Original Art from the Grand Age of American Illustration
A fashionable demure art nouveau maiden with a parasol is leered at by an Edwardian gent in a wig with opera glasses in this gouache illustration which dates from 1910 – 1920. The work is unsigned and is mindful in style of the works which appeared in Vogue and Vanity Fair Magazines. This is beautifully framed in a carved wood gesso antique frame.
Artist: Unknown
A whimsical pen and ink drawing by Heinrich Kley depicting a pair of crocodiles holding a tightrope for an art nouveau circus aerialist balancing with umbrella. Titled in the corner by the artist Seiltanz or “Rope Walk.” A fine example of Kley’s dazzling technical skills, work also visits the artist’s penchant for humanizing the animal kingdom. Beautifully framed and matted in a period fine gold gilt plein air aesthetic antique frame.
Artist: Heinrich Kley
A delightful early Rolf Armstrong original pastel in which the artist employs an impressionist and modern technique for the shadowing and details. This is a lovely and unusual transition piece from the period in Armstrong’s career where he began to shift from depicting winsome art nouveau beauties to the more dramatic and angular art deco flapper girls which defined his career. We have yet to find a printed version of this stunning original artwork by the father of American pin-up.
Artist: Rolf Armstrong
A whimsical and dazzling watercolor by Heinrich Kley titled “Siche Rude Seiten;” loosely translated, “Our Unrefined Side”. THe splendid cast of characters captures the essence of this fondly remembered avant-garde, Jugendstil, German Expressionist artist. This is a rare full color example of the artist’s work, most surviving pieces by Kley are pen & ink drawings. Kley, whose work first appeared in “Die Jugend” in 1908 caught the eye of Walt Disney in 1937 and Kley inspired much of the animation of “Fantasia”. This evocative painting is rich in humor, technique and imagery.
Artist: Heinrich Kley
A sensational colorful & brilliantly rendered nude oil painting by Robert McGinnis, who is arguably the most talented living American illustrator. A fetching stylized nude by the iconic illustrator. He is responsible for the creating some of our cultures most ingrained visuals, including movie poster campaigns including the Breakfast at Tiffany’s poster design and hundreds of book covers. A fine original work by a unique and gifted living legend and Society of Illustrators Hall of Fame member.
Artist: Robert McGinnis
This original commissioned painting by female pin-up artist Ruth Deckard was titled A Pin Cushion by the Calendar Company that first published it, originally titled by the artist on verso A Bar Belle. Features a cheeky brunette winsome pin-up girl in a duck pin bowling alley “sit down strike” scene. This was a very popular and wildly produced calendar in the post WWII pin-up era, and we are happy to offer the original oil on canvas, a rare original surviving artifact from the era of “The Great American Pin-up.”
Artist: Ruth Deckard
A bizarre and macabre artwork by one of our favorite illustrators Mahlon Blaine titled on verso “A Fish Story.” A mermaid Medusa-like nude rendered in a pastel colored palette with an unusual size and configuration that leads us to believe this was created as a left-hand page interior illustration in a pulp magazine such as Weird Tales. When reproduced we imagine text would have been blocked around the right edge of this highly creative image.
Artist: Mahlon Blaine
An unusual pen & ink drawing by pre-eminent William Randolph Hearst illustrator Nell Brinkley. This intricately detailed 1932 illustration offers satirical social commentary on the deliterious effects the ongoing Great Depression was having on economic health around the world. In this lighter take on troubled times, three Brinkley Girls are depicted nursing the ailing globe back to health.
Artist: Nell Brinkley
The piece may have been also used as a poster design or perhaps a sheet music cover. As was sometimes the case, this rugged boxer with the large chin featured himself as the model. This is a mixed medium work in that the left side of the detailed map is an actual printed period map that Armstrong adhered to the top of the canvas (he painted in the right area of the map where the text Russia appears). This painting is featured on page 43 of the Michael Wooldridge artist book titled Pin-up Dreams.
Artist: Rolf Armstrong
