Original Art from the Grand Age of American Illustration
This oil on canvasboard painting by Harold (H.W.) McCauley was created for use as the cover for the 1959 Nightstand digest pulp novel Carnival of Lust by J.X. Williams. In this offering a near-nude harem girl flirtatiously eyes a martini drinking genie. The painting is a dynamic and well-rendered example by this prolific and gifted American illustrator, and a great artifact […]
Artist: Harold McCauley
A curvy nude pin-up beauty in a red wide brimmed mid-century hat contently admires her reflection in this original pin-up painting by Harry Ekman. This was previously part of the collection of pin-up historian and author Charles Martignette and appears in the 1996 Taschen volume The Great American Pin-Up (page 153, plate #326) co-authored by Martignette and Louis K. […]
Artist: Harry Ekman
An intoxicating and erotic reclining nude by the well-listed artist Harold Mott-Smith. Born in Hawaii, Harold Mott-Smith was a painter who lived in Paris from 1894-1906. He studied at the Academie Julian with Jean Paul Laurens, and exhibited in 1894 with the Boston Art Club as well as Paris Salon. After returning to New York, Mott-Smith worked for GE, illustrating calendars and painting portraits of Thomas Edison. This captivating oil on canvas dates from his early Hawaiian career and showcases his sensuous style.
Artist: Harold Mott-Smith
The tenth and final proposed mural painting by Mahlon Blaine for a New York City interior showroom for industrial designer Paul Ritter MacAlister, created in 1939 under the pseudonym G.Christopher Hudson. In this original gouache painting a nude uses a movie camera to capture assorted gadgets working together to become a Rube Goldberg machine, in a pointed commentary on the needless complexities of life in the machine age. Painting is handsomely framed and matted behind glass and is initialed lower left from the estate of Paul Ritter MacAlister.
Artist: Mahlon Blaine
The ninth of ten proposed mural paintings by Mahlon Blaine created for a never completed Paul Ritter MacAlister interior space in New York City. Under the pseudonym G. Christopher Hudson Blaine developed this sequence of dystopian views of the machine age. In this work a nude hand feeds dollar bills to an animate yet robotic cash register which serves as the greedy symbolic manifestation of industry. Again the artist employs a patriotic red & white and blue color palette to alarming effect.
Artist: Mahlon Blaine
This is the largest and most detailed and only signed painting from this series by Mahlon Blaine, number eight of ten the verso is titled “Nude on Gadget – Out of Control” and signed “G. Christopher Hudson” with a New York City address. In this image a nude sits atop the observation deck of the Chrysler Building high above New York City in a frozen in time Salvador Dali like winter surrealist cityscape. A frozen water faucet has created a block of ice that a nude goddess sits on oblivious to the cold as city workers attempt to break the ice and another hoists construction lumber from the skyscrapers iconic art deco modernist machine-age observation deck.
Artist: Mahlon Blaine
The seventh of ten mural concepts by Mahlon Blaine for a New York City public space designed by noted industrial designer Paul Ritter MacAlister. This work is stylistically a departure, a cubist abstract half man/half woman nude that guards or invites one into a passageway in a color palette and modernist style suggestive of Picasso.
Artist: Mahlon Blaine
The sixth of ten 1939 mural designs by Mahlon Blaine, which were intended to become murals for the studio or showroom of noted New York City industrial designer Paul MacAlister. A vacuum tube headed, praying mantis-like robot battles a cowering nude goddess in the ongoing saga of the menace of industry. Marked on verso design #6, this comes beautifully matted and framed from the estate of Paul Ritter MacAlister.
Artist: Mahlon Blaine
The fifth of ten 1939 mural designs by Mahlon Blaine, which were intended to become murals for the studio or showroom of noted New York City industrial designer Paul MacAlister. In this scene our nude goddess pours flower petals into the mouth of a robotic machine as a Buckingham Palace Royal Guard on horse cleverly protects her modesty. The adjoining stone masonry watches on in amusement as a bird of pray hovers above tied from a high building rafter that frames the scene. An inspired visionary artwork in a red, white and blue Americana color palette. Marked on verso design #5, this comes beautifully matted and framed from the estate of Paul Ritter MacAlister.
Artist: Mahlon Blaine
The fourth of ten 1939 mural designs by Mahlon Blaine, which were intended to become murals for the studio or showroom of noted New York City interior designer Paul MacAlister. In “The Toast of Manhattan” a nude goddess with serpents for hair pours a martini for a tuxedo clad robot as the adjoining stone masonry watches on disapprovingly. Even the tenements have eyes in this surrealist and inspired visionary artwork. Marked on verso design #4, this comes beautifully matted and framed from the estate of Paul MacAlister.
Artist: Mahlon Blaine
