Original Art from the Grand Age of American Illustration
This interior genre scene features an exotic Edwardian Spanish Senorita in traditional garb posing seductively as she coyly holds a fan. An original oil on canvas by the well listed artist Alonzo Kimball, who studied in Paris during the 1890s at Académie Julian and later at The Art Students League of New York. The artist is best remembered for the covers he painted for The Saturday Evening Post.
Artist: Alonzo Kimball
This 1949 Brown & Bigelow Calendar Company commissioned pin-up pastel is one of the finest examples by Earl Moran we have encountered. A redheaded heart-breaker on a then state of the art mid-century modern phone asks the viewer and the caller to “Remember Me?” in a classic pin-up entanglement loaded with double entendre. Earl Moran was a master of light and shadow and this large and commanding artwork is a monument to his talent.
Artist: Earl Moran
This 1948 Brown & Bigelow Calendar Company commissioned pastel by Earl Moran is a large and defining example of American pin up. A pretty blonde pin-up girl is posed on a mid-century modern Heywood Wakefield office desk with a phone in one hand. The title “Call Again” is a witty take on an office secretary and her private hours. Condition is pristine in a custom made lined gallery frame with fitted corners behind ultraviolet glass. A 1948 Brown & Bigelow advertising calendar of the image is included with sale.
Artist: Earl Moran
A delicately rendered mixed media work by Edwin Georgi which illustrated an interior story in The Saturday Evening Post. A tense dramatic courtroom portrayal from 1959 which captures the Perry Mason/Earle Stanley Gardner American Pop Culture sensation which was resonating at the time this commissioned work appeared in the Post. The lovely Georgi girl is “Policewoman O’Keefe,” and this work confirms our suspicion that illustrators frequently created their finest works for this highly circulated and revered Curtis Publications slick mainstream magazine institution.
Artist: Edwin Georgi
A rare surviving c. 1910 large pastel illustration by the well listed and prolific illustrator Frederick Duncan. The sporty yet flirty glamour girl co-ed with a school book and a tennis racket personifies the socially progressive, daring and active woman who was coming into fashion as the voluptuous ideal of the Victorian woman of means waned. Works like this by Duncan, a cover artist for The Saturday Evening Post, popularized this independent, carefree vision of womanhood.
Artist: Frederick Duncan
A 1949 Western Americana cowgirl themed gouache on illustration board which comes directly from the archives of the 100-year-old San Francisco ad agency/lithography company “Stecher-Traung & Schmidt.” The work is in the style of George Petty, and Ben-Hur Baz. Among other noted artists Stecher-Traug employed Gil Elvgren, E.B. Segner & Mary Mayo. This commissioned illustration is dated and inkstamped in the lower corner but is unsigned. Work is beautifully framed and matted in a period ornate gesso frame.
Artist: Unknown
An intoxicating and erotic reclining nude by the well-listed artist Harold Mott-Smith. Born in Hawaii, Harold Mott-Smith was a painter who lived in Paris from 1894-1906. He studied at the Academie Julian with Jean Paul Laurens, and exhibited in 1894 with the Boston Art Club as well as Paris Salon. After returning to New York, Mott-Smith worked for GE, illustrating calendars and painting portraits of Thomas Edison. This captivating oil on canvas dates from his early Hawaiian career and showcases his sensuous style.
Artist: Harold Mott-Smith
An original commissioned Calendar illustration by noted New York City genre illustrator Charlotte Becker. Created as calendar art most likely for The Gerlach Barklow Calendar Company Joliet Illinois. Framed in a period gesso wood frame.
Artist: Charlotte Becker
The tenth and final proposed mural painting by Mahlon Blaine for a New York City interior showroom for industrial designer Paul Ritter MacAlister, created in 1939 under the pseudonym G.Christopher Hudson. In this original gouache painting a nude uses a movie camera to capture assorted gadgets working together to become a Rube Goldberg machine, in a pointed commentary on the needless complexities of life in the machine age. Painting is handsomely framed and matted behind glass and is initialed lower left from the estate of Paul Ritter MacAlister.
Artist: Mahlon Blaine
The ninth of ten proposed mural paintings by Mahlon Blaine created for a never completed Paul Ritter MacAlister interior space in New York City. Under the pseudonym G. Christopher Hudson Blaine developed this sequence of dystopian views of the machine age. In this work a nude hand feeds dollar bills to an animate yet robotic cash register which serves as the greedy symbolic manifestation of industry. Again the artist employs a patriotic red & white and blue color palette to alarming effect.
Artist: Mahlon Blaine
