we offered and sold earlier this year.
Artist: Stuart Holmes
A spectacularly alluring, inquisitive and beautiful view of Myrna Loy, captured in her pre-code early career by the master of Hollywood photography George Hurrell. In a gentle sepia on a large format double weight semi-gloss paperstock, Hurrell captures the beauty of the young Myrna Loy, with her effortless art deco style, and emboldened flapper sensibility. This is blindstamped by Hurrell lower right, and inkstamped on verso. This is a hand printed gallery portrait never intended for distribution, and is a moving rare portrait.
Artist: George Hurrell
An exquisitely posed, unusually delicate view of Myrna Loy, by Elmer Fryer, the Hollywood glamour photographer who had perhaps the best sense of modernist style and fashion. This unusual view features Loy in blonde wig in her role as Sophie the dancer in “Bride of the Regiment.” An early view of the star, who would come to be known for her sassy wit and hard nosed sexuality in the Nick & Nora Thin Man series.
Artist: Elmer Fryer
Carole Lombard, one of the finest actresses of the golden era of Hollywood film, is captured in all of her glamour in this promotional portrait for Paramount Pictures. In dramatic sequined gown, the platinum blonde beauty who captured the heart of America in the 1930s, and died tragically promoting the war effort in 1941, still captivates.
Artist: Unknown
A crisply rendered jazz-age take on Adam & Eve and temptation within The Garden of Eden; this was created for the important 1932 Random House hardcover edition of George Gershwin’s Song-Book. This gouache painting illustrated the 1926 Gershwin song “Do Do Do” from the musical “Oh Kay”. A recent New York City Christie’s auction for a leather bound signed and numbered first edition of the songbook signed by both Alajalov and Gershwin brought $4207.00 with buyers premiums illustrating the significance and historic beauty of this unique pairing of talents.
Artist: Constantin Alajalov
The smoldering temper, and exotic sensuality of Lili Damita attracted as much attention in pre-code Hollywood as her films, and this Greta Garbo inspired photograph by Elmer Fryer captures her unusual attractions. This large format, double weight sepia gallery portrait features the French beauty in ornate art deco headdress, and displays Fryer’s sophisticated eye.
Artist: Elmer Fryer
This art deco stylized hatted view of Judy Garland was kept in the actress’s personal collection until her death. A charming portrait that showcases the joyful innocence which was essential to Metro-Goldwyn-Mayer’s presentation of the icon (but which ran directly counter to her haunted personal life). This double weight, large format gallery portrait is a rarely seen still, and celebrates the style of the late 1930s as well as the unusual beauty of Garland.
Artist: Unknown
“Racing the Sun” is a rare surviving oil on stretched canvas painting by Ruehl Frederick Heckman, created for the Thomas D. Murphy Calendar Company. During the 1930s Heckman executed a series of five paintings for this storied calendar company, all featuring bold aviation progress and industrial themes. These works ponder the collision of the industrial revolution’s streamlined machine age aesthetic with previous generations traditional and more pastoral ways.
Artist: Ruehl Frederick Heckman
Paramount pictures glamour photographer Otto Dyar captures pre-code starlet Adrienne Ames at her most glamorous in this large format, art deco gallery portrait. The press snipe on the verso evokes the sophistication with which Ames was identified, and the fashion icon as which she was known. “Brown and tomato red creates the striking color combination of this rough crepe street frock worn by Adrienne Ames in “From Hell to Heaven”, a Paramount pictures.”
Artist: Otto Dyar
Ruth Chatterton is remembered as one of the most sophisticated beauties of the pre-code era of American film, and her refined and often chilly beauty is showcased wonderfully in this evocative portrait by the renowned Russell Ball. Signed in grease pencil by the photographer, this large format, marginless print was created for Chatterton’s personal collection, and this was printed by Ball himself and captures the spirit of subject, artist, and the art deco moment in which it was created.
Artist: Russell Ball
