american

Ruth Chatterton is remembered as one of the most sophisticated beauties of the pre-code era of American film, and her refined and often chilly beauty is showcased wonderfully in this evocative portrait by the renowned Russell Ball. Signed in grease pencil by the photographer, this large format, marginless print was created for Chatterton’s personal collection, and this was printed by Ball himself and captures the spirit of subject, artist, and the art deco moment in which it was created.

A Sophisticated Ruth Chatterton

Artist: Russell Ball

The relationship between Greta Garbo and photographer Clarence Sinclair Bull is perhaps the most storied pairing in the star system of Golden Age Hollywood. Only Bull could coax the immortally sensual and iconic images that defined Garbo from the notoriously shy and reserved star. In this portrait from the 1934 film The Painted Veil, Garbo is seen in profile, with the luscious light and shadow for which the photographer was known.

Greta Garbo From The Painted Veil

Artist: Clarence Sinclair Bull

Shortly after cementing her reputation as a rising ingenue in Hollywood with the role of Wendy in Peter Pan, Mary Brian became one of the most in-demand heroines of the silent film era. In this sweetly romantic, yet sophisticated portrait of the beauty queen, Eugene Robert Richee, the Paramount Pictures studio photographer (best known for his portraits of Louise Brooks) showcases her complex allure.

Mary Brian in The Enchanted Hill

Artist: Eugene Robert Richee

Ruth Harriet Louise, the groundbreaking female photographer who created some of the best known 1920s jazz age Hollywood portraits for Metro-Goldwyn-Mayer, here captures Mae Murray at her most provocative and playful. Her “bee-stung lips” are on full display in his orientalist inspired and erotic sepia view. Large double-weight photographs such as this were never intended for widespread distributions, and were hand printed by the photographers themselves.

Provocative Jazz Age Mae Murray

Artist: Ruth Harriet Louise

An inventive stylized colorful dated gouache advertising painting by Cardwell Higgins for “Aris Britland Doeskin” gloves. An inventive color palette and attention to fashion style details make this a compelling and inventive example. A tear sheet of the printed work from the artist’s scrapbook is included in the sale.

Aris Britland Doeskins

Artist: Cardwell Higgins

An early fabulous pen & ink drawing by Cardwell Higgins in the art deco manner titled “Siamese Dancers”, possibly a commissioned work for use by Paramount Films where the artist was under contract in the late 1920s. Higgins completed a series of like minded costumed art deco pen & ink drawings between the years of 1927 – 1929 that were re-marketed as a series of limited edition art prints under the guidance of Charles Martignette in 1979. The work is finely matted and framed behind glass in a handsome art deco black and silver fine gallery frame.

Siamese Dancers

Artist: Cardwell Higgins

A large, signed and dated oil on canvas by noted and prolific Golden age illustrator Ralph Pallen Coleman. The work was commissioned for a 2 page spread in the November 1933 edition of Redbook Magazine, illustrating the Military-themed melodrama “Rank and File” by Charles L. Clifford and Mary C. McCall, Jr. The published edition of Redbook is included in the sale and the painting is nicely framed and ready to hang.

Rank and File

Artist: Ralph Coleman

A stark, eerie, machine age/industrial revolution 1938 Works Progress Administration sponsored oil painting by Thomas Tyrone Comfort, this darkly modernist view titled “Heat on Steel” features a haunting view of an arc welder at work in a surrealist factory. This large scale painting was created as public art and exhibited by the Federal Arts Project in 1938 and retains its original verso label. 1938 marked the height of the WPA art movement, and Comfort was one of its promising talents, creating evocatively expressive, and moody visions of Depression era science and industry.

Heat On Steel

Artist: Tyrone Comfort

This original oil painting is one of three estate finds by the artist “Eyre” which was possibly a pseudonym for the east coast 1920s – 30s Illustrator Edward Eggleston. Though this example is unsigned, it was undoubtedly created by the same hand as the two signed Eyre pieces, and all three strongly resemble the work of Eggleston, who created several similar flapper girl seaside bathing beauty imagery for Atlantic City travel posters. The “EYRE” signature (visible in the other examples offered by the gallery) is stylistically similar to Eggleston’s signature and the color palette is reminiscent as well. This is a beautiful painting and is framed in an ornate period art deco frame matted behind glass.

Atlantic City Flapper Seaside

Artist: Eyre

A modernist, erotically charged, unconventional pin-up oil on canvas painting by Fritz Willis one of only several of the genre’s later-era stars. The model was the artist’s wife Pat, who frequently appeared in Willis’ work. The artist was unique in that he often painted in an openly erotic rather than coyly suggestive pin-up style, using props like opera gloves or silk stockings to highlight the allure of his models.

Erotic Nude in Opera Gloves

Artist: Fritz Willis

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