Original Art from the Grand Age of American Illustration
Grapefruit Moon Gallery is ecstatic to offer the original pair of carved Hondurous Mahogany decorative column panels that were built for the tavern in Hollywood California’s legendary Masquers Club on 6735 Yucca Street. These Afro-American nymphs were carved by the noted WPA muralist and woodcarver Stuart Holmes. We purchased these with the two large original Henry Clive Masquers Club mural paintings we offered and sold earlier this year.
Artist: Stuart Holmes
This original 1942 oil-on-board artwork by well listed female artist Bettina Steinke was commissioned for a United States Government WWII poster titled “Keep ‘Em Flying”. The image also became popular as a calendar art print titled “When They Came Marching Home” for The Louis F. Dow calendar company during the years of World War II and the immediate post-war period. The image became one of the enduring pictures of a changing America during wartime, featuring a victory girl nurse and armed forces servicemen working together to protect the nation.
Artist: Bettina Steinke
“Racing the Sun” is a rare surviving oil on stretched canvas painting by Ruehl Frederick Heckman, created for the Thomas D. Murphy Calendar Company. During the 1930s Heckman executed a series of five paintings for this storied calendar company, all featuring bold aviation progress and industrial themes. These works ponder the collision of the industrial revolution’s streamlined machine age aesthetic with previous generations traditional and more pastoral ways.
Artist: Ruehl Frederick Heckman
A stark, eerie, machine age/industrial revolution 1938 Works Progress Administration sponsored oil painting by Thomas Tyrone Comfort, this darkly modernist view titled “Heat on Steel” features a haunting view of an arc welder at work in a surrealist factory. This large scale painting was created as public art and exhibited by the Federal Arts Project in 1938 and retains its original verso label. 1938 marked the height of the WPA art movement, and Comfort was one of its promising talents, creating evocatively expressive, and moody visions of Depression era science and industry.
Artist: Tyrone Comfort
This large, epically scaled, WPA-era beach scene is a wonderful fine art painting that takes the forms and themes of the regionalist art movement which was revolutionizing the American art scene in 1939 when this was created, and adapts them to the classic Connecticut shore. Recalling the work of Thomas Hart Benton, and George Bellows, this oil on board shows a group of friends looking on in a mix of shock and wonder at some roughhousing co-eds. Three men appear to have a bathing beauty and appear to be about to toss her into the ocean. Is it all in good fun, or is it something more sinister? By withholding the answer, the artwork takes the beach scene and gives it the provocative modernist spin and Ashcan School grittiness that defined art in the WPA regionalist era.
Artist: Alton Tobey
An unusual mid-century modern impressionist oil on canvas dated 1954 by well listed Minnesota painter and WPA muralist Dewey Albinson. A colorful view of a colorful space in the town Cocula, Jalisco, Mexico (where the artist lived for a time) titled The Yellow House. Painted in a dramatic and well realized impasto technique with wildly executed colors and a strong sense of composition and harmony. In original painted wide profile WPA aesthetic rough wood frame with exhibition tag on verso pine stretchers.
Artist: Dewey Albinson
A poignant, large and decorative mural which reflects upon the devastation and loss caused by the Hartford, Connecticut floods of 1936. Workers from the Works Progress Administration (WPA) program provided flood relief, patrolling city streets, and rescuing Hartford residents in row boats. This large iconic artwork captures the Great Depression’s bleak urgency and despair in muted banal tones from within the temporary government shelter with newly widowed survivors and children reeling in the devastation.
Artist: Alton Tobey
A mixed media work by Alton S. Tobey in pencil and oils depicting a pair of African American Navy Midshipmen toiling at work. This work from the WPA era is handsomely framed in a period wide profile gesso frame behind glass.
Artist: Alton Tobey
Featuring a Depression-era machinist at work creating a Pratt & Whitney aircraft engine, this 1940 artwork by WPA artist Alton Tobey combines the unusual muted palate and composition of the regionalist movement with the dystopian feel of the surrealists. This powerful oil on canvas was created for the East Hartford Pratt & Whitney plant, and presents a deeply moving picture of industrialism in the lead up to World War II.
Artist: Alton Tobey
A strongly rendered, machine age/industrial revolution inspired modernist 1935 oil painting by Thomas Tyrone Comfort, used as the cover for The Los Angeles Herald & Express; Oct.19, 1936. Comfort worked as an art deco-era muralist and illustrator. His work evokes the spirit of the WPA movement, his brilliant career was cut short in 1939 when the artist passed away at the young age of 30.
Artist: Tyrone Comfort
