Original Art from the Grand Age of American Illustration
Risqué and fetching maidens have always been popular artistic subjects and the perfect vehicle to advertise just about any product, add allure to any magazine, or brighten any calendar. In the 1930s, Rolf Armstrong and Billy Devorss’s Art Deco sophisticates were everyone’s dream girl. During World War II, George Petty and Alberto Vargas created patriotic lithe modernist heartbreakers for the pages of Esquire Magazine to keep servicemen company, and soon there was a calendar girl for every taste--whether you preferred the girl next door or the one from the wrong side of the tracks. In post-war America, the youthful spirit personified by Earl Moran’s cheesecake depictions of Marilyn Monroe reigned, and pin up and glamour art remained unflaggingly popular. Today, original pin up and glamour art is more coveted by collectors than ever, and its influence on contemporary fashion, art, and culture is everywhere.
A rare surviving mixed medium calendar commissioned painting for “American Art Works Company”. A Great Depression-era 1930s art deco work by L. Goddard of a lovely young Indian maiden drawing back cupid’s bow and taking aim. This large impressive work is beautifully framed and matted and ready to hang in a period ornate carved wood gold frame.
Artist: L. Goddard
This original gouache painting by Henry Clive was used as the cover of Randolph Hearst’s American Weekly Magazine, August 6, 1944. One from a series of covers that glorified the beauty of women from the cultures America found itself allied with during the dark days of World War II, Global Glamour presented a rare opportunity for Clive to depict women from a variety of races in the guise of pin up and glamour art.
Artist: Henry Clive
A delicately rendered pastel on illustration board by Henry Clive, capturing an exotic pretty nude pin-up model with ruby red lips envisioned as a sleeping beauty. This captures effortlessly the prolific artist’s unique take on feminine allure. We believe this to be an unpublished illustration, retains its handsome hand carved wood gallery frame and is handsomely cloth matted and lined behind glass.
Artist: Henry Clive
In this original oil on canvas painting by the prolific American artist Forrest H. Clough, a blond pirate girl styled pin-up beauty discovers a bounty of buried treasures from a previous shipwreck. This fresh to the market vintage calendar artwork is titled on the verso “Pirate’s Treasure” and is a published vintage example of the great American pin up.
Artist: F. H. Clough
This 1953 deliriously sexy nude pin-up oil painting by Gil Elvgren for the Brown & Bigelow Calendar Company dates to the artist’s best period. This image was used in a deck of playing cards under the title Cee Bee (To Hold) Fascinating Figures and is pictured as figure 251 in Gil Elvgren All His Glamorous American Pin-Ups by Charles G. Martignette and Louis K. Meisel. From the Estate of Charles Martignette.
Artist: Gil Elvgren
A colorful estate fresh pastel sketch by Rolf Armstrong C. 1930 of his lithe modernist pin-up model Margery Crampton, posed on the bow of a well rendered Chris-Craft Runabout art deco boat. This was a preliminary sketch for the August 1930 issue of College Humor Magazine. While unsigned, pastel is guaranteed to be by the hand of Rolf Armstrong, from the collection of Ken Galente former owner of Silver Screen Gallery in New York.
Artist: Rolf Armstrong
In this original oil on canvas painting by the prolific artist Forrest H. Clough, an aspiring French maid studies up on both her language skill and the art of seduction. From the suggestively placed feather duster to the silk stockings and garter costuming, this fresh to the market vintage calendar artwork presents a provocative, not so subtle take on the American pin up.
Artist: F. H. Clough
This sassy secretary pin up pastel was created by Earl Moran for the Brown & Bigelow Calendar Company in about 1940. The work appeared as a mutoscope card with the title “A Sweet Job”. Office girl pin-up depictions were common during the pre-WWII lean economic years of the Great Depression, and this is an inspired example of that genre. A published mutoscope card of the image is included in the sale.
Artist: Earl Moran
A kinetic art deco era flapper girl bathing beauty is captured frolicking in the waves in this original oil on canvas pin-up painting by William Soare. Likely created for a pin-up calendar, the work is signed lower left and also marked on the back canvas in the artists hand. William Fulton Soare was a versatile illustrator who was prolific during the 1920s – 30s creating covers for many pulp magazines titles and Boy’s Adventure Magazines. His first assignments were illustrations for calendar reproduction.
Artist: William Soare
This cheeky and colorful original gouache cover illustration painting by the well listed Wisconsin artist Lester Bentley graced the cover of Rogue For Men Magazine, August 1956. Both Lloyd Rognan and Lester Bentley were encouraged as cover artists for Rogue to have fun with their mascot–a caddish, happy go lucky, wolf of distinction. This cover features the Rogue Wolf seaside preparing a beverage in a streamlined art deco cocktail shaker for his bathing beauty companion; bottoms up indeed! Nicely framed and matted behind glass and ready to hang.
Artist: Lester Bentley
