Original Art from the Grand Age of American Illustration
A fashionable demure art nouveau maiden with a parasol is leered at by an Edwardian gent in a wig with opera glasses in this gouache illustration which dates from 1910 – 1920. The work is unsigned and is mindful in style of the works which appeared in Vogue and Vanity Fair Magazines. This is beautifully framed in a carved wood gesso antique frame.
Artist: Unknown
A monumental and important original large pastel illustration on stretched canvas by James Ross Bryson, executed in 1914 for The Thos. D. Murphy Calendar Company of Red Oak Iowa under the title “Reverie in Green”. Bryson was an influential and supremely gifted and handsomely paid American Illustrator who earned a hefty $200.00 per commission for images of his risque for the day, modern enchantress themed Art Nouveau Maiden depictions. This work is housed in it’s original wide solid mahogany gold gilt lined antique frame and is properly lined behind glass.
Artist: J. Ross Bryson
A beautiful historically inspired maiden with a sword amidst Moorish castles and architecture. A dazzling charcoal rendering by the Polish emigrant W.T. Benda, a frequent cover artist for Life, Hearst’s and The Shrine Magazine. Benda is perhaps best remembered today for his elaborate theater masks which made him the toast of New York City during the roaring 20’s jazz age. He also favored images of exotic European and Asian ingenues with mysterious foreign features and dress.
Artist: Wladyslaw Benda
This set of two pendant oil paintings is unusual within Wenzell’s oervre, both for its classical mythological subject and explicit eroticism. These two paintings were clearly conceived as a matched set; they present a “before” and “after” narrative. The first panel was published as a vignette in the March 26th, 1910 issue of Collier’s magazine but we don’t believe that the second work was created for publication. This pair was displayed in the Wenzell’s 1967 Maxwell Gallery (San Francisco) exhibition, “The Age of Elegance.” An illustrated program is included with sale.
Artist: Albert Wenzell
A whimsical pen and ink drawing by Heinrich Kley depicting a pair of crocodiles holding a tightrope for an art nouveau circus aerialist balancing with umbrella. Titled in the corner by the artist Seiltanz or “Rope Walk.” A fine example of Kley’s dazzling technical skills, work also visits the artist’s penchant for humanizing the animal kingdom. Beautifully framed and matted in a period fine gold gilt plein air aesthetic antique frame.
Artist: Heinrich Kley
A delightful early Rolf Armstrong original pastel in which the artist employs an impressionist and modern technique for the shadowing and details. This is a lovely and unusual transition piece from the period in Armstrong’s career where he began to shift from depicting winsome art nouveau beauties to the more dramatic and angular art deco flapper girls which defined his career. We have yet to find a printed version of this stunning original artwork by the father of American pin-up.
Artist: Rolf Armstrong
A wonderful original work by the gifted and prolific Louis F. Rhead this is 4 images on one illustration board, all were used for the 1916 Harper & Brothers published edition of The Arabian Nights . The maiden was the frontispiece for the introduction section and the stylized letters where the artists created fonts for chapter first letters. This is framed in a period, antique art nouveau bat wing gesso antique frame and looks devine as such.
Artist: Louis Rhead
A large Victorian watercolor by famed illustrator Albert Beck Wenzell featuring an Art Nouveau virginal beauty surrounded by putti shown in idyllic purity with nimbis overhead. Wenzell is best known for his 1903 illustrated book The Passing Show. He also created stunning murals for the New Amsterdam Theater in New York City at the turn of the last century and was a cover artist for leading early 20th century magazines such as The Saturday Evening Post.
Artist: Albert Wenzell
This is original artwork by the legendary art nouveau illustrator, Raphael Kirchner. This piece was commissioned for a turn-of-the-century postcard. Kirchner was revered for his sensual and sexually-provocative “Kirchner Girls”. These appeared monthly in La Vie Parisienne, a notorious French publication. Kirchner was perhaps best known as a postcard illustrator. This is a wonderfully detailed, stylized art nouveau rendering of a pan flute playing maiden. It is matted in a stunning period frame.
Artist: Raphael Kirchner
This original 1912 oil on board features actress Constance Collier in her role of Pallas Athene in the Beerbohm Tree production of Ulysses. This stylized art nouveau depiction in the Pre-Raphaelite aesthetic was by the well listed artist Charles Buchel and a similiar illustration of the actress by Buchel hangs in the London V & A museum. Buchel was a prolific versatile artist who depicted Edwardian and Victorian actors and actresses in period stage costumes. He designed numerous theatre programs and period postcards depicting dramatic scenes. Comes ready to hang in a fine period gesso ornate frame.
Artist: Charles Buchel
