Grapefruit Moon Gallery

Original Art from the Grand Age of American Illustration

Minnesota Artist

Allen Anderson created this damsel in distress, Western spicy pulp oil on canvas painting as the cover of the April 1943 edition of Speed Western Stories, Volume #1 Issue #4 (Trojan Publishing, Chicago). This vivid and rare surviving example of lurid spicy pulp cover art was unearthed by Grapefruit Moon Gallery along with two additional original cover paintings by Allen Anderson that had for many years been displayed at the Cimarron Dude Ranch in Peekskill, New York.

Bucky Swings The Whip

Artist: Allen Anderson
Price:  Sold

This May 1930 science fiction pulp gouache painting on illustration board by noted comic artist Charles Clarence Beck who signed much of his work C.C. Beck illustrates a poem by Donald Wandrei titled Marmora. Our research suggests this could be the earliest published example of Beck’s work, as it predates his first known job by a few years. The work is sensational with a cobalt blue color palette and precise landscape work which appears to be influenced by Rockwell Kent.

Marmora

Artist: C. C. Beck
Price:  Sold

A haunting and technically masterful painting on board by science fiction and pulp illustrator Hannes Bok, the first artist to win the prestigious Hugo Award. In 1954, Bok contributed this image for the back cover plate of Destiny – No.10, the early sci-fi fanzine published to coincide with the 12th World’s Science Fiction Convention in San Francisco. In that usage, the Tolkien-esque martian illustrates the the Richard E. Geis poem “Kill Me Earthmen.” This is titled on verso “Sentry” and is dated 1944 lower left.

The Sentry

Artist: Hannes Bok
Price:  Sold

An endearing, albeit slightly sinister, interior hearth and home Americana scene titled “Magic Spell” by noted calendar and pin-up artist Vaughan Bass. In this late 1940s work, the newly invented television takes center stage in a room of otherwise unsupervised children of all ages. All participants are transformed by the magic spell cast by the glowing console. The unpainted television screen surface would act as advertising placement in the finished calendar where text would be added to appear as though it was on the T.V.

Magic Spell

Artist: Vaughan Bass
Price:  S O L D

An inspired and outrageous, entirely hand painted and created paper-mache decorative mask by Hannes Bok, this captures an exuberant, outlandish Art Deco Egyptian – Orientalist style. One of our favorite illustrators, Bok was born Wayne Woodard and grew up in Duluth Minnesota. As an adult, the artist carved out a meager living as an illustrator and “part time astrologer”. What we love most about Bok is his steadfast idealism and refusal to conform to the whims and rigors of publishing trends. Not surprisingly Bok died penniless in New York City. As today’s collectors and scholars unearth the lost history of the pulps the star of Hannes Bok burns brighter than at any time during his long and prolific career.

An Orientalist Avant-Garde Mask

Artist: Hannes Bok
Price:  SOLD

An erotic and sensational pin-up painting by Mayo Olmstead presumably created for The Brown & Bigelow Calendar Company. The work is mixed media on a Crescent illustration board with pastel used for the central figure and skin tones and oil or acrylic applied in an impasto textured bold technique to the border areas creating an alarming and lively composition. Olmstead was known for his good girl styled beauties, this sun burned she devil on the other hand is entirely of another vernacular.

Crazy From The Heat

Artist: Mayo Olmstead
Price:  S O L D

A smartly rendered late 1960s to 1970s gouache illustration painting by Mayo Olmstead presumably created for a Brown & Bigelow pin-up calendar. Olmstead, along with Fritz Willis, Clair Fry, and Bill Layne, was the Saint Paul, Minnesota calendar company’s star staff illustrator during the tail end of the pin-up craze, when a more modern and contemporary idealized beauty was preferred. A classic example of what is now referred to as “Good Girl Art” or GGA by pin-up collectors and pop culture scholars.

Mod Glamour Girl with Rose

Artist: Mayo Olmstead
Price:  S O L D

A colorful Western stylized 4th of July parade scene by the American Illustrator Edward V. Brewer, best known for his Cream of Wheat Advertising works. The large, vibrant, oil-on-board painting features a bright color palette and inspired Main Street scene and was used as a travel poster by the Northern Pacific Railroad to promote travel to America’s rugged and daunting Rocky Mountains. From the Charles Martignette estate, the recently deceased author of “The Great American Pin-up”.

Rodeo Parade

Artist: Edward Brewer
Price:  S O L D

Grapefruit Moon Gallery is delighted to offer a fresh (in all respects!) original oil on canvas pin-up painting by Vaughan Bass for The Louis F. Dow Calendar Company. A young strawberry-blonde nude bombshell with a curling iron readying herself for a night out on the town. A never on the market before fabulous estate find by this under valued and very talented and prolific calendar artist. Work is on original pine stretchers and in a very fine state of conservation, in all regards “The Great American Pin-up”.

An Iron in the Fire

Artist: Vaughan Bass
Price:  S O L D

The second work from a pair of 1920s gouache paintings by the Minneapolis Minnesota artist Lee Mero, titled “Land O’ the Sky Blue Water.” This retains its brightly colored pin striped art deco enamel painted wood frame. This was likely a commissioned work for the Buzza Motto Company who prospered during the Roaring 20s Jazz Age years providing prints, plaques, bridge tallies and menu books that captured the style and aesthetics of the burgeoning modernist art deco movement. This beautiful depiction of northern Minnesota’s 10,000 lakes glory captures the fascination with Native American culture with an Indian Chief in a birch-bark canoe and blue heron birds that are indigenous to the area.

Land O’ the Sky Blue Water

Artist: Lee Mero
Price:  S O L D

 

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