pulp

A lurid, action filled, original pulp cover oil on canvas by Harry Lemon Parkhurst / H. L. Parkhurst, one of the premier artists creating spicy pulp imagery for Culture Publications during the 1930s – 40s. This work illustrates “It’s Your Funeral” by Robert A. Garron and was used as the cover for the June 1941 issue of Private Detective. Surviving pulp paintings for this title and by this artist are scarce and this painting has it all; action, danger, drama, menace and movement.

It’s Your Funeral

Artist: H. L. Parkhurst

A rare surviving pastel cover illustration by Cardwell Higgins for the first issue of Screen Humor Magazine; January 1934, Volume #1 – Issue #1. A very sexy flapper girl in silk stockings and garter belts from the art deco era when America’s news stands were filled with these often times very short lived runs of titillating Spicy Pulp titles that featured brazenly erotic pin-up girl depictions of showgirls and jazz-age playthings.

A Pre-View

Artist: Cardwell Higgins

A bold, defining and lurid pastel cover illustration for The July 1942 “Expose Detective True Crime Cases” illustrating the interior story “Sex Was My Racket”. In this case the tables are turned to lurid effect as the typically menaced pin-up queen cover girl is brandishing a large gleaming knife and a hard boiled outlook. A large and desirable rare surviving example of the detective genre of the Spicy Pulps. From the important estate of Charles Martignette, co-author of “The Great American Pin-up”.

Sex Was My Racket

Artist: Cardwell Higgins

A large gouache illustration for the cover of the October 1960 edition of Stag Magazine. A daring mountain top rescue illustrating the interior story “Three Months With The Wild Mountain Girls of Tibet” – “Sgt. Gregory’s Escape From Red Chinese Captivity”. A compelling read we are certain and by all accounts an action packed large scale gouache illustration.

Mountain Girls of Tibet

Artist: Mort Künstler

A tense and hyper-realist original gouache illustration by the highly regarded and prolific illustrator Mort Kunstler, this interior 2-page spread appeared in the May 1963 edition of True Action and possibly as a cover for Male Magazine in 1960. The lurid, defining action-filled image captures the prevailing nihilism associated with the 1960s “sweat magazine” art and envelope-pushing adventure fiction. This large and impacting gouache work takes place at a Korean brothel and plays on the Cold War-era fears which were prevalent in the aftermath of the Korean War.

Garden of 1000 Brides

Artist: Mort Künstler

A bizarre and gritty subway terror scene by Mort Kunstler from the “War at Home” genre prevalent in 1960s Men’s Magazine art. This depiction finds a handful of thugs in their best Lords of Flatbush garb accosting a pretty mod damsel. A square jawed, tough as nails Cold War era Military Man prevails in the name of justice over some assorted juvenile delinquents in this archetypical depiction of the ongoing culture war of the 60s. This was used as a May cover “For Men Only Magazine” with the title “Underground Angels Who Terrorized New York’s Subways”. This is an electric work; if you are a fan of the genre, this gouache painting has it all.

Underground Angels

Artist: Mort Künstler

Grapefruit Moon Gallery is delighted to offer this recently unearthed George Jerome Rozen pulp painting featuring the Shadow in dramatic confrontation. Featured as the cover of the September 15, 1936 edition of Street and Smith’s long running series “The Shadow,” this is an important offering an exceedingly scarce surviving original pulp cover painting from the golden age of illustration. Recently uncovered from a Pennsylvania estate, as collectors will lament, original cover paintings from The Shadow prove near impossible to locate.

The Shadow In Jibaro Death

Artist: Jerome Rozen

Sarahjane and Dan Murphy discuss pulpy history and Grapefruit Moon Gallery’s exhibit of original pulp cover art entitled “Hard Boiled Art” in these KMSP clips. Pulp magazine covers were very sensational and were considered the most important aspect in the sales of any particular pulp series. Socially acceptable boundaries were often tested and the topics […]

Hard Boiled Art

Grapefruit Moon Gallery is pleased to offer a rare surviving Jerome Rozen pulp cover painting from an as of yet undetermined Street & Smith 1930s publication. This macabre and defining oil on canvas shows an old west tavern with a handsome, smoking-gun-holding cowboy menaced by a hooded villain in Day of the Dead Calaca mask. This masterful dark western themed artwork is tense with imminent danger. Signed lower right; painting has been relined and is ready to frame and enjoy.

The Day of the Dead

Artist: Jerome Rozen

A charming scarce surviving Street & Smith published pulp cover painting by John A. Coughlin, this was most likely used as the cover of the May 13, 1922 issue of “Detective Story Magazine”. The verso is titled “The Stolen Clew”, the dramatic and mysterious scene features Fu Manchu emerging from the background into the lair of a mad scientist. Research leads us to believe that this illustrates a scene from “Dr. Kreener’s Last Experiment,” a serialized story from Sax Rohmer’s “The Insidious Dr. Fu Manchu,” which was published in Detective Story Magazine.

The Stolen Clew

Artist: John Coughlin

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