Original Art from the Grand Age of American Illustration
This 1949 Brown & Bigelow Calendar Company commissioned pin-up pastel is one of the finest examples by Earl Moran we have encountered. A redheaded heart-breaker on a then state of the art mid-century modern phone asks the viewer and the caller to “Remember Me?” in a classic pin-up entanglement loaded with double entendre. Earl Moran was a master of light and shadow and this large and commanding artwork is a monument to his talent.
Artist: Earl Moran
A classic situational cheesecake pin up mishap unfolds in this original Louis F. Dow calendar painting by the Chicago area artist Charles Showalter titled “High & Dry.” The lovely nude is caught, high, and perhaps now dry after removing her clothes. Grapefruit Moon Gallery recently acquired this and several other Louis F. Dow published calendar […]
Artist: Charles Showalter
An unlikely red headed pin up girl fencing in her lingerie is the star attraction of this early rare surviving Gil Elvgren original pin up painting titled “Foil Proof.” Not sure lingerie offers the best protection during a sword fight, but this luscious lady is sure a treat for the eyes. Created for the Louis […]
Artist: Gil Elvgren
This never before offered for sale, large original Gil Elvgren calendar pin-up painting was originally commissioned by the Brown & Bigelow calendar company in 1950 for their “Miss Sylvania” advertising line. The stylized cobalt blue and neon light idealized view of Midtown Manhattan with The Sylvania Building ablaze in the night underscore the importance of the lighting and electric company to the city that never sleeps.
Artist: Gil Elvgren
In this original oil on canvas painting by the prolific American artist Forrest H. Clough, a blond pirate girl styled pin-up beauty discovers a bounty of buried treasures from a previous shipwreck. This fresh to the market vintage calendar artwork is titled on the verso “Pirate’s Treasure” and is a published vintage example of the great American pin up.
Artist: F. H. Clough
An original Gil Elvgren pin-up oil painting created in 1952 for the Brown & Bigelow Calendar Company of Saint Paul Minnesota. This curvy pin-up beauty appeared under the title “Hard To Suit,” a pun the copy department liked so much they used it again in 1954 to describe an Elvgren girl disrobing from her duck hunting garb to reveal lingerie. This is the prototypical Elvgren girl in a comically harrowing and skin revealing pin-up entanglement with the artist’s classic pursed lip expression that evokes surprise, embarrassment and provocation.
Artist: Gil Elvgren
Art Frahm pushes the boundaries of cheesecake pin-up in this scandalous and daring oil on canvas. Titled “Oooh, Is There a Man in the House?” this late 1940s Goes Litho calendar commissioned pin-up painting features a brunette in shockingly sheer negligee peeking around the corner in a brazen mix of apprehension and curiosity. This winsome brunette exhudes a level of erotic sophistication not always seen in the post-World War II pin up world.
Artist: Art Frahm
An original 1962 oil on canvas by Gilette Elvgren commissioned by the Brown & Bigelow Calendar Company and published under the titles “Just Right”,”Hat’s Nice” and “The Eyeds of March”. This sexy pin-up masterwork explores the silk stockings & garters scenario for which the artist is best known. A brunette Elvgren girl admires her wiles in an aptly named vanity mirror in this provocative over the shoulder derriere exposed creation. For those of you not keeping track, recent auctions have seen Elvgren’s pin-up works for Brown & Bigelow topping $200,000.00 on three recent occasions. The high water mark of $262,900.00 was seen at Heritage Auctions June 5th, 2008 sale in Dallas Texas (Lot #66097).
Artist: Gil Elvgren
D’Ancona brings a lighthearted sense of whimsy to this 1950s situational cheesecake pin-up oil on board, which he created for the Goes Lithographic Company, Cincinnati Ohio.
A talented and prolific illustrator, D’Ancona excelled at creating curvaceous imaginings of the Girl Next Door, often presented at her most adorably vulnerable. In this artwork, a pouting brunette reaches for “A Lost Oar” (the title seen on verso of illustration board) only to find herself up the proverbial creek without a paddle.
Artist: Edward D'Ancona
A large and radiant calendar girl pin-up pastel by Billy Devorss created for The Thomas D. Murphy Calendar Company of Red Oak Iowa. Devorss had a studio in New York City in the Beaux Arts Building and worked for many Calendar Companies of the day creating large format pastel illustrations of modernist fashionable attired heart-breakers in an inventive art deco manner.
Artist: Billy DeVorss
