Original Art from the Grand Age of American Illustration
A well rendered and rare surviving 1920s original oil on board illustration by the prolific New York artist Charles M. Relyea. Featuring an art deco Indian Maiden this is a fine example of American calendar art and was a widely published image titled “Chums” which evokes the allure of the Indian Maiden and wonderfully captures the Depression-era popular fascination with exotic-themed escapism.
Artist: Charles Relyea
A dazzling, large oil on canvas painting by frequent Saturday Evening Post cover artist Frederic Stanley. This wild prohibition-era, Charleston-dancing, Roaring Twenties flapper girl celebrates a Loew’s Theatre New York Policeman’s Ball Burlesque show. This is a wonderfully rendered artwork and a piece of New York history originally owned by Eve Green, the first wife of hotel magnate Harry Helmsley. Created for the cover of the program associated with this 1926 review, this important work showcases the 1920s jazz-age aesthetic of Manhattan’s bustling Vaudeville/Burlesque social scene.
Artist: Frederic Stanley
The second work from a pair of 1920s gouache paintings by the Minneapolis Minnesota artist Lee Mero, titled “Land O’ the Sky Blue Water.” This retains its brightly colored pin striped art deco enamel painted wood frame. This was likely a commissioned work for the Buzza Motto Company who prospered during the Roaring 20s Jazz Age years providing prints, plaques, bridge tallies and menu books that captured the style and aesthetics of the burgeoning modernist art deco movement. This beautiful depiction of northern Minnesota’s 10,000 lakes glory captures the fascination with Native American culture with an Indian Chief in a birch-bark canoe and blue heron birds that are indigenous to the area.
Artist: Lee Mero
An early published and signed oil on canvas by John A. Coughlin for an as of yet unidentified Street & Smith pulp title. The hand of a New York City police officer is seen menacing a formally attired crowd in a surreal, chaotic action packed moment. A rare surviving original cover painting from The Golden Age of Illustration and a recent Pennsylvania estate find. Verso is titled “You Can’t Win” with a partial Street & Smith publishing label as seen. Relined and restretched and ready to frame and enjoy.
Artist: John Coughlin
A delightful, whimsical early oil on board painting by Henry Clive, one of our favorite American Illustrators. This dates from 1916-1920 and was likely created as cover art for Randolph Hearst’s American Weekly Magazine. Featuring a cute and perky flapper in pirate girl garb, this a rare surviving example by this gifted and influential, prolific illustrator. Work is nicely framed in a period 1930s limed wood frame.
Artist: Henry Clive
A tense and clever, menace-themed, rare surviving cover painting for the January 1939 issue of Double Action Detective.. A Science Fiction/Spicy Pulp epic entanglement illustrating George Alden Edson’s story, The Midnight Murderer. This original oil-on-canvas painting is unsigned, we are of the strong belief that it was done Rudolph Zirm. A xeroxed color print of the pulp magazine cover proof is included in the sale.
Artist: Rudolph Zirm (attributed)
A tremendous original late 1920s pen and ink drawing by Cardwell Higgins titled “A Delightful Page in the Record of My Existence”. The artist created five of these noir illustrative costumed art deco pen & ink drawings between the years of 1927 – 1929 that were later marketed as limited edition art prints under the guidance of Charles Martignette in 1979. This is assuredly the finest from this series of Aubrey Beardsley / Harry Clarke inspired fantasy scenes that the young Higgins executed. From the Estate of Charles Martignette, who championed the efforts of Cardwell Higgins and organized a one man show for the artist in 1983 shortly after the artist’s death in Hollywood Florida.
Artist: Cardwell Higgins
A scarce and wonderful original gouache painting on illustration board by Anne Harriet Sefton a.k.a. Fish; this was the cover for The December 1921 Christmas edition of Vanity Fair Magazine. Work is in the humorous yet refined swinging youth style that came to personify the art deco jazz age. Painting is elaborately framed in a hand carved ornate antique wood frame and comes with a bound volume of 1921 Vanity Fair Magazines which includes the complete December 1921 volume.
Artist: Anne Harriet Fish
A delightful original pastel by Charles Sheldon of a lavishly-attired Gloria Swanson posed in the style of a Follies Showgirl, bathed in red light. Double matted and framed in a period art deco gesso wood painted frame.
Artist: Charles Sheldon
An exceptional pastel rendering of a Gloria Swanson in blue glamorous Follies showgirl manner by Charles Sheldon. Pastel is double matted and framed in a museum quality carved wood frame.
Artist: Charles Sheldon
