Original Art from the Grand Age of American Illustration
Featured within The Golden Gallery are works by influential artists such as Rolf Armstrong, Gil Elvgren and Earl Moran. These important paintings represent the pinnacle of illustration art , we trust you will enjoy this curated selection of genre-defining examples and unsurpassed rarities from the Grand Age of American Illustration.
A tense and clever, menace-themed, rare surviving cover painting for the January 1939 issue of Double Action Detective.. A Science Fiction/Spicy Pulp epic entanglement illustrating George Alden Edson’s story, The Midnight Murderer. This original oil-on-canvas painting is unsigned, we are of the strong belief that it was done Rudolph Zirm. A xeroxed color print of the pulp magazine cover proof is included in the sale.
Artist: Rudolph Zirm (attributed)
A rare surviving spicy pulp cover painting by Rudolph Zirm. This menace themed oil on canvas was published April 1939 as the cover for Undercover Detective, illustrating the interior story “The Devil’s Pigeons”. A facsimile reissue edition of the pulp magazine featuring Zirm’s cover is included with sale.
Artist: Rudolph Zirm
A rare original Brown and Bigelow-commisioned pin-up painting for their prestigious Sylvania Products account. Each year one of the calendar company’s star artists would create a wholesome yet alluring “Miss Sylvania” exclusively for Sylvania’s advertising campaign. This luminous original oilon canvas dates to the early 1950s and is featured on page 228 plate #545 in the collector’s book Gil Elvgren All His Glamorous American Pin-ups. Grapefruit Moon Gallery sold this work previously (in March of 2008) and are delighted to be able to offer it again on consignment for a collector who is making wall space for new acquisitions.
Artist: Gil Elvgren
A fun sassy cowgirl is featured in this original oil on canvas by Gil Elvgren. This work was created for a 1953 Brown & Bigelow commissioned calendar titled Beat That. This rare surviving Western Americana/pin-up cross collectible image is fresh, bright, and a defining work by the well listed master illustrator. Verso retains original Brown & Bigelow label and this is in untouched original condition as seen. Grapefruit Moon Gallery sold this work previously (in June of 2007) and are delighted to be able to offer it again on consignment for a collector who is making wall space for new acquisitions.
Artist: Gil Elvgren
A fresh to the market lovely portrait painting by Carle J. Blenner in its original to the work handsome American Arts & Crafts ornate gesso frame. This is a fine and untouched example of the artist’s preferred subject matter; female portraiture. This large oil painting finds a dazzling raven haired maiden admiring her beauty in a hand compact. Work retains its original Beard Art Gallery Minneapolis verso exhibit label and the frame is adorned with a period plaque with the artist’s name.
Artist: Carle Blenner
A New Year’s themed cover painting by Leslie Thrasher for the January 9, 1932 edition of Liberty Magazine. The painting finds the serialized couple “Sandy and Lil” renewing their wedding vows in the midst of the Great Depression with a cherubic baby New Year with quill pen acting as the notary clerk. Image follows the tradition of January New Years Babies covers painted by Norman Rockwell and J. C. Lyendecker in The Saturday Evening Post.
Artist: Leslie Thrasher
An alarmingly beautiful art deco era original pastel pin-up illustration by Billy Devorss titled “Prize Winner”. A ravishing and radiant blond bathing beauty contestant winner in her slinky and current one piece suit and beach cape. One of the artist’s most successful and enduring creations. In original limed wood frame behind glass with a framing label from “M.Goldberg picture frames, 323 W. 45th St. N.Y. A rare surviving radiant work from Devorss’ most productive period, when his penthouse studio was in New York City’s prestigious Beaux Arts Building.
Artist: Billy DeVorss
A large signed and dated 1917 oil on canvas by Margaret Lindsay Williams, the important Royal Academy award winning Welsh artist. Williams has the distinction of being the lone artist to have had a studio in Westminster Abbey. Along with her darkly beautiful fine art, she painted portraits of Queen Alexandria and The Prince of Wales. In 1922, amidst much hoopla, she was brought to the US to paint President Harding’s portrait. This remarkable large work bears its label from a 1917 London’s Royal Academy exhibition. This is an important large decorative dark masterwork from an artist of the utmost historical significance.
Artist: Margaret Lindsay Williams
A dazzling art deco era original oil on canvas by noted New York Illustrator Walter Beach Humphrey. Humphrey did 3 covers for The Saturday Evening Post in 1923. He also was a frequent cover contributor for Colliers , Liberty and Argosy Magazines. He currently has works on display at the Norman Rockwell Museum in their Toast of the Town exhibit. The model was the artist’s wife Connie Regina. I am assuming this was painted as a decorative work as I cannot imagine a cover it could have been used for with the possible exception of a Burlesque or Follies Bergere type program cover.
Artist: Walter Beach Humphrey
A rare surviving cover painting by Harold H.W. McCauley for the September 1938 edition of Fantastic Adventures; Volume #1 issue #5. This is likely the earliest commissioned pulp cover illustration by the artist. A classic art deco depiction of the perils of the near future space age, as envisioned in the campy, naive era of the 1930s. The mild bondage, damsel in distress content provided an additional titillating shock at the newsstands which carried this early pulp/science fiction title.
Artist: Harold McCauley
