Original Art from the Grand Age of American Illustration
A New Year’s themed cover painting by Leslie Thrasher for the January 9, 1932 edition of Liberty Magazine. The painting finds the serialized couple “Sandy and Lil” renewing their wedding vows in the midst of the Great Depression with a cherubic baby New Year with quill pen acting as the notary clerk. Image follows the tradition of January New Years Babies covers painted by Norman Rockwell and J. C. Lyendecker in The Saturday Evening Post.
Artist: Leslie Thrasher
A humorous moment in the midst of the Great Depression is the subject of this Liberty Magazine (November 21, 1931) original cover painting by Leslie Thrasher. Titled “Second From The Right” the cover chronicles the continuing story of “Sandy and Lil”, who frequented the cover of Liberty magazine in scenes from their typically 1920s courtship, wedding and early married life. This artwork (as explained in short interior story) finds the couple’a finances wiped out in the recent stock market crash. A neighbor (a rich lawless bootlegger!) turns up with a pair of complimentary tickets to The Follies and Sandy finds a particular showgirl much to his liking “second to the right.”
Artist: Leslie Thrasher
A rare surviving cover painting by Harold H.W. McCauley for the September 1938 edition of Fantastic Adventures; Volume #1 issue #5. This is likely the earliest commissioned pulp cover illustration by the artist. A classic art deco depiction of the perils of the near future space age, as envisioned in the campy, naive era of the 1930s. The mild bondage, damsel in distress content provided an additional titillating shock at the newsstands which carried this early pulp/science fiction title.
Artist: Harold McCauley
A rare surviving original cover painting by Enoch Bolles which appeared as the cover for the June 1945 Issue of Breezy Stories an envelope pushing, spicy pulp publication of much notoriety. This was most likely painted earlier than the published date noted here, as the magazine was in the practice of re-using existing artwork for its covers and the style and imagery mark this as coming from the 1930s, when Bolles produced his most inventive and important work.
Artist: Enoch Bolles
A lurid and menacing presumably commissioned cover painting for an as of yet undetermined spicy pulp publication circa 1930s-40s. By the New York State artist George Lee Trimm, who worked as a cover artist for various Western Fiction Publishing [Red Circle] pulps C. 1935-1942. Trimm created commissioned murals for the Finger Lakes region of upstate New York and is listed in Who’s Who in American Art.
Artist: George Trimm
A deftly rendered cover painting for The American Magazine by Herbert Paus, who developed an inventive and entirely modernist, machine age, industrial aesthetic. A striking seaside beauty is depicted playing a concertina in this rare surviving original cover painting from the golden age of American illustration. Herbert Paus was a leading illustrator who contributed covers for Life, Collier’s, Leslie’s and the Woman’s Home Companion magazines.
Artist: Herbert Paus
This jazz age artwork from the late fall of 1924 smartly blends Halloween season & boxing as a metaphor for the presidential election of that November. In this vibrant gouache, used as a cover for “The Brooklyn Eagle Sunday Magazine,” an Uncle Sam-inspired ring girl attempts to keep the peace between the two parties. This is a spirited roaring 20s time capsule.
Artist: Charles Verschuuren
In Willy Pogany’s dazzling oil on board artwork, an Art Nouveau maiden finds herself in the summer foliage conversing with a little bird. This whimsical scene was created for and used as the front cover of Metropolitan Magazine, July 1916. This artwork marks the best period in Pogany’s prolific and well remembered long and successful career. A stylized belle-epoque, tightly rendered work that features a vibrant color palette and intricate use of the free-flowing forms that came to define the Art Nouveau aesthetic.
Artist: Willy Pogany
An inventive mixed medium early work by Edwin Georgi used as the cover for an early 1930s issue of “The Woman’s Home Companion.” A linear and modernist rendering of women’s disembodied heads that contrasts the art deco era ideal of make-up enhanced feminine beauty with classic Greek porcelain statuary. A clever and stylized early work by one of our favorite American Illustrators, Edwin Georgi.
Artist: Edwin Georgi
An alternate cover for the October 1957 Issue of Imagination Science Fiction, by Lloyd Rognan, illustrating the interior story “You Can’t Buy Eternity” by Dwight V. Swain. This oil on canvas board original illustration differs from the published cover (which was also painted by Rognan) in several respects, notable the blond in peril on the published cover is envisioned in this rendering as a brunette. Which lends credence to the belief that a pulp cover artists life was not easy and was often subject to publishers whims and guidance. A published complete copy of the magazine is included in the sale.
Artist: Lloyd Rognan
