Grapefruit Moon Gallery

Original Art from the Grand Age of American Illustration

original interior illustration

A fantastic WPA-themed interior illustration from the February 1931 issue of American Magazine. A Union president riles up a group of miners for an epic David versus Goliath style battle, from the seat of a stylish touring coupe. Herbert Paus was a gifted and prolific illustrator, known for his highly technical & visionary watercolor industrial illustrations. He designed World War One posters and illustrated numerous covers for Liberty, Popular Science, Life, Delineator, & Collier’s magazines. Like Edward Penfield, Paus was for many years an illustrator for Hart Shaffner and Marx clothiers. An enthusiastic modernist, he worked prolifically creating defining and iconic images of American industrialization. His commissions included Goodyear Tires and Willy’s Automobiles.

Rallying the Miners

Artist: Herbert Paus

A lurid and gruesome large en grisaille style original oil on illustration board by noted 20th century artist and Illustrator Basil Gogos. An interior or perhaps cover illustration for a 1960s post-war pulp mens magazine published by Balcourt. This copy selling gruesome frontier style work pushes the envelope showing whisky bottle anesthetic self amputation by lantern light. Basil Gogos is currently featured in a long and detailed retrospective in Illustration Magazine. Nicely matted and framed and ready to hang.

Frontiersman Styled Surgery

Artist: Basil Gogos

A large and moody defining interior illustration for a mid 1950’s edition of Cosmopolitan Magazine by Alexander Sharpe Ross, titled A Weeping Violet. Ross was a leading American illustrator in the 1940s and 50s, with work featured on the covers of Good Housekeeping, The Saturday Evening Post, Ladies Home Journal and Colliers. Along with a handful of key illustrators — Coby Whitmore, John Whitcomb, Al Parker and Norman Rockwell — Ross helped create an indelible image of Americans in the post WWII decades.

A Weeping Violet

Artist: Alex Ross

A large and dramatic interior illustration by Walt Louderback for an American Slick magazine such as Collier’s or The Saturday Evening Post. An impressionist style, colorful and free flowing view of a delightful young red headed girl depicted against a backdrop of cyprus trees and a flat bottomed boat. In fine ornate frame.

A Red Headed Beauty

Artist: Walt Louderback

A large, masterfully rendered, noir dramatic interior illustration by Cecil Calvert Beall. From the illustrated serialization of Sax Rohmer’s Fu Manchu, published by Collier’s Magazine in 1948. Comes with a copy of the published magazine, artwork is beautifully framed in a period gold gesso ornate frame. Story caption reads “In a dazzling, crackling flash, Nayland Smith saw a lump of solid steel not melt, but disentigrate, vanish! A pinch of gray powder alone remained.”

Shadow Of Fu Manchu

Artist: C. C. Beall

A summer themed, bright, fresh interior story illustration from an American Slick Magazine perhaps Cosmopolitan, Liberty or The Ladies’ Home Journal. A crisply executed, apple pie Americana genre vision. This peaceful artwork showcases the post WWII economic boom and leisure pursuits of the growing American middle class.

Backgammon Summer Scene Deckside

Artist: Robert Patterson

A very stylized and decidedly mid-century modern period original gouache illustration by Edwin Georgi for an interior story in Redbook Magazine titled on verso Encounter on the Beach. Estate stamped and signed upper right, work is beautifully matted and framed. A defining example.

Encounter on the Beach

Artist: Edwin Georgi

An original illustration for the famed American Weekly The Saturday Evening Post ( page 32 April 8, 1961 issue) . A noir pulp-like rendering for the story by William Forrest, titled “DYNAMITE – That was his name. And no trucker ever dared to cross him — until now…” Robert McCall, 81, came to public attention in the early 1960s as the illustrator for LIFE magazine’s memorable series on the future of space travel. McCall’s heroic artwork is on permanent exhibit at many prestigious institutions including the National Gallery of Art, and he has done murals for the National Air & Space Museum, the Pentagon, EPCOT, and Johnson Space Center. His work for movies includes the landmark

His work for movies includes the landmark 2001:A Space Odyssey, The Black Hole, Tora! Tora! Tora!, and Star Trek: The Motion Picture. Bob’s work has been featured in virtually every popular magazine in the past thirty years.

Dynamite

Artist: Robert McCall

 

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