Golden Age

A luminous and rare Golden Age of Illustration cover oil painting for the Saturday Evening Post, entitled “Graduate On Top Of the World”, by Edmund Davenport. This appeared as the cover the June 13, 1925 issue and is a fresh to the market work that finds the artist (who contributed three Post covers in 1925) painting in a Norman Rockwell like illustrative style. The unusual subject, that of a confident, young pretty, independent flapper on graduation day, and the scarcity of surviving Post covers from this era add to the already enormous appeal of this lovely and historic American illustration painting.

Graduate On Top Of The World

Artist: Edmund Davenport

A deftly rendered, intricate, highly decorative oil on canvas painting by noted Brandywine School illustrator Arthur E. Becher, a student of Howard Pyle. An East Indian Minstrel performs magic feats to the delight of his adoring harem in this Orientalist Golden Age of Illustration depiction. Becher’s work appeared in numerous magazine titles after the turn of the last century; Scribner’s and Leslie’s most notably. He also created full color bookplates for such titles as “Long Live the King” and an 1914 adaptation of Edgar Allen Poe’s “The Raven” by P.F. Collier & Sons.

Minstrel Entertains a Harem

Artist: Arthur Becher

A large, signed and dated oil on canvas by noted and prolific Golden age illustrator Ralph Pallen Coleman. The work was commissioned for a 2 page spread in the November 1933 edition of Redbook Magazine, illustrating the Military-themed melodrama “Rank and File” by Charles L. Clifford and Mary C. McCall, Jr. The published edition of Redbook is included in the sale and the painting is nicely framed and ready to hang.

Rank and File

Artist: Ralph Coleman

This original oil painting is one of three estate finds by the artist “Eyre” which was possibly a pseudonym for the east coast 1920s – 30s Illustrator Edward Eggleston. Though this example is unsigned, it was undoubtedly created by the same hand as the two signed Eyre pieces, and all three strongly resemble the work of Eggleston, who created several similar flapper girl seaside bathing beauty imagery for Atlantic City travel posters. The “EYRE” signature (visible in the other examples offered by the gallery) is stylistically similar to Eggleston’s signature and the color palette is reminiscent as well. This is a beautiful painting and is framed in an ornate period art deco frame matted behind glass.

Atlantic City Flapper Seaside

Artist: Eyre

A delightful oil on canvas by Eugenie Wireman likely used by the Curtis Publishing Company as a Christmas magazine cover circa 1910 – 1920. Wireman studied under Howard Pyle and worked as a Brandywine school illustrator creating children’s book illustrations, magazine covers, and advertising art for many Golden Age of Illustration magazines such as The Saturday Evening Post. A delightful view of a young child enjoying the spoils of a bountiful Christmas Morning, with great imagery and antique toy laden fanciful nostalgic appeal.

Christmas Morning

Artist: Eugenie Wireman

A bright and colorful, new to the market, original gouache on board by the prolific Hungarian artist Willy Pogany. This was created as an interior book plate illustration for an undetermined publication. A feast is laid before the king and his dog in this cleverly rendered original illustration. The verso is notated “pg. 7” and with the text “Golden Cocker #3” and an inventory number designating this as a published work. It is boldly signed lower right and nicely matted and framed behind glass.

The Feast

Artist: Willy Pogany

A colorful and festive original gouache painting by the prolific Hungarian artist Willy Pogany created as an interior book plate illustration. A drunken king is carried off by the kingdom’s subjects after a sumptious feast in this colorful and cleverly rendered original illustration. The verso is notated “pg. 47” this was a published work. It is boldly signed lower right and nicely matted and framed behind glass.

After The Feast

Artist: Willy Pogany

A large and decorative gouache and graphite illustration by Willy Pogany titled on verso in the artists hand “Love’s Labour’s Lost”. Likely used in a William Shakespeare adaptation perhaps a cover for “The American Weekly” a large courting scene and a grand depiction by this very important artist from “The Golden Age of Illustration”. Work is beautifully silk matted and framed behind glass and ready to hang.

Love’s Labour’s Lost

Artist: Willy Pogany

A colorful and festive original gouache painting by the prolific Hungarian artist Willy Pogany for an as of yet undetermined interior book plate illustration. A courting scene with a knight and princess assembled in a far away idyllic surround. The verso is notated with “pg. 26” this was a published work it is boldly signed lower right and nicely matted with a silk mat and framed behind glass.

In the Court of the Princess

Artist: Willy Pogany

An early published and signed oil on canvas by John A. Coughlin for an as of yet unidentified Street & Smith pulp title. The hand of a New York City police officer is seen menacing a formally attired crowd in a surreal, chaotic action packed moment. A rare surviving original cover painting from The Golden Age of Illustration and a recent Pennsylvania estate find. Verso is titled “You Can’t Win” with a partial Street & Smith publishing label as seen. Relined and restretched and ready to frame and enjoy.

The House of Horror

Artist: John Coughlin

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