Pin-Up & Glamour Art

Risqué and fetching maidens have always been popular artistic subjects and the perfect vehicle to advertise just about any product, add allure to any magazine, or brighten any calendar. In the 1930s, Rolf Armstrong and Billy Devorss’s Art Deco sophisticates were everyone’s dream girl. During World War II, George Petty and Alberto Vargas created patriotic lithe modernist heartbreakers for the pages of Esquire Magazine to keep servicemen company, and soon there was a calendar girl for every taste--whether you preferred the girl next door or the one from the wrong side of the tracks. In post-war America, the youthful spirit personified by Earl Moran’s cheesecake depictions of Marilyn Monroe reigned, and pin up and glamour art remained unflaggingly popular. Today, original pin up and glamour art is more coveted by collectors than ever, and its influence on contemporary fashion, art, and culture is everywhere.

Simply stated, Thanks for the Orchid, is the finest Joyce Ballantyne artwork to come on the market. Commissioned by Brown & Bigelow in 1955, the luminous quality of the image and the detail and texture of the brush strokes display the impact of Elvgren’s teachings and collaboration on Ballantyne, if they do not indeed betray the hand of Gil Elvgren. Ballantyne worked closely with Elvgren for the better part of a decade, and it has often been suggested that he ghost painted some of her best work.

Thanks for the Orchid

Artist: Joyce Ballantyne

An original 1962 oil on canvas by Gilette Elvgren commissioned by the Brown & Bigelow Calendar Company and published under the titles “Just Right”,”Hat’s Nice” and “The Eyeds of March”. This sexy pin-up masterwork explores the silk stockings & garters scenario for which the artist is best known. A brunette Elvgren girl admires her wiles in an aptly named vanity mirror in this provocative over the shoulder derriere exposed creation. For those of you not keeping track, recent auctions have seen Elvgren’s pin-up works for Brown & Bigelow topping $200,000.00 on three recent occasions. The high water mark of $262,900.00 was seen at Heritage Auctions June 5th, 2008 sale in Dallas Texas (Lot #66097).

Just Right

Artist: Gil Elvgren

A bizarre and other-wordly rare surviving pulp cover painting by Harold W. McCauley for the October 1949 edition of “Amazing Stories”. A lurid and menacing, yet strangely beautiful illustration for the story “Tiger Women of Shadow Valley” by Berkeley Livingston. Story caption reads “There Was Death In Her Embrace”. This inspired work perfectly captures the luminous commercial technique and painterly elements of a successful Haddon Sundblom “Sundblom Shop” graduate and disciple in collision with pin-up girl, erotic science fiction pulp culture.

Tiger Woman of Shadow Valley

Artist: Harold McCauley

A searingly seductively blonde takes the stand in this hard boiled, pulp fiction inspired 1949 pin-up painting by Al Buell. Working for the Louis F. Dow calendar company under the pseudonym Al Leslie (Leslie was the artist’s middle name), Buell created this leggy, impish bad girl, a scandalous vixen reminiscent of the defiant film noir heroines who graced the screen in this post-war period.

Case Dis-missed

Artist: Al Buell

D’Ancona brings a lighthearted sense of whimsy to this 1950s situational cheesecake pin-up oil on board, which he created for the Goes Lithographic Company, Cincinnati Ohio.

A talented and prolific illustrator, D’Ancona excelled at creating curvaceous imaginings of the Girl Next Door, often presented at her most adorably vulnerable. In this artwork, a pouting brunette reaches for “A Lost Oar” (the title seen on verso of illustration board) only to find herself up the proverbial creek without a paddle.

Up A Creek

Artist: Edward D'Ancona

A luminous and glowing, glamour girl painting by the well-listed, prolific pin-up illustrator and Hollywood portrait artist Edward Runci. This fine oil on canvas features a Haddon Sundblom / Gil Elvgren inspired color palette and painterly technique. A formally posed beauty queen with a little bit of mischief in her eyes, in white gloves and fur wrap with a purple orchid from an admirer.

The Purple Orchid

Artist: Edward Runci

A rare and fabulous surviving commissioned calendar art pin-up painting by Al Buell titled on verso A Perfect Pair. From a series of paintings Buell did for Brown & Bigelow, The Playmate Series. This was for the month of October and dates to the late 1940s. Buell worked with Gil Elvgren in the Sundblom studios in Chicago and his accounts included Coca-Cola. His oils are among the best in the genre, they capture the pretty girl next door (albeit generally under-dressed) and have a wholesomeness rare in the pin-up form.

A Perfect Pair

Artist: Al Buell

A hauntingly beautiful, erotically charged, reclining nude pastel by Rolf Armstrong from his very best period. This nude was never published and dates from right around 1930; a seductive light and shadow meditation that finds Armstrong contemplating the “temptation of allure” and “the allure of temptation” in this jazz-age, art deco erotic rendering of a veiled showgirl finding the light.

The Veiled Nude

Artist: Rolf Armstrong

A striking in technique light and shadow in composition rare surviving original pastel on illustration board by Earl MacPherson created in the 1940s for a Patriotic pin-up brochure with text on how to survive an enemy military air raid and subsequent blackout. We will be selling all of the pastels from this important commissioned homeland wartime “Blackout Brochure”. This was a cheeky, lighthearted morale boosting effort making great use of double entendre and the talents of MacPherson to fight fear during World War II.

Incendiary Bombs

Artist: Earl MacPherson

An electric in composition rare surviving original pastel on illustration board by Earl MacPherson created in the 1940s for a Patriotic pin-up brochure with text on how to survive an enemy military air raid and subsequent blackout. We will be selling all of the pastels from this important commissioned homeland wartime “Blackout Brochure”. This was a cheeky, lighthearted morale boosting effort making great use of double entendre and the talents of MacPherson to fight fear during World War II.

Comfort Beside You

Artist: Earl MacPherson

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