Sorry, It's Sold

Welcome to Grapefruit Moon Gallery. Here you will find an archived visual history of past sales. Pretty to look at, some are quite old; but when they're in here, consider them sold!

A large whimsical 1963 Calendar commissioned gouache painting for The Louis F. Dow Calendar Company signed “Arnquist” a pseudonym which allowed Bill Layne (who was under contract with Brown & Bigelow Calendar Company) to also get paid for calendar works he created for the rival Saint Paul Minnesota competing calendar company. A printed tear sheet of the painting titled “Cat Nap” used as a calendar page March 1963 is included in the sale. This work features a xylophone and a band of mice as the central components as a snoozing cat gets his whiskers trimmed in blissful oblivion to the happenings. Nicely matted and framed and ready to enjoy.

Cat Nap

Artist: Bill Layne

The finest example of a Bill Layne Brown & Bigelow Calendar Company commissioned illustration we have had to offer. A 1950s-era gouache on board titled “Pearl Gardens, for Cultivated Pearls”. Created for one of this calendar company’s jewelry advertising accounts, the image depicts a pair of topless pin-up girl mermaids in an underwater oyster mine with a host of male atomic-age sea dwellers. The type of scene only Bill Layne could envision and execute.

Pearl Gardens

Artist: Bill Layne

Grapefruit Moon Gallery is delighted to offer a fresh (in all respects!) original oil on canvas pin-up painting by Vaughan Bass for The Louis F. Dow Calendar Company. A young strawberry-blonde nude bombshell with a curling iron readying herself for a night out on the town. A never on the market before fabulous estate find by this under valued and very talented and prolific calendar artist. Work is on original pine stretchers and in a very fine state of conservation, in all regards “The Great American Pin-up”.

An Iron in the Fire

Artist: Vaughan Bass

A 1940s gouache painting on illustration board showing a silk stockings wearing heartbreaker exposing her garter and getting the worst of a little winter fun. This is by the pin-up artist Winer who created numerous covers for the pin-up magazine titles of the day such as Beauty Parade, Titter, and Wink. Work is unsigned but comes from a Los Angeles estate which featured several signed examples by the artist similar in all regards and artistic aspects.

Bullseye

Artist: Winer

The second work from a pair of 1920s gouache paintings by the Minneapolis Minnesota artist Lee Mero, titled “Land O’ the Sky Blue Water.” This retains its brightly colored pin striped art deco enamel painted wood frame. This was likely a commissioned work for the Buzza Motto Company who prospered during the Roaring 20s Jazz Age years providing prints, plaques, bridge tallies and menu books that captured the style and aesthetics of the burgeoning modernist art deco movement. This beautiful depiction of northern Minnesota’s 10,000 lakes glory captures the fascination with Native American culture with an Indian Chief in a birch-bark canoe and blue heron birds that are indigenous to the area.

Land O’ the Sky Blue Water

Artist: Lee Mero

A fantastic original oil on board illustration by George Washington Hood exploring Swedish mythology, illustrating the story Silverwhite & Lillwacker in “The Swedish Fairy Book.” Caption reads “Then Silverwhite drew his sword with a great sweep, & rushed upon the sea troll.” From the Golden Age of Illustration this painting is a magical work that is beautifully framed and ready to enjoy, a 1921 First Edition copy of the published book with illustration featured on page 44 is included in the sale.

Silverwhite & Lillwacker

Artist: George Washington Hood

This April 16, 1927 cover painting for “Detective Story Magazine” by John A. Coughlin is titled on verso “Hoodooed.” The well rendered oil on canvas, signed lower left, depicts a train robbery heist scene, that from the title appears to fit into a larger intrigue of voodoo and mystery. This rare Street and Smith commissioned cover painting has been relined and stretched on new pine stretchers and is ready to frame and enjoy.

Hoodooed

Artist: John Coughlin

A charming scarce surviving Street & Smith published pulp cover painting by John A. Coughlin, this was most likely used as the cover of the May 13, 1922 issue of “Detective Story Magazine”. The verso is titled “The Stolen Clew”, the dramatic and mysterious scene features Fu Manchu emerging from the background into the lair of a mad scientist. Research leads us to believe that this illustrates a scene from “Dr. Kreener’s Last Experiment,” a serialized story from Sax Rohmer’s “The Insidious Dr. Fu Manchu,” which was published in Detective Story Magazine.

The Stolen Clew

Artist: John Coughlin

An early published and signed oil on canvas by John A. Coughlin for an as of yet unidentified Street & Smith pulp title. The hand of a New York City police officer is seen menacing a formally attired crowd in a surreal, chaotic action packed moment. A rare surviving original cover painting from The Golden Age of Illustration and a recent Pennsylvania estate find. Verso is titled “You Can’t Win” with a partial Street & Smith publishing label as seen. Relined and restretched and ready to frame and enjoy.

The House of Horror

Artist: John Coughlin

A rare surviving oil on canvas depicting the rogue pulp detective magazine villain Maxwell Sanderson in one of his serialized escapades. This was created as a commissioned cover for the July 16, 1929 issue of Street and Smith’s “Detective Story Magazine.” Painted by John A. Coughlin, this work finds Sanderson with his hand caught in the safe–verso is notated with a publishing date and the title “Sanderson Trapped.” Relined and ready to frame and enjoy.

Maxwell Sanderson Trapped

Artist: John Coughlin

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