original calendar art

“Angel Face” is a dazzling, nearly photo-realist 1959 original glamour girl pin-up pastel by Pearl Frush which was published by the Gerlach-Barklow Calendar Company of Joliet Illinois. This was gifted by a salesman at Gerlach-Barklow to the Robberson Steel Company of Oklahoma City in appreciation for their lucrative advertising account. Pastel is in a pristine state of conservation in the original gold wide profile frame lined behind glass with plate on front with title and year of print publication.

Angel Face

Artist: Pearl Frush

This good girl art original pastel exemplifies the beauty and personality which kept pin up and glamour a mainstay of calendar imagery even after illustration began giving way to photography in popularity. This features a fresh faced brunette envisioned by the leading female pin-up illustrator Pearl Frush and published by Gerlach-Barklow of Joliet Illinois. It was customary for calendar salesmen to reward premiere advertising accounts with original illustrations as incentive to keep advertising with the firm.

Miss 1964

Artist: Pearl Frush

An original Gil Elvgren pin-up oil painting created in 1952 for the Brown & Bigelow Calendar Company of Saint Paul Minnesota. This curvy pin-up beauty appeared under the title “Hard To Suit,” a pun the copy department liked so much they used it again in 1954 to describe an Elvgren girl disrobing from her duck hunting garb to reveal lingerie. This is the prototypical Elvgren girl in a comically harrowing and skin revealing pin-up entanglement with the artist’s classic pursed lip expression that evokes surprise, embarrassment and provocation.

Hard To Suit (Who Me?)

Artist: Gil Elvgren

This fresh to the market large pastel pin-up illustration by Zoe Mozert was commissioned for the Brown & Bigelow Calendar Company and used in their 1950 line under the title “Ready To Serve”. Work is nicely lined and beautifully framed and in pristine original untouched condition with a large Brown & Bigelow published Calendar of artwork included in sale.

Ready To Serve

Artist: Zoe Mozert

In this nostalgic themed oil and graphite on board, Bill Medcalf offers a view of a sleigh arriving at a rural family home. Evoking memories of ancestral Christmases past, the scene features a smiling group of three generations of kin enjoying a snowy morning. The mustached man and woman holding a baby are featured in many images created by Medcalf, and presumably these were intended to become a year long calendar, which tells a story of a family through time.

Winter Wonderland

Artist: William Medcalf

Capitalizing on the mid-1950s nostalgia for a lost vision of the American heartland, William Medcalf presents a view of a 19th century midwest barn dance, with smiling couples who appear plucked straight of out of the 1955 Academy Award winning musical Oklahoma!. This large, colorful, highly expressive oil on board with graphite highlights was created as the final preliminary painting for a published Brown & Bigelow calendar image. During the 50s, Bil Medcalf was known as one of the company’s star illustrators, and created numerous 12 page calendar series based around themes of classic Americana.

Barn Dance

Artist: William Medcalf

During the 50s, Bil Medcalf was one of Brown & Bigelow’s star illustrators, creating 12 page calendar series based around themes of classic Americana. Here, he evokes a classic 4th of July celebration with revelers enjoying a day at Riverside Park. From the soldier checking out the ravishing redhead disembarking her carriage, to the new parents cooing over their baby buggy, the scene evokes a vision of a simpler time, and a patriotic and nostalgic sense of 19th century America.

Riverside Park, 4th of July

Artist: William Medcalf

This nostalgic oil and graphite on illustration board, offers a peek into the early days of automotive touring. Bill Medcalf created this as a final presentation painting for one of Brown & Bigelow’s historically themed 12 month Americana calendars. In their finest Sunday clothes, a family taking a jaunt in their 1908-era Ford Model T find themselves lost on a country road. Bringing many of the classic archetypes of early motoring together, the male driver of the car refuses to look at the map his wife is consulting, while a farmer (who has likely never seen a car before) directs them in exactly the opposite direction than they were headed.

Country Drive

Artist: William Medcalf

An endearing, albeit slightly sinister, interior hearth and home Americana scene titled “Magic Spell” by noted calendar and pin-up artist Vaughan Bass. In this late 1940s work, the newly invented television takes center stage in a room of otherwise unsupervised children of all ages. All participants are transformed by the magic spell cast by the glowing console. The unpainted television screen surface would act as advertising placement in the finished calendar where text would be added to appear as though it was on the T.V.

Magic Spell

Artist: Vaughan Bass

Art Frahm pushes the boundaries of cheesecake pin-up in this scandalous and daring oil on canvas. Titled “Oooh, Is There a Man in the House?” this late 1940s Goes Litho calendar commissioned pin-up painting features a brunette in shockingly sheer negligee peeking around the corner in a brazen mix of apprehension and curiosity. This winsome brunette exhudes a level of erotic sophistication not always seen in the post-World War II pin up world.

Oooh, Is There a Man In the House?

Artist: Art Frahm

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