This symbolist watercolor painting by the important Austrian artist Paul Grabwinkler shows a luscious nude on the cliffs with a skeleton at her feet.
Artist: Paul Grabwinkler
Illustration & Advertising Art
At the turn of the 20th century, Industrial Revolution inventions brought technological advancements to printmaking that ushered in a Golden Age of American illustration. Publishers and calendar companies developed new techniques for producing multi-color offset lithographs that were fast, affordable, and flat-out glorious to view, blurring the distinction between fine art and "art for commerce." The best examples by the finest commercial illustrators were revered by the public, and today are beloved by collectors.
This richly colored, large, and dazzling mid-century illustration is a likely interior illustration for Redbook magazine (a publication for which Edwin Georgi worked frequently) and is a defining example by the gifted and inventive artist and illustrator. Painting has been signed by the artist in the lower left corner and is nicely matted and framed behind […]
Artist: Edwin Georgi
In this published pen & ink illustration by Nell Brinkley, a Brinkley beauty is holding her newborn baby. For sale at Grapefruit Moon Gallery.
Artist: Nell Brinkley
This oriinal painting by the Russian-American illustrator Bernard Gussow appeared as the cover of Theatre Magazine – The Magazine For Playgoers.
Artist: Bernard Gussow
An exceedingly scarce original mixed media work by L. Goddard used as a published calendar by The American Art Works Calendar Company, Coshocton Ohio in 1931 as Song of the Nile. “L. Goddard” was the pseudonym for a pair of enterprising artists L.G. Woolfenden, a successful Detroit area commercial photographer, and Rudolphe/ Rudolph Ingerle a Vienna born fine art landscape artist who lived and exhibited at museums and galleries in Chicago after the turn of the last century. Their collaborative efforts resulted in some of the finest and most spectacular images in the Calendar Art genre. The pair was known for fantasy-laden Depression-era escapist themes: Indian Maidens, Gypsies, Salomes, Art Deco Egyptian Beauties and Grecian Goddesses posed in vivid and evocotive Maxfield Parrish -esque dreamscapes.
Artist: L. Goddard
With irreverent humor, this original oil-on-board painting shows a horned satyr smoking a pipe distracted from his reading by a nude figure in the foreground. Dating to 1929-1930, when Ovid’s Ars amatoria was in the news quite a bit, with the city of San Francisco’s ban of the Ars amatoria in 1929 and its legalization for […]
Artist: Gaspano "Gus" Ricca
A well rendered and precise colorful interior gouache painting by one of our favorite art deco-era illustrators Herbert Paus that reflects the attention to detail and skill of the artists working during the Golden Age of Illustration. This large signed work depicts a son leaving his family’s pastoral cottage by carriage as his grieving mother looks on. A nostalgic look back at the well to do culture of pre-machine age American society.
Artist: Herbert Paus
This gouache on illustration board painting was created in 1927 by John Vassos, a singularly unique inventor, industrial designer and artist and illustrator, and appeared in the E.P. Dutton & Company edition of Salome.
Artist: John Vassos
In this humorous yet disturbing original illustration, artist Stan Galli captures the exasperation of an archetypical housewife in the baby boom years.
Artist: Stanley Galli
A whimsical art deco original gouache painting titled “La Coquette” by Alberto Vargas. An early work by the Peruvian born pin-up legend exploring the Commedia dell’arte revival that took hold around 1915, the cast of characters in this boldly colored and delightful Edwardian scene features the requisite maiden courted by a Harlequin with slapstick at his side as her guardian looks on in horror. Vargas brings a unique spin to this popular genre and his artistic mastery is apparent even at this early date. This was acquired by Charles Martignette in 1989 from the Vargas estate – the painting is accompanied by a series of Kodak color photographs (dated June 1989) taken by Martignette of this painting, also included are several color photographs of the artist and Martignette taken shortly before Vargas’ death in 1982.
Artist: Alberto Vargas
