curator

A dazzling original 1942 pastel on illustration board by Weston Taylor, commissioned by the C. Moss Calendar company for a pin-up calendar that was titled “Disconnected”. This is a classic art deco entanglement from pin-up’s best era, when flirty and coyly posed young flapper girls found themselves in precarious and risque situations that defy logic and often times words. Work is vivid, well rendered and in a fine gallery frame. Two archived vintage calendar prints of image included in sale. The Great American Pin-up personified.

Disconnected

Artist: Weston Taylor

A large original pen & ink illustration by the important Belle Epoque era poster and book illustrator Louis Rhead. This likely was done for Harper’s or Century Magazine. A great large rendering in the Art Nouveau manner and a rare surviving original illustration work by the great New York based prolific and gifted illustrator and artist.

Art Nouveau Maiden in February

Artist: Louis Rhead

A pair of interior illustrations in pen & ink by Louis Rhead, from the 1924 edition of Hans Brinker or the Silver Skates by Mary Mapes Dodge. The drawings are on 2 separate sheets of watercolor paper which were mounted on one illustration board by Rhead. Works are nicely matted and framed in a period dark oak quarter sawn mission oak frame.

Pair from Hans Brinker or the Silver Skates

Artist: Louis Rhead

A bewitching and highly detailed pen and ink rendering by Louis Rhead used in the 1915 book publication of Lorna Doone. Caption Reads ” Lorna and John Ridd before Sir Ensor Doone…. Fools you are be fools forever, said Sir Ensor Doone, at last.” Beautifully matted and framed in an antique period fine wood gilt lined frame.

Lorna & John Ridd Before Sir Ensor Doone

Artist: Louis Rhead

An electrifying, intense, and important original oil painting by Eric Pape for a 1928 Edition of Victor Hugo’s “The Hunchback of Notre Dame.” A dark and macabre masterwork from a climactic mob scene in this brooding despairing tale, the work is featured as a full page color-plate on page 488 in the chapter “An Awkward Friend”. An artist signed hard cover edition of the book is included with the sale and the work is nicely matted and framed in a period frame behind glass.

Notre Dame of Paris

Artist: Eric Pape

A haunting and epic large scale finely detailed and tonally impacting oil on canvas painting by Charles E. Chambers. An Orientalist Black Market alter scene that utilizes ochre and umber tones in a dark and menacing suspense filled manner. This was an interior illustration for “Sons” the second book in the Good Earth trilogy by Pulitzer Prize winning author Pearl S. Buck. This eerie and emotionally powerful image illustrates a pivotal scene in which the Wang family, having lost their fortune through opium promiscuity, is forced to sell their village estate and its contents, in a black market auction of sorts.

Before the Altar

Artist: Charles Edward Chambers

An original interior art nouveau glamour creation by noted illustrator, Charles Sheldon. This image was commissioned for use as a fashion plate for the prestigious Woman’s Home Companion. Artwork is beautifully framed, shows some minor soiling and has one small area of paper loss on lower left in black charcoal strokes, an easy repair.

Edwardian Fashion Queen

Artist: Charles Sheldon

A modernist abstract mixed media painting by Virgil Finlay, who was an important prolific American pulp and science fiction illustrator. Signed and dated 1965 lower right and titled on verso #51. Executed in a colorful and abstract manner with raised translucent areas, oil paint and pen and ink. Smartly framed and ready to hang.

Abstraction #51

Artist: Virgil Finlay

An original oil on board illustration used as the cover for Joker No.16 – a 1949 digest sized magazine advertising “More Snappy Cartoons – Smack Full of Laughter!” A leggy, busty and quintessentially Driben pin-up beauty is seen trying her hand at a little “sofa fission” as the caption will have you know. Illustration is in a fine state of conservation, nicely framed and matted in a period, wide profile, handsome, gesso art deco frame.

Fission N’ Funnin’

Artist: Peter Driben

An original gouache cover illustration for an unidentified issue of the notorious French publication “La Vie Parisienne”. The long running, humorous and racy magazine chronicled the exploits and sexual proclivities of sassy and free spirited French follies showgirls and their often dim witted suitors in risque, breezy, spicy pulp-like fashion. This original gouache painting is nicely double matted in an oval window in a fine antique ornate gesso gold frame behind glass.

La Vie D’Hiver

Artist: Maurice Milliere

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