Original Art from the Grand Age of American Illustration
The Main Attraction is a large, colorful, and very well-executed 1930s art deco-era fine art oil painting by the Lithuanian-American artist Jack Levitz. A Jewish immigrant who settled in the Jamaica neighborhood of Queens, Levitz’s social realist/Ashcan School style recalls George Luks and Everett Shinn. This oil on canvas shows a seedy New York City theater, with a writhing burlesque dancer bathed in […]
Artist: Jack Levitz
A very well executed WPA in aesthetic moody tonalist 1930s to early 1940s fine art oil painting by the Lithuanian-American artist Jack Levitz. The artist was a Jewish immigrant who settled in the Jamaica neighborhood of Queens. Levitz’s Social Realist/Ashcan School style recalls George Luks and Everett Shinn. This oil on masonite painting shows a New […]
Artist: Jack Levitz
A bustling street scene of the artist’s native Brooklyn New York, with tenements and street vendors on view on a picturesque busy New York corner. The painting is signed lower left F. Krieger, and was painted in a regionalist, WPA aesthetic in the 1930s by Florence Krieger, a well listed and exhibited Brooklyn artist who worked in a variety of mediums. Painting is framed in a rough hewn wide profile wood frame and is ready to hang.
Artist: Florence Krieger
A stark and WPA in aesthetic signed oil on canvas painting by the important Minnesota artist Dewey Albinson. This was exhibited as fine art and is titled on verso in the original exhibition tag “Event in the Loft” – Don Quixote Volume #1 Chapter 16″. The artist utilizes bold impressionist brush strokes and a subdued color palette to explore his fascination with Miguel Cervantes’s story of Don Quixote.
Artist: Dewey Albinson
An epic and poignant large allegorical preparatory painting by Eugene Savage for the mural titled Armistice, which was created for and still resides in the front reception room at The Elks Veteran Memorial in Chicago’s Lincoln Park neighborhood.
Artist: Eugene Savage
From a recent east coast estate auction, Grapefruit Moon Gallery is delighted to have acquired a previously unseen collection of American Impressionist oil paintings dating to the 1940s and executed in a WPA, Regionalist, and often times stark Ashcan School design aesthetic. These are the work of the important American photo-journalist Alfred Statler, who was […]
Artist: Alfred Statler
Secure Cables is a moving and kinetic, exhibited, WPA aesthetic, signed and dated oil on canvas painting by the Scottish Artist Albert Gordon Thomas. This honors the hard working efforts of those who advanced industry and commerce during the dizzying years of the industrial revolution and machine age. This was exhibited in 1935 in Scotland at […]
Artist: Gordon Thomas
From a recent east coast estate auction, Grapefruit Moon Gallery is delighted to have acquired a previously unseen collection of American Impressionist oil paintings dating to the 1940s and executed in a WPA, Regionalist, and often times stark Ashcan School design aesthetic. These are the work of the important American photo-journalist Alfred Statler, who was […]
Artist: Alfred Statler
The tenth and final proposed mural painting by Mahlon Blaine for a New York City interior showroom for industrial designer Paul Ritter MacAlister, created in 1939 under the pseudonym G.Christopher Hudson. In this original gouache painting a nude uses a movie camera to capture assorted gadgets working together to become a Rube Goldberg machine, in a pointed commentary on the needless complexities of life in the machine age. Painting is handsomely framed and matted behind glass and is initialed lower left from the estate of Paul Ritter MacAlister.
Artist: Mahlon Blaine
The ninth of ten proposed mural paintings by Mahlon Blaine created for a never completed Paul Ritter MacAlister interior space in New York City. Under the pseudonym G. Christopher Hudson Blaine developed this sequence of dystopian views of the machine age. In this work a nude hand feeds dollar bills to an animate yet robotic cash register which serves as the greedy symbolic manifestation of industry. Again the artist employs a patriotic red & white and blue color palette to alarming effect.
Artist: Mahlon Blaine
