Original Art from the Grand Age of American Illustration
From the estate of legendary Ziegfeld Follies photographer Alfred Cheney Johnston comes this beautiful portrait of Follies showgirl Barbara Dean. Noted illustrator J. Knowles Hare was commissioned by impresario Flo Ziegfeld to create pastel illustrations of his glorified American girls based upon the the sittings between Johnston and the showgirls.
Artist: J. Knowles Hare
From the estate of legendary Ziegfeld Follies photographer Alfred Cheney Johnston comes this portrait of Follies showgirl Naomi Johnston. Noted illustrator J. Knowles Hare was commissioned by impresario Flo Ziegfeld to create pastel illustrations of Ziegfeld’s glorified American girls as they were captured by photographer A.C. Johnston, for a variety of display and publicity uses. The finished pastel […]
Artist: J. Knowles Hare
Grapefruit Moon Gallery just unearthed a small collection of original Campbell’s Soup Kids illustrations. These appeared as print ads in countless American mainstream publications such as The Saturday Evening Post in the 1930s. In this offering a Dolly Dingle character Campbell’s Soup Kid is putting the finishing touches on his or her soapbox derby bi-plane early aviation age-inspired racing car. Nicely matted and framed behind glass and ready to hang.
Artist: School of Grace Drayton
An important and poignant oil painting by the very well listed American artist and illustrator Francis Luis Mora. This large and expressive artwork was created as the frontispiece for the December 1918 issue of Red Cross Magazine. As published this was set atop moving poetry by Sara Teasdale reflecting on the mighty suffering and loss WWI had inflicted on our country’s women. A complete copy of the printed magazine with illustrated work is included in the sale.
Artist: Francis Luis Mora
A kinetic and surrealist hypnotic work showing an African Fertility Dance that likely was a proposed cover for The American Weekly magazine, for which the artist was active in the 1940s. Inscribed Property of Andre Durenceau lower right; a jarring work by one of our favorite avant-garde art deco era illustrators. Nicely matted and framed behind glass in a period frame.
Artist: Andre Durenceau
A deftly rendered precise original gouache painting from 1937 used for a poster designed for a South Kensington, England Science Museum show. Signed Eileen McKinney on the verso and dated April 3, 1937. The work is entrenched with imagery inspired by the ongoing industrial revolution which was occurring throughout much of the world and captures the public’s fascination with the machine, science and industry as they were to intersect in what has become known as “The Machine Age”. The artist uses elements of Russian Constructivist poster design which emphasizes the particular material properties of an object added with it’s three dimensional spatial presence. This design aesthetic was very tied into Industry and Modernism and became harmonious with the graphics and imagery associated with The Machine Age.
Artist: Eileen McKinney
A moving and large Victorian era interior illustration presumably for the old LIFE magazine. An original grisaillle illustration by noted American illustrator C. Clyde Squires (1883-1970).
Artist: C. Clyde Squires
A rare surviving pastel by the prolific and inventive early pin-up artist James Ross Bryson. Bryson defined Art Nouveau feminine beauty with his Edwardian views of corseted and lavishly attired, erotic, and bold anti-Victorian maidens. A staff artist for the Thos. D Murphy calendar co., his work also appeared on postcards, advertisements, and magazine covers. Bryson’s strong use of color, and stylized depictions of feminine glamour were heavily influential on art deco pastel artists like Rolf Armstrong, Earl Moran and Zoe Mozert.
Artist: J. Ross Bryson
An exceedingly rare surviving Henry Clive cover illustration from his 20+ years creating for The American Weekly. This painting was from a series done in 1934 titled, Darlings of the Poets. In this series, Clive illustrated the inspirations for leading poets and writers. This particular oil on canvas depicts “Lenore” as the lost and sorrowful inspiration behind The Raven as written by Edgar Allan Poe.
Artist: Henry Clive
An exceedingly scarce and early Art Nouveau period original pastel portrait by Rolf Armstrong dated 1913. A crisply rendered serene take on a sad eyed solemn brown eyed lass. This pastel dates just one year later than his first published works of 1912 for Puck and Judge magazines. His signature had not yet become the stylized scripted font of which we are accustomed to seeing. I have yet to uncover the published version of this work, it was most likely commissioned as a sheet music cover or perhaps a cover for American Sunday Magazine, one of several periodicals willing to take a chance on the young emerging talent.
Artist: Rolf Armstrong
