flapper

Six Brinkley girls, each with distinct style and personality, are shown in a classroom, preparing to take their knowledge of the geography of beauty out into the wider world. A map, at the time, was slang for a beautiful face, and there is no question that these maps would lead to men’s hearts across the country. Created as a stand alone cartoon for an unidentified Hearst publication, this pen & ink on board illustration contains all the elements that made Nell Brinkley the pre-eminent female cartoonist of the early 20th century.

A Map of the Heart

Artist: Nell Brinkley

Doris Niles was a premiere ballerina and concert dancer, known primarily for her Spanish-inspired pieces, and one of the shining beauties of the New York stage. Her flamboyant continental costume and dramatically posed stance in this portrait by Nikolas Muray, capture the dancer’s unique and refined sensibility. Muray, one of the masters of the modern expressive style, chronicled the New York dance world in the art deco jazz age, and his expert eye is on display to fine effect in this seductive view.

Doris Niles

Artist: Nickolas Muray

Before her tenure as the reigning queen of Hollywood society, and her long-standing position as mistress of newspaper magnate William Randolph Hearst, Marion Davies was among the most beautiful of Florence Ziegfeld’s glorified American girls. Here, she is a delicate princess captured at the height of her beauty by Alfred Cheney Johnston, who had as much a part of creating the Follies reputation as Ziegfeld himself.

Follies Princess Marion Davies

Artist: Alfred Cheney Johnston

A spectacular view of Clara Bow in jazz age headscarf with streamlined modernist style, by George Hommel. Bow’s wizened eyes and cupid feature captured the nihilism and eroticism of the Lost generation, as well as the heart of the American moviegoing public, and vintage original stills of her remain highly collectible.

Clara Bow

Artist: George Hommel

The quintessential jazz baby, Joan Crawford is captured coyly beckoning at the viewer in this large format, double weight gallery photograph by Ruth Harriet Louise. The most important female photographer in Hollywood during the golden age of film, Louise is remembered for her ability to make the spirit of the art deco jazz age come alive.

Joan Crawford as Flapper Jazz Baby

Artist: Ruth Harriet Louise

This 1920s double weight original large format erotic sepia photograph of Ziegfeld Follies showgirl and flapper Tot Qualters is one of the most well preserved artifacts of the heyday of the jazz age showgirl extravaganza. In its original glassine sleeve, this features Qualters in ornate headdress, captured by Orval Hixon of the Hixon-Newman studios. Photographs from this era of the Ziegfeld Follies are particularly coveted, and views with this exquisite sense of style and costuming are among the most desirable and scarce.

Erotic Ziegfeld Girl Tot Qualters

Artist: Orval Hixon

A dazzling original calendar published oil painting by Henry Clive titled “A Seaside Flirtation” created for the Joseph Hoover Calendar Company. Henry Clive joyously captures the essence of the jazz-age and the roaring 20s modernist flapper girl, this is a grand depiction. From the estate of Charles Martignette, the noted author, historian and collector. This rare surviving painting is lavishly framed, silk matted and ready to enjoy. A 1934 advertising calendar is included in the sale.

A Seaside Flirtation

Artist: Henry Clive

Before her tenure as the reigning queen of Hollywood society, and her long-standing position as mistress of newspaper magnate William Randolph Hearst, Marion Davies was among the most beautiful of Florence Ziegfeld’s glorified American girls. Here, she is shown in lavish showgirl costuming, an ethereal beauty in soft focus view by Campbell studio. This double weight gallery portrait is blindstamped by photographer lower right.

Follies Girl Marion Davies

Artist: Campbell Studios

The instantly iconic profile of Gloria Swanson is foregrounded in this romantic and highly art deco photograph of the queen of silent film, from her 1929 vehicle The Trespasser. In refined flapper pose, against abstracted picture window, Swanson defines the roaring ’20s with all of its sexuality and culture. The still features heavily notated verso with Spanish language text and archival numbering.

Gloria Swanson in The Trespasser

Artist: Unknown

Ruth Chatterton is remembered as one of the most sophisticated beauties of the pre-code era of American film, and her refined and often chilly beauty is showcased wonderfully in this evocative portrait by the renowned Russell Ball. Signed in grease pencil by the photographer, this large format, marginless print was created for Chatterton’s personal collection, and this was printed by Ball himself and captures the spirit of subject, artist, and the art deco moment in which it was created.

A Sophisticated Ruth Chatterton

Artist: Russell Ball

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