Original Art from the Grand Age of American Illustration
This voluptuous dreamy risqué redhead was created as calendar pin up art for the Goes Litho Company by the prolific and talented female Chicago area illustrator Pearl Frush. A red headed femme-fatale, loosely styled after Jean Harlow from her starring turn in the 1932 film Red Headed Woman, appears in a floppy wide brimmed straw hat with […]
Artist: Pearl Frush
This technically dazzling painting by the French-American artist, muralist, and illustrator Andre Durenceau shows a colorful art deco landscape conceived in the manner of Rockwell Kent, with a lake in the foreground and an oversized flying fish adding the surreal touch for which the artist was known to the scene. This gouache on canvas is signed lower right and […]
Artist: Andre Durenceau
This woman in peril, menace themed proposed spicy pulp oil painting by the American illustrator William Soare is a lurid and provocative example of the damsel in distress imagery which proliferated newsstands in the 1930s. To the best of our research, this pulp cover illustration appears to have never been published, which sometimes happened when the fly-by-night titles that commissioned these spicy […]
Artist: William Soare
This refined pastel portrait of film legend Mary Astor by the American illustrator Rolf Armstrong dates to 1933, during the artist’s brief tenure as a Hollywood portraitist. The elegant and understated large format artwork reflects Armstrong’s desire to move away from the rigid demands and deadline driven style of his in demand career as America’s leading calendar artist. In 1931, Armstrong moved from New York to the West coast and started an independent fine art company “Armstrong Art Services.”
Artist: Rolf Armstrong
This breezy sailor girl, bathing beauty pin-up graced the cover of the July 24, 1937 edition of Liberty magazine, a popular long running Bernarr MacFadden publication. By the artist R.C. Kauffmann–a personal favorite of the gallery–this is a tremendously spirited, large format oil painting with spectacular zest and allure. Kauffmann is best remembered for his Saturday Evening Post covers as […]
Artist: R.C. Kauffmann
An intoxicating and erotic reclining nude by the well-listed artist Harold Mott-Smith. Born in Hawaii, Harold Mott-Smith was a painter who lived in Paris from 1894-1906. He studied at the Academie Julian with Jean Paul Laurens, and exhibited in 1894 with the Boston Art Club as well as Paris Salon. After returning to New York, Mott-Smith worked for GE, illustrating calendars and painting portraits of Thomas Edison. This captivating oil on canvas dates from his early Hawaiian career and showcases his sensuous style.
Artist: Harold Mott-Smith
Secure Cables is a moving and kinetic, exhibited, WPA aesthetic, signed and dated oil on canvas painting by the Scottish Artist Albert Gordon Thomas. This honors the hard working efforts of those who advanced industry and commerce during the dizzying years of the industrial revolution and machine age. This was exhibited in 1935 in Scotland at […]
Artist: Gordon Thomas
An original commissioned Calendar illustration by noted New York City genre illustrator Charlotte Becker. Created as calendar art most likely for The Gerlach Barklow Calendar Company Joliet Illinois. Framed in a period gesso wood frame.
Artist: Charlotte Becker
The tenth and final proposed mural painting by Mahlon Blaine for a New York City interior showroom for industrial designer Paul Ritter MacAlister, created in 1939 under the pseudonym G.Christopher Hudson. In this original gouache painting a nude uses a movie camera to capture assorted gadgets working together to become a Rube Goldberg machine, in a pointed commentary on the needless complexities of life in the machine age. Painting is handsomely framed and matted behind glass and is initialed lower left from the estate of Paul Ritter MacAlister.
Artist: Mahlon Blaine
The ninth of ten proposed mural paintings by Mahlon Blaine created for a never completed Paul Ritter MacAlister interior space in New York City. Under the pseudonym G. Christopher Hudson Blaine developed this sequence of dystopian views of the machine age. In this work a nude hand feeds dollar bills to an animate yet robotic cash register which serves as the greedy symbolic manifestation of industry. Again the artist employs a patriotic red & white and blue color palette to alarming effect.
Artist: Mahlon Blaine
