maiden

A large and fantastic oil painting by New York Illustrator and artist Edmund F. Ward for an interior story in The Pictorial Review Nov. 1921; titled “The Girl Who Wanted a Fairy Prince”. A magical other-worldly scene that serves as the artists image selection in the Walt Reed penned “The Illustrator in America”. Additionally this painting has been exhibited at The Norman Rockwell Museum in 2002, and at The Society Of Illustrators in 1984. Nicely framed in a handsome hand crafted white gold museum quality frame.

The Girl Who Wanted a Fairy Prince

Artist: Edmund Ward

A rare surviving Edward Sheriff Curtis nude titled “Aphrodite”, (Spirit of the Sea)” circa 1920s, a blue-toned gelatin silver photograph. Signed with the Curtis LA copyright insignia in the negative on the image, accompanied by the original frame backing stamped Aphrodite, Curtis Studio, Los Angeles. One of 3 blue nudes Curtis did towards the end of his life and a coveted rare old original photograph. In a fine state of conservation with silvering in the emulsion along the photographs edges.

Aphrodite

Artist: Edward Curtis

A dazzling 1920s art deco illustration painting of a beautifully costumed, formally attired maiden at an evening summertime patio engagement. Work is stylistically mindful of Edward Eggleston and Gene Pressler who created countless similar fanciful colorful and ornamental images for calendar companies of the era. It is our belief that this too was a published calendar image. Work is beautifully matted and framed in a handsome gesso art deco period frame.

A Summer Time Fete

Artist: Eyre

A large ethereal and transcendent fantasy themed pastel by Frederick Stuart Church firmly planted in the then dominant Art Nouveau movement. Four angelic maidens emerge from graceful flowing lines conjured mid flight, the artwork highlights the artist’s soothing and decorative palette and imaginative sense of composition.

Four Celestial Angels

Artist: Frederick Stuart Church

In Willy Pogany’s dazzling oil on board artwork, an Art Nouveau maiden finds herself in the summer foliage conversing with a little bird. This whimsical scene was created for and used as the front cover of Metropolitan Magazine, July 1916. This artwork marks the best period in Pogany’s prolific and well remembered long and successful career. A stylized belle-epoque, tightly rendered work that features a vibrant color palette and intricate use of the free-flowing forms that came to define the Art Nouveau aesthetic.

The Queen of Summer

Artist: Willy Pogany

A fashionable demure art nouveau maiden with a parasol is leered at by an Edwardian gent in a wig with opera glasses in this gouache illustration which dates from 1910 – 1920. The work is unsigned and is mindful in style of the works which appeared in Vogue and Vanity Fair Magazines. This is beautifully framed in a carved wood gesso antique frame.

Admiring a Fashionable Woman

Artist: Unknown

A monumental and important original large pastel illustration on stretched canvas by James Ross Bryson, executed in 1914 for The Thos. D. Murphy Calendar Company of Red Oak Iowa under the title “Reverie in Green”. Bryson was an influential and supremely gifted and handsomely paid American Illustrator who earned a hefty $200.00 per commission for images of his risque for the day, modern enchantress themed Art Nouveau Maiden depictions. This work is housed in it’s original wide solid mahogany gold gilt lined antique frame and is properly lined behind glass.

Reverie in Green

Artist: J. Ross Bryson

A wonderful original work by the gifted and prolific Louis F. Rhead this is 4 images on one illustration board, all were used for the 1916 Harper & Brothers published edition of The Arabian Nights . The maiden was the frontispiece for the introduction section and the stylized letters where the artists created fonts for chapter first letters. This is framed in a period, antique art nouveau bat wing gesso antique frame and looks devine as such.

Introduction From Arabian Nights

Artist: Louis Rhead

A rare surviving other-wordly creation by the elusive artist Arthur Spear Prince, titled Moon Flowers. A large oil on canvas which was exhibited in 1949 at the Pasadena Art Institute. Verso has an earlier Chicago gallery label as well from The House of O’Brien . A masterful American Impressionistic work in soft diffused tones with a balanced serene color palette which is typical of the world that Spear’s inhabitants presided in.

Moon Flowers

Artist: Arthur Prince Spear

Grapefruit Moon Gallery is proud to offer the second of several original John Louis Rhead Art Nouveau/Belle Epoque-era illustrations only recently acquired from a New York estate. This large Thanksgiving Harvest goddess colorful and stylized image is titled November in pencil by the artist on the lower margin. The work is matted and framed in a large period gesso frame. This is an astonishing and rare surviving document from this American poster master. Rhead’s work appeared alongside Alphonse Mucha, Jules Cheret and Toulouse Latrec pieces in Les Maîtres de l’Affiche (Masters of Posters) folios at the turn of the last century.

November

Artist: Louis Rhead

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