Original Art from the Grand Age of American Illustration
This original gouache painting by Henry Clive was used as the cover of Randolph Hearst’s American Weekly Magazine, August 6, 1944. One from a series of covers that glorified the beauty of women from the cultures America found itself allied with during the dark days of World War II, Global Glamour presented a rare opportunity for Clive to depict women from a variety of races in the guise of pin up and glamour art.
Artist: Henry Clive
A delicately rendered pastel on illustration board by Henry Clive, capturing an exotic pretty nude pin-up model with ruby red lips envisioned as a sleeping beauty. This captures effortlessly the prolific artist’s unique take on feminine allure. We believe this to be an unpublished illustration, retains its handsome hand carved wood gallery frame and is handsomely cloth matted and lined behind glass.
Artist: Henry Clive
Grapefruitmoongallery is proud to offer one of 3 original commissioned large circular oil paintings that adorned the restaurant walls of Larue’s a legendary Hollywood, Sunset Blvd. haunt that was owned by gangster character actor Jack LaRue. Henry Clive was a frequent patron and close friend of LaRue, and this painting, titled Spirit of Capri was purchased directly from the restaurant about 45 years ago by the artist’s son Henry Clive O’Hara. In addition to being a prolific cover illustrator for Randolph Hearst’s American Weekly, Clive painted several large risque and attention garnering commissioned mural works for Hollywood landmarks like The Jade and The Masquers Club as well as LaRue’s.
Artist: Henry Clive
This rare original painting by Henry Clive graced the cover of the June 18, 1933 edition of William Randolph Hearst’s The American Weekly. Clive was often called upon to create serialized images of pin up enchantresses who embodied a theme. This is one of those works – from a series of images which depicted a variety of maidens about to be struck by cupid’s arrow.
Artist: Henry Clive
This Pierrot-inspired flapper girl pastel was created by Henry Clive as cover art for a Hollywood Comedy Club burlesque program. With a mischevious glint in her eye, the smiling blond embodies the devil-may-care ethos of the early jazz age. After moving to California to work in silent films, Clive was very much a part of the Hollywood social scene. This original pastel is an early example of his fraternal pursuits, and includes a faint dedication to a fellow member of the Hollywood Comedy Club for which this was created.
Artist: Henry Clive
Along with its companion work “Ye Chiselers” (previously sold through Grapefruit Moon Gallery), Clive created this masterwork for the tavern of The Masquers Club, a historic and fascinating Hollywood institution. A reclining redheaded flapper is seen consorting with a Persian genie of sorts, illustrating the verse from the Rubaiyat which is inscribed on the mural.
Artist: Henry Clive
A dazzling original calendar published oil painting by Henry Clive titled “A Seaside Flirtation” created for the Joseph Hoover Calendar Company. Henry Clive joyously captures the essence of the jazz-age and the roaring 20s modernist flapper girl, this is a grand depiction. From the estate of Charles Martignette, the noted author, historian and collector. This rare surviving painting is lavishly framed, silk matted and ready to enjoy. A 1934 advertising calendar is included in the sale.
Artist: Henry Clive
This large, fresh to the market Henry Clive painting was created for the June 20th, 1948 cover of The American Weekly. The work finds the artist portraying Delilah as posed by Earl Carroll showgirl Beryl Wallace in seductive harem girl garb with barber’s shears prominently featured. Clive created a series of these artworks under the title “Enchantresses of the Ages” for Randolph Hearst’s American Weekly title where Clive enjoyed a three decade career as cover illustrator.
Artist: Henry Clive
Grapefruit Moon Gallery is delighted to offer this spectacularly executed, and exceedingly rare surviving original painting by Henry Clive of the glamorous silent era Hollywood superstar Gloria Swanson. Clive, a staff illustrator at Paramount, executed a series of portraits for for the film studio of stars including Rudolph Valentino, Mae Murray, Pola Negri, Betty Compson, Jackie Coogan and Charlie Chaplin. These portraits graced the lids of 1920s Canco company tins, and this is the only original painting from the series known to exist. It is truly rare treasure from the Lost Era of Hollywood.
Artist: Henry Clive
Grapefruit Moon Gallery is honored to offer this rare and exceptional original pastel illustration which Henry Clive created for the cover of the Valentines Day edition (February 13, 1937) of “The American Weekly.” Part of Clive’s “Vision of an Artist” series of covers for this Randolph Hearst publication, these Visions illustrated forces of nature such as the tornado and (in this case) Aurora Borealis as mythical images of femininity. The concept of women as natural phenomenon and even natural disasters is something Clive took a personal interest in, as his 6 failed marriages will attest. This enchanting and inventive depiction titled “The Aurora” features favorite Clive model and Randolph Hearst mistress Marion Davies as the goddess of the northern lights, radiating over a polar ice cap.
Artist: Henry Clive
