Original Art from the Grand Age of American Illustration
A signed gouache on illustration board painting by Harry Barton, created as the cover for Dorine Clark’s 1959 novel Hell Cat. This original artwork is a prime example of the boundary pushing, subversive imagery that helped draw readers to the taboo and lurid stories put out by pulp paperback publishers. These titles often pushed the boundaries of […]
Artist: Harry Barton
An original gouache cover painting for an unidentified issue of the notorious French publication “La Vie Parisienne”. The long running, humorous and racy magazine chronicled the exploits and sexual proclivities of sassy and free spirited French follies showgirls and their often dim witted suitors in risque, breezy, spicy pulp-like fashion. This original gouache painting is nicely double matted in an oval window in a fine antique ornate gesso gold frame behind glass.
Artist: Maurice Milliere
A wonderful and rare surviving original watercolor and graphite illustration by the legendary Art Nouveau artist Raphael Kirchner. The image shows a sexually provocative “Kirchner Girl” in rolled silk stockings, seductively grilling the many hearts she has stolen. This appeared in print in La Vie Parisienne with the German language quip “Können Diese Herzen Warm Genug Sein?”, which translates loosely to “Are […]
Artist: Raphael Kirchner
This remarkable art deco Orientalist scene by the American illustrator and cartoonist Frank Godwin, depicts the interior story “Ali Baba And The Forty Thieves”, from the 1920 children’s book Stories The Sandman Told, a complete copy of which is included in the sale. Pictured in this gouache on board painting, is Morgiana, a slave girl who is pouring […]
Artist: Frank Godwin
This woman in peril, menace themed proposed spicy pulp oil painting by the American illustrator William Soare is a lurid and provocative example of the damsel in distress imagery which proliferated newsstands in the 1930s. To the best of our research, this pulp cover illustration appears to have never been published, which sometimes happened when the fly-by-night titles that commissioned these spicy […]
Artist: William Soare
This playfully spirited and sexy original oil on canvas pin-up painting by Edward Runci was published by the Shaw-Barton Calendar Company in 1947 with the title “Wish You Were Here.” The artist was an outstanding painter of pin-ups during the 1940s and 50s whose smooth style was much admired by his contemporaries. Unlike the majority of other […]
Artist: Edward Runci
In this original oil on canvas pulp painting by Harold McCauley, used as the cover for the November, 1954 pulp digest, Imaginative Tales #2, a near nude runaway pin-up girl seductively rides a speeding red bullet – with the next stop being the moon… Created to illustrate an interior serialized novella story by Charles F. […]
Artist: Harold McCauley
This oil on canvasboard painting by Harold (H.W.) McCauley was created for use as the cover for the 1959 Nightstand digest pulp novel Carnival of Lust by J.X. Williams. In this offering a near-nude harem girl flirtatiously eyes a martini drinking genie. The painting is a dynamic and well-rendered example by this prolific and gifted American illustrator, and a great artifact […]
Artist: Harold McCauley
The Louis F. Dow Calendar Company of Saint Paul, Minnesota commissioned this pristine and rare surviving pin-up painting by Art Frahm for publication in their 1944 calendar line under the title “Pay Off.” The image shows an underdressed, impish redhead having an “oops” moment as she is drenched by the puppy she has just so carefully bathed. This painting is […]
Artist: Art Frahm
A lurid, true crime themed, spicy pulp cover pin-up painting by George Gross featuring a bathing beauty, gun toting moll as “The Daughter of Satan,” for the March, 1948 pulp digest title Women in Crime which purported to have stories based on True Fact Detective Cases. The tagline on the cover reads “Some Women Love To […]
Artist: George Gross
