This cover painting by Tom Beecham for True Strange magazine is comprised of a montage of Marilyn Monroe imagery.
Artist: Tom Beecham
Original Art from the Grand Age of American Illustration

This cover painting by Tom Beecham for True Strange magazine is comprised of a montage of Marilyn Monroe imagery.
Artist: Tom Beecham

An original oil on board illustration used as the cover for Joker No.16 – a 1949 digest sized magazine advertising “More Snappy Cartoons – Smack Full of Laughter!” A leggy, busty and quintessentially Driben pin-up beauty is seen trying her hand at a little “sofa fission” as the caption will have you know. Illustration is in a fine state of conservation, nicely framed and matted in a period, wide profile, handsome, gesso art deco frame.
Artist: Peter Driben

An original gouache cover illustration for an unidentified issue of the notorious French publication “La Vie Parisienne”. The long running, humorous and racy magazine chronicled the exploits and sexual proclivities of sassy and free spirited French follies showgirls and their often dim witted suitors in risque, breezy, spicy pulp-like fashion. This original gouache painting is nicely double matted in an oval window in a fine antique ornate gesso gold frame behind glass.
Artist: Maurice Milliere

This Orson Lowell scene of a flapper couple ice yachting with the unexpected help of a pierrot deckhand was presumably created as a cover painting for Collier’s magazine.
Artist: Orson Lowell

An inventive and smart C.1930 pastel by frequent Golden Age of Hollywood Movie Magazine cover artist Mila Baine, showing a radiant and stylish Claudette Colbert. Likely a cover for the title Movie Mirror, where Blaine did numerous commissioned covers of Hollywood’s leading ladies in the early 1930s. From the collection of Ken Galente, former owner of Silver Screen Gallery in New York City.
Artist: Mila Baine

An original gouache cover painting for the notorious French publication La Vie Parisienne. The long running, humorous and racy magazine chronicled the exploits and sexual proclivities of sassy and free spirited French follies showgirls and their often dim witted suitors in risque, breezy, spicy pulp-like fashion. Maurice Milliere was a frequent contributor of cover illustrations. Fans on both sides of the Atlantic were familiar with the adventures of our delightful bobbed hair cover girl “Fanny” who appeared in a variety of humorous and or scandalous poses. Text translates to Our Huntresses: How the ladies make their powder speak.
Artist: Maurice Milliere

A smartly conceived and modern jazz age oil-on-canvas painting of a ravishing Jeanette MacDonald, the cover for The New Movie Magazine, June 1932. Executed in a high glamour, severe art deco style by the American Illustrator McClelland Barclay. Work is a defining example by this talented and prolific artist and comes beautifully framed in an ornate gold gilt American Arts & Crafts fine museum quality carved frame. A lost treasure from the golden age of Hollywood glamour and elegance.
Artist: McClelland Barclay

A large American impressionist oil painting by the well listed illustrator Edmund Davenport. A frequent cover artist for a number of Golden Age of Illustration glossy magazine titles, Davenport excelled at this manner of romancing the celebratory moments of life without resorting to obvious sentimentalism. This well realized and luminous work utilizes an impasto technique and a lush fall color palette and was used as the cover for the November 1928 Thanksgiving cover for The American Magazine.
Artist: Edmund Davenport

Pulp illustrator James Lunnon created this oil on canvas painting of Norma Shearer for the September 1935 issue of Movies Magazine. The hair and styling seem to date this to the mid 1930s-the height of Shearer’s renown as the Queen of MGM, a title bestowed upon her in 1927 when she married Irving Thalberg. Unusually […]
Artist: James Lunnon

From the estate of the American artist James Lunnon, this is an unsigned proposed Black Mask pulp cover painting which was slated for publication in May of 1940. The yellow left side field is a telling trait and was unique to the title – this format was used between January 1937 to April of 1940, […]
Artist: James Lunnon
