This dramatic, futuristic sci-fi interior pulp illustration was created by Harold McCauley for an as-of-yet unidentified Ziff-Davis title.
Artist: Harold McCauley
Death Makes a Mistake is an eerie, dark, and foreboding interior pulp illustration by Harold McCauley which appeared in the January 1943 issue of the sci-fi/fantasy pulp magazine Amazing Stories accompanying the P.F. Costello story of the same title. The caption beneath reads “Reggie looked at the second rose, and then he knew…!” Nicely matted and framed under glass, this […]
Artist: Harold McCauley
Inspired by the work of Harry Clarke, this art deco nude avant-garde pen & ink drawing by Cardwell Higgins was titled by the artist “The Elements Involved”.
Artist: Cardwell Higgins
Harold McCauley created this tense, action-packed, gritty, and dramatic illustration for an-as-of-yet unidentified pulp title, circa 1940s.
Artist: Harold McCauley
Jon Whitcomb was perhaps the most accomplished “glossy” magazine illustrator working in the mid-century modern style. This fabulous glamour and Western Americana mash-up interior gouache illustration painting for the January, 1951 edition of Cosmopolitan magazine showcases the skillful eye, technical excellence and delightful imaginative sense of narration that set him atop of the field. Commissioned for a story by Shirley Shapiro Pugh titled […]
Artist: Jon Whitcomb
This is an original painting by Bill Layne that shows a mod trio of mop topped bugs making a racket as a insect version of the Beatles.
Artist: Bill Layne
This very well rendered and rare surviving watercolor illustration painting by the French boudoir artist Suzanne Meunier dates to around 1920.
Artist: Suzanne Meunier
An early painting by beloved American illustrator James Montgomery Flagg which appeared on the cover of Sunday Magazine of the Minneapolis Journal.
Artist: James Montgomery Flagg
One of the finest Peter Driben pin-up girl cover illustrations to come on the market, for the December, 1948 edition of Beauty Parade.
Artist: Peter Driben
Dating to the WPA-era, when many American artists turned their attention to the perils of modernity, urbanization, and the consequences of industrialization, this oil on canvas fine art painting takes a surreal and bleak apocalyptic look at a cityscape (likely New York City) being set upon by a serpent and the wolves that act as his familiars.
Artist: Unknown American Artist
